{"id":178,"date":"2011-02-26T13:08:19","date_gmt":"2011-02-26T11:08:19","guid":{"rendered":"https:\/\/martinmatalon.com\/?page_id=178"},"modified":"2026-09-04T20:03:52","modified_gmt":"2026-09-04T18:03:52","slug":"concerts","status":"publish","type":"page","link":"https:\/\/martinmatalon.com\/?page_id=178","title":{"rendered":"Concerts"},"content":{"rendered":"

[et_pb_section fb_built=\u00a0\u00bb1″ admin_label=\u00a0\u00bbsection\u00a0\u00bb _builder_version=\u00a0\u00bb4.16″ collapsed=\u00a0\u00bboff\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_row admin_label=\u00a0\u00bbrow\u00a0\u00bb _builder_version=\u00a0\u00bb4.16″ background_size=\u00a0\u00bbinitial\u00a0\u00bb background_position=\u00a0\u00bbtop_left\u00a0\u00bb background_repeat=\u00a0\u00bbrepeat\u00a0\u00bb collapsed=\u00a0\u00bboff\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][et_pb_toggle title=\u00a0\u00bb2027″ admin_label=\u00a0\u00bb2027″ _builder_version=\u00a0\u00bb4.27.6″ background_size=\u00a0\u00bbinitial\u00a0\u00bb background_position=\u00a0\u00bbtop_left\u00a0\u00bb background_repeat=\u00a0\u00bbrepeat\u00a0\u00bb use_border_color=\u00a0\u00bboff\u00a0\u00bb border_color=\u00a0\u00bb#ffffff\u00a0\u00bb border_style=\u00a0\u00bbsolid\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

\u2022 Monsieur Venus<\/strong> | <\/em>(ca 64mn)
pocket opera
livret de Alfredo Arias sur un texte de Rachilde
mise en sc\u00e8ne Alfredo Arias & Diana Theocharidis
February 24th, 25th, 26th & 27th, 2027<\/strong>
Clara Barbier Serrano Soprano – Anthony Millet Accordeon
electronics Centre Henri Pousseur – Remi le Taillandier Ing\u00e9nieur du son
Th\u00e9\u00e2tre de l’Ath\u00e9n\u00e9e
Paris<\/p>\n

\u2022 February 2027<\/strong>
Metropolis Rebooted <\/em>(140mn)
SWR Orchestra – Fran\u00e7ois Xavier Roth Conducting
ARTE Broadcast<\/p>\n

\u2022 Voyage dans la Lune (CM)<\/strong>
ca 60mn
April 14th, 2027<\/strong>
Cin\u00e9-concert – Meli\u00e8s – Leon Fleischer – Buster Keaton
Trio Polycordes (harpe, guitar & mandoline) & electronics (CHP)
Concerts de Midi – Universit\u00e9 de Li\u00e8ge
Liege – Belgium<\/p>\n

\u2022 May 14h 2027<\/strong>
Metropolis Rebooted <\/em>(140mn)
SWR Orchestra – Fran\u00e7ois Xavier Roth Conducting
Festspielehaus – Baden-Baden – Germany<\/p>\n

[\/et_pb_toggle][et_pb_toggle title=\u00a0\u00bb2026″ admin_label=\u00a0\u00bb2026″ _builder_version=\u00a0\u00bb4.27.8″ background_size=\u00a0\u00bbinitial\u00a0\u00bb background_position=\u00a0\u00bbtop_left\u00a0\u00bb background_repeat=\u00a0\u00bbrepeat\u00a0\u00bb hover_enabled=\u00a0\u00bb0″ use_border_color=\u00a0\u00bboff\u00a0\u00bb border_color=\u00a0\u00bb#ffffff\u00a0\u00bb border_style=\u00a0\u00bbsolid\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb sticky_enabled=\u00a0\u00bb0″]<\/p>\n

Scarecrow & One week<\/i>
<\/em>January 16th, 2026<\/strong>
for fl, cl, perc., pno, vln et vlc.
Cin\u00e9-concert with Buster Keaton’s Scarecrow & One week
Ensemble Court-circuit Jean Deroyer conducting
Ecole de Musique des Pieux – Cotentin<\/p>\n

Minitrace 9\u00a0<\/i>
<\/em>January 27th, 2026<\/strong>
for Oboe and electronics
Marika Lombardi Oboe – Electronics – Lorenzo
Conservatoire de Pantin – France<\/p>\n

Trame I<\/i>
<\/em>January 30th, 2026<\/strong>
for Oboe solo & bassoon, French horn, trumpet, percussion and double bass
SMCQ Ensemble – Elise Poulain Oboe solo – conducting Cristian Gort
Salle Pierre Mercure – Centre Pierre-P\u00e9ladeau – Montreal Canada<\/p>\n

\u00a0Un Prologue<\/em><\/strong>\u00a018mn
February 26th, 2026<\/strong>
for cl, bsn, tp, tb, perc., vln et cb.
Texte Benjamin Lazar et Adeline Caron
Mise en sc\u00e8ne Benjamin Lazar
Orchestre de l’Op\u00e9ra de Saint Etienne – Jean Deroyer conducting
Op\u00e9ra de Saint Etienne
France<\/p>\n

Minitrace 10\u00a0<\/i>
<\/em>February 14th, 2026<\/strong>
for Basson and electronics
Sergeui Khvorostyanov bassoon – Electronics Moscow conservatory
Artemyev Arts-Space – Moscow Conservatory<\/p>\n

Minitrace 10\u00a0<\/i>
<\/em>February 17th, 2026<\/strong>
for Basson and electronics
Concours au conservatoire de Douai
Conservatoire de Douai<\/p>\n

Buenos Aires Diptico<\/strong> Piano, Accordion & \u00e9lectronics<\/em> (ca 7mn) CM<\/strong>
April 10th, 2026<\/strong>
Fernanda Gonzalez piano – Remi Briffault accordion – Ignacio Corrales Electronics
Budapest \/ Hungary<\/p>\n

Traces XVI<\/i>
<\/em>April 13th, 2026<\/strong>
for Vibraphone & electronics
Gilles Durot \u00a0vibraphone – Centre Henri Pousseur \u00a0electronics
Festival Images sonores
Li\u00e8ge – Belgique<\/p>\n

Caravanserail 2<\/strong>
pour 12 instrumentistes – CM
April 16th, 17th, 18th & 19th, 2026<\/strong>
EOC – Bruno Mantovani conducting
Ballets de Montecarlo – Julien Guerin Chor\u00e9graphie
Festival Printemps des Arts – Monaco<\/p>\n

Oyster Princess<\/strong> | Foxtrot Delirium<\/em> (ca 60mn)
April 29th, 2026<\/strong>
Ensemble Phase – Martin Matalon Conducting
electronics Phace
KonzertHaus
Vienna – Austria<\/p>\n

M. Venus<\/strong> | <\/em>(ca 64mn) (CM)
pocket opera
mise en sc\u00e8ne et chor\u00e9graphie Alfredo Arias & Diana Theocharidis
livret de Alfredo Arias d’apr\u00e8s un texte de Rachilde
April 30th, 2026<\/strong>
Clara Barbier Serrano Soprano – Anthony Millet Accordeon
electronics Centre Henri Pousseur – Remi le Taillandier Ing\u00e9nieur du son
Alternative scene from the Grece National Opera
Athens<\/p>\n

M. Venus<\/strong> | <\/em>(ca 64mn) (CM)
pocket opera
livret de Alfredo Arias d’apr\u00e8s un texte de Rachilde
Alfredo Arias et Diana Theocharidis Mise en sc\u00e8ne et chor\u00e9graphie
June 2nd & 3rd, 2026<\/strong>
Clara Barbier Serrano Soprano Anthony Millet Accordeon
electronics CHP
Alternative scene from the Grece National Opera
Athens<\/p>\n

Caravanserail 2<\/strong>
pour 12 instrumentistes – CM
May 12ve, 2026<\/strong>
EOC – Bruno Mantovani conducting
Op\u00e9ra de Saint Etienne<\/p>\n

Traces XIX<\/i>
<\/em>May 17th, 2026<\/strong>
Ensemble Accroche Note \/ Fran\u00e7oise Kubler – Soprano
For Soprano & \u00e9lectronics
Festival Traettoria
Casa della Musica \/ Parma – Italy<\/p>\n

Traces VI<\/i>
<\/em>July 12ve, 2026<\/strong>
EnsembleLucilin – Sophie Deshayes – fl\u00fbte
For fl\u00fbte & \u00e9lectronics
Fondation Valentiny \/ Luxembourg<\/p>\n

Prelude & blue<\/i>
<\/em>August 15th, 2026<\/strong>
for sax, percussion & double bass
National Recital Hall
SonasKune 2026 Dutch Harmonies Festival
Taipei – Taiwan<\/p>\n

Axes – Las siete vidas de un gato – Traces II (la cabra) \u00a0<\/i><\/em><\/strong>(50mn)
<\/em>September 2nd, 2026<\/strong>
for \u00a0fl, cl, tp, 2perc., pno, vln et vlc. et alto recitant et dispositif \u00e9lectronique.
Cin\u00e9-concert for Luis Bu\u00f1uel’s \u00a0Un chien andalou<\/em> et Las Hurdes (terre sans pain)<\/em>
Ensemble 2E2M – Arthur Dragon r\u00e9citant – L\u00e9o Margue conducting
Festival Ravel – Salle Tanka \/ Saint Jean de Luz<\/p>\n

Metropolis <\/i><\/em>(ca 145 mn)
<\/em>September 15th, 2026<\/strong>
for 16 instruments & electronics
Cin\u00e9-concert with Fritz’s Lang Metropolis
Remix ensemble – \u00a0Bastien Stil conducting
Casa da Musica – Porto – Portugal<\/p>\n

Scarecrow, One week & The Playhouse <\/i><\/em><\/strong>(64mn)
<\/em>September 20th, 2026<\/strong>
for fl, cl, perc., pno, vln et vlc.
Cin\u00e9-concert with Buster Keaton’s Scarecrow, One week & The Playhouse
Ensemble Multilat\u00e9rale – L\u00e9o Warisnky conducting
Teatro Cavallerizza \/ Reggio Emilia – Parme – Italy<\/p>\n

Traces VI<\/i>
<\/em>September 22th, 2026<\/strong>
Ensemble United Instruments of Lucilin – Sophie Deshayes – fl\u00fbte
For fl\u00fbte & \u00e9lectronics
Salle Luca Luxembourg \/ Luxembourg<\/p>\n

Point d’Orgue (CM)<\/strong>
pour orgue
September 29th, 2026<\/strong>
Alma Bettencourt – Orgue
Radio France<\/p>\n

Voyage dans la Lune (CM)<\/strong>
ca 60mn
November 26th, 2026<\/strong>
Cin\u00e9-concert – Meli\u00e8s – Leon Fleischer – Buster Keaton
Trio Polycordes (harpe, guitar & mandoline) & electronics (CHP)
Festival NIMA
Nice<\/p>\n

Scarecrow, One week & the Playhouse<\/i>
<\/em>December 4th, 2026<\/strong>
for fl, cl, perc., pno, vln et vlc.
Cin\u00e9-concert with Buster Keaton’s Scarecrow, One week & The playhouse
der\/gelbe\/klang e.V.\u00a0<\/b> Conducting
Schwere Reiter M\u00fcnchen – Germany<\/b><\/p>\n

Voyage dans la Lune (CM)<\/strong>
ca 60mn
December 7th, 2026<\/strong>
Cin\u00e9-concert – Meli\u00e8s – Leon Fleischer – Buster Keaton
Trio Polycordes (harpe, guitar & mandoline) & electronics (CHP)
Conservatoire de Genevilliers
Ile de France<\/p>\n

[\/et_pb_toggle][et_pb_toggle title=\u00a0\u00bb2025″ admin_label=\u00a0\u00bb2025″ _builder_version=\u00a0\u00bb4.27.6″ background_size=\u00a0\u00bbinitial\u00a0\u00bb background_position=\u00a0\u00bbtop_left\u00a0\u00bb background_repeat=\u00a0\u00bbrepeat\u00a0\u00bb use_border_color=\u00a0\u00bboff\u00a0\u00bb border_color=\u00a0\u00bb#ffffff\u00a0\u00bb border_style=\u00a0\u00bbsolid\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

Oyster Princess<\/strong> | Foxtrot Delirium<\/em> (ca 60mn)
February 20th, 2025<\/strong>
Ensemble Intercontemporain – Martin Matalon Conducting
electronics Ircam
Cit\u00e9 de la Musique
France<\/p>\n

Traces XX<\/strong> saxo Baryton et \u00e9lectronique <\/em>\u00a0(ca 13mn) CM<\/strong>
March 3rd, 2025<\/strong>
Marie Bernadette Charrier Saxo – Baryton – Christophe Havel \u00e9lectronique
Festival SMC-BCV Concert Hall – Lausanne<\/p>\n

Trame XV piano concerto<\/em><\/strong> (ca 23mn) CM<\/strong>
March 13th, 2025<\/strong>
Orchestre de Nouvelle Acquitaine – Jean Fran\u00e7ois Heisser Piano and Conducting
Moulin du Roc – Niort<\/p>\n

Trame XV piano concerto<\/em><\/strong> (ca 23mn) CM<\/strong>
March 14th, 2025<\/strong>
Orchestre de Nouvelle Acquitaine – Jean Fran\u00e7ois Heisser Piano and Conducting
Rouillac – La Pal\u00e8ne<\/p>\n

Trame XV piano concerto<\/em><\/strong> (ca 23mn) CM<\/strong>
March 15th, 2025<\/strong>
Orchestre de Nouvelle Acquitaine – Jean Fran\u00e7ois Heisser Piano and Conducting
Ch\u00e2telaillon-Plage – Sc\u00e8ne de Beaus\u00e9jour<\/p>\n

Trame XV piano concerto<\/em><\/strong> (ca 23mn) CM<\/strong>
March 16th, 2025<\/strong>
Orchestre de Nouvelle Acquitaine – Jean Fran\u00e7ois Heisser Piano and Conducting
Breissure – Th\u00e9\u00e2tre<\/p>\n

Traces IV <\/em><\/strong>\u00a0marimba et dispositif \u00e9lectronique (ca 8mn)
March 25 & 26th, 2025<\/strong>
marimba : Pierre Tomassi – \u00e9l\u00e9ctronique Fouillou Malena
Festival BDE – CNSMD de Paris<\/p>\n

Buenos Aires Diptico<\/strong> Piano,Accordion & \u00e9lectronics<\/em> (ca 7mn) CM<\/strong>
April 7th 2025<\/strong>
Fernanda Gonzalez piano – Remi Briffault accordion – Ignacio Corrales Electronics
University of Massachusetts – Amherst Bezanson Recital hall – USA<\/p>\n

Buenos Aires Diptico<\/strong> Piano,Accordion & \u00e9lectronics<\/em> (ca 7mn) CM<\/strong>
April 12ve 2025<\/strong>
Fernanda Gonzalez piano – Remi Briffault accordion – Ignacio Corrales Electronics
Ki Smith Gallery – New York – NY – USA<\/p>\n

Buenos Aires Diptico<\/strong> Piano,Accordion & \u00e9lectronics<\/em> (ca 7mn) CM<\/strong>
April 19th 2025<\/strong>
Fernanda Gonzalez piano – Remi Briffault accordion – Ignacio Corrales Electronics
Stony Brook University Recital Hall at Staller Center<\/p>\n

La Rueda<\/strong> pour Violon, piano et dispositif \u00e9lectronique (17mn)<\/em>
April, 21rst, 2025<\/strong>
New York New Music Ensamble
Americas Society – New York<\/p>\n

Traces XIX (CM) & La Carta<\/em><\/strong>
April 25th, 2025
<\/strong>Accroche – note
<\/strong>Festival Images Sonores – Centre Henri Pousseur<\/em><\/p>\n

Traces XVII<\/em><\/strong> marimba et dispositif \u00e9lectronique (ca 17mn)
July 1rst, 2025<\/strong>
marimba : Grzegorz chwalinskii – \u00e9l\u00e9ctronique
Konzertsaal der Hochschule Stuttgart – Germany<\/p>\n

Buenos Aires Diptico<\/strong> Piano,Accordion & \u00e9lectronics<\/em> (ca 7mn) CM<\/strong>
July 16th, 2025<\/strong>
Fernanda Gonzalez piano – Remi Briffault accordion – Ignacio Corrales Electronics
Teatro Cervantes – Buenos Aires<\/p>\n

Trame XV piano concerto<\/em><\/strong> (ca 23mn) CM<\/strong>
September 3rd, 2025<\/strong>
Orchestre de Nouvelle Acquitaine – Jean Fran\u00e7ois Heisser Piano and Conducting
Academie Ravel<\/p>\n

Lineas puntos planos<\/em><\/strong> (ca 17mn)
September 8th, 2025<\/strong>
Moscow Contemporary Ensemble
Art school – Tchaikovsky city – Russia<\/p>\n

Lineas puntos planos<\/em><\/strong> (ca 17mn)
September 16th, 2025<\/strong>
Moscow Contemporary Ensemble
Moscow Philharmonics<\/p>\n

October 4th, 2025<\/strong>
minitrace 1 (piano 4 hands), 2 (flute & eperc.), 3 (oboe & clarinet) & 6 (2 percussions) & 8 (harp)<\/i>
dur\u00e9e : 10mn
Students from Versailles Conservatory
France<\/p>\n

October 10th, 2025<\/strong>
Traces X <\/i>(for accordion & electronics)<\/strong>
dur\u00e9e : 10mn
Ensamble Next – Electronics – Remi Briffault Accord\u00e9on
Festival Traettoria – Parme – Italy<\/p>\n

October 24th, 2025<\/strong>
Traces XXI <\/i>for Oboe & electronics ca 7′ – Minitrace 10 for Basson & electronics- ca6′<\/strong>
dur\u00e9e : 12mn
Violaine Defez oboe – Helena Otero bassoon – Electronics CRR de Tours
CRR de Tours<\/p>\n

October 30th, 2025<\/strong>
Traces VI <\/i>(for flute & electronics)<\/strong>
dur\u00e9e : 12mn
Sophie Deshayes flute – Electronics Lorenzo
flute Convention
Conservatoire Jean-Baptiste Lully – Puteaux – France<\/b><\/p>\n

October 16th, 2025<\/strong>
Scarecrow<\/em> <\/strong>: music for 3 Buster Keaton’s films \u00a0[One week, playhouse, ScareCrow]
dur\u00e9e : 1h05mn
Ensamble Ecoute – Fernando Palomeque conducting
Arthaus – Buenos Aires<\/p>\n

Chaplin Factory<\/em><\/strong> ca 75mn
November 8th 2025<\/strong>
films : The immigrant-behind the screen-the vagabond
KDM et invit\u00e9es – Electronics – Ircam – RIM Dionysios Papanikolau – Martin Matalon conducting
soprano, cl, tb, 2 perc., accordion, cello & electronics.
festival Diversonics, Taiwan Sound Lab du C-Lab,
Taipei<\/p>\n

Traces X,\u00a0 KDM Fragments<\/i><\/b>
November 12th 2025<\/strong>
KDM et invit\u00e9es – Electronics – Ircam –
soprano, cl, tb, 2 perc., accordion, cello & electronics.
festival Diversonics, Taiwan Sound Lab du C-Lab,
Taipei<\/p>\n

Chaplin Factory<\/em><\/strong> ca 75mn
November 14th 2025<\/strong>
films : The immigrant-behind the screen-the vagabond
KDM et invit\u00e9es – Electronics – Ircam – RIM Dionysios Papanikolau – Martin Matalon conducting
soprano, cl, tb, 2 perc., accordion, cello & electronics.
Tokyo Bunka Kaikan
Tokyo – Japan<\/p>\n

Traces X,\u00a0 KDM Fragments<\/i><\/b>
November 16th 2025<\/strong>
KDM et invit\u00e9es – Electronics – Ircam – RIM Dionysios Papanikolau
Tokyo Bunka Kaikan
Tokyo – Japan<\/p>\n

November 19th, 2025<\/strong>
Scarecrow<\/em> <\/strong>: music for 3 Buster Keaton’s films \u00a0[ One week, playhouse, ScareCrow]
dur\u00e9e : 1h05mn
Ensamble Multilat\u00e9rale – Remi Durupt conducting
Iles Bal\u00e9ares – Mallorca<\/p>\n

November 19th, 2025<\/strong>
Tres ensayos y un epilogo <\/i><\/b>(CM)
dur\u00e9e : 14mn
Orchestre de Picardie – Martin Matalon Conducting
Institut de France Acad\u00e9mie des Beaux Arts – Paris<\/p>\n

Traces IV<\/strong><\/em> (ca 8mn)
November 29th, 2025<\/strong>
Ad\u00e9la\u00efde Ferri\u00e8re Marimba – Proxima Centauri Electronics
Th\u00e9\u00e2tre de Gradignan – Festival MAD<\/p>\n

Scarecrow & One week<\/i>
December 23rd, 2024<\/strong>
for fl, cl, perc., pno, vln et vlc.
Cin\u00e9-concert with Buster Keaton’s Scarecrow & One week
Ensemble Court-circuit Jean Deroyer conducting
Th\u00e9\u00e2tre de Caen<\/p>\n

[\/et_pb_toggle][et_pb_toggle title=\u00a0\u00bb2024″ admin_label=\u00a0\u00bb2024″ _builder_version=\u00a0\u00bb4.27.4″ background_size=\u00a0\u00bbinitial\u00a0\u00bb background_position=\u00a0\u00bbtop_left\u00a0\u00bb background_repeat=\u00a0\u00bbrepeat\u00a0\u00bb use_border_color=\u00a0\u00bboff\u00a0\u00bb border_color=\u00a0\u00bb#ffffff\u00a0\u00bb border_style=\u00a0\u00bbsolid\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

Traces XII<\/em> (ca 9mn)
January 18th, 2024<\/strong>
Fr\u00e9d\u00e9rique Cambreling Harp –
Centre Henri Pousseur electronics
Acad\u00e9mie de Li\u00e8ge
Belgium<\/p>\n

Traces XVIII<\/em> (ca 13mn)
February 11th, 2024<\/strong>
Anne Briset Timbales – electronics – Etienne Graind’orge
Festival Souffle – Ici l\u2019Onde
Dijon – France<\/p>\n

Kammerkonzert<\/em> (ca 18mn)
February 2nd, 2024<\/strong>
1.1.1.1 – 1.1.1.0 – perc. – 5.4.2.2.1
Orchestre R\u00e9gional de Normandie Jean Deroyer conducting
Th\u00e9\u00e2tre l\u2019Arsenal de Val-de-Rueil
France<\/p>\n

Traces XVII<\/em>\u00a0(ca 15mn)
February 26th, 2024<\/strong>
Philippe Spiesser Marimba – electronics McGill University
McGill University
Montr\u00e9al | Canada<\/p>\n

Un Prologue<\/em>\u00a018mn
March 29th, 2024<\/strong>
for cl, bsn, tp, tb, perc., vln et cb.
Texte Benjamin Lazar et Adeline Caron
Mise en sc\u00e8ne Benjamin Lazar
Orchestre R\u00e9gional de Normandie Jean Deroyer conducting
Th\u00e9\u00e2tre l\u2019Arsenal de Val-de-Rueil
France<\/p>\n

Un Prologue\u00a0<\/em>18mn
April 2nd, 2024<\/strong>
for cl, bsn, tp, tb, perc., vln et cb.
Texte Benjamin Lazar et Adeline Caron
Mise en sc\u00e8ne Benjamin Lazar
Orchestre R\u00e9gional de Normandie Jean Deroyer conducting
Sc\u00e8ne Nationale 61,
Montagne au Perche
France<\/p>\n

Un Prologue\u00a0<\/em>18mn
April 11th, 2024<\/strong>
for cl, bsn, tp, tb, perc., vln et cb.
Texte Benjamin Lazar et Adeline Caron
Mise en sc\u00e8ne Benjamin Lazar
Orchestre R\u00e9gional de Normandie Jean Deroyer conducting
Sc\u00e8ne Nationale d\u2019Evreux
France<\/p>\n

Un Prologue\u00a0<\/em>18mn
April 16th, 2024<\/strong>
for cl, bsn, tp, tb, perc., vln et cb.
Texte Benjamin Lazar et Adeline Caron
Mise en sc\u00e8ne Benjamin Lazar
Orchestre R\u00e9gional de Normandie Jean Deroyer conducting
l\u2019Eclat de Pont-Audemer
France<\/p>\n

Scarecrow & the Playhouse<\/i>
April 25th, 2024<\/strong>
for fl, cl, perc., pno, vln et vlc.
Cin\u00e9-concert with Buster Keaton’s Scarecrow & the Playhouse
Ensemble Court-circuit Jean Deroyer conducting
Paris<\/p>\n

Un Prologue 18mn<\/em>
May 15th, 2024<\/strong>
for cl, bsn, tp, tb, perc., vln et cb.
Texte Benjamin Lazar et Adeline Caron
Mise en sc\u00e8ne Benjamin Lazar
Orchestre R\u00e9gional de Normandie Jean Deroyer conducting
th\u00e9\u00e2tre de Caen
France<\/p>\n

Un Prologue 18mn<\/em>
May 16th, 2024<\/strong>
for cl, bsn, tp, tb, perc., vln et cb.
Texte Benjamin Lazar et Adeline Caron
Orchestre R\u00e9gional de Normandie Jean Deroyer conducting
th\u00e9\u00e2tre de Caen
France<\/p>\n

Traces X<\/em>\u00a0(ca 12mn)
May 27th, 2024<\/strong>
Remi Briffaut Accordeon – electronics CNSMD de Paris
CNSMD de Paris
Paris | France<\/p>\n

Chaplin Factory<\/em> ca 75mn (CM)
May 30th, 2024<\/strong> (2 representations)
films : The immigrant-behind the screen-the vagabond
KDM et invit\u00e9es – Electronics – Ircam – RIM Etienne Desmoulins –\u00a0Martin Matalon conducting
soprano, cl, tb, 2 perc., accordion, cello & electronics.
Festival Manifeste
Centre Georges Pompidou
Paris<\/p>\n

Relatos<\/em>\u00a0(Concerto for Orchestra) (ca 23mn)
Orchestre National de France
Christian Macelaru – Conducting
June 20th, 2024<\/strong>
Auditorium de Radio France
Paris<\/p>\n

Chaplin Factory<\/em> ca 75mn (CM)
July 3rd, 2024<\/strong> (2 representations)
films : The immigrant-behind the screen-the vagabond
KDM et invit\u00e9es – Electronics – Ircam – RIM Etienne D\u00e9moulin –\u00a0Martin Matalon conducting
soprano, cl, tb, 2 perc., accordion, cello & electronics.
Op\u00e9ra de Massy
Paris<\/p>\n

Traces XVII<\/em>\u00a0(ca 15mn)
July 19th, 2024<\/strong>
Philippe Spiesser Marimba – electronics Flashback
Reus \/ Spain<\/p>\n

Traces XVII<\/em>\u00a0(ca 15mn)
July 31rst, 2024<\/strong>
Philippe Spiesser Marimba – electronics Flashback
Shangai \/ China<\/p>\n

Traces XVII<\/em>\u00a0(ca 15mn)
August 3rd, 2024<\/strong>
Philippe Spiesser Marimba – electronics Flashback
Beijing \/ China<\/p>\n

October 13th, 2024<\/strong>
Cin\u00e9-concert with Buster Keaton’s Scarecrow, One week & the Playhouse
Ensemble Multilat\u00e9rale Leo Warinsky conducting
Zhejiang conservatory concert hall,
Hangzhou contemporary music festival,
China<\/p>\n

Traces XVII<\/em>\u00a0(ca 15mn)
October 20th, 2024<\/strong>
Philippe Spiesser Marimba – electronics Flashback
Frederic Chopin University
Varsovia \/ Poland<\/p>\n

Chaplin Factory<\/em> ca 75mn (CM)
Novembre 8th 2024<\/strong>
films : The immigrant-behind the screen-the vagabond
KDM et invit\u00e9es – Electronics – Ircam – RIM Etienne D\u00e9moulin –\u00a0Martin Matalon conducting
soprano, cl, tb, 2 perc., accordion, cello & electronics.
PAN Music Festival, Seoul-Cor\u00e9e<\/p>\n

Traces VI<\/em> (ca 12mn)
November, 2024<\/strong>
Student of Sibelius academy – \u00a0flute & electronics
Festival Souffle – Ici l\u2019Onde
MuteFest festival – Helsinki Music Center<\/p>\n

Traces XVII<\/em>\u00a0(ca 15mn)
November 22nd, 2024<\/strong>
Philippe Spiesser Marimba – electronics Flashback
Festival Ars Musica \/ Brussels<\/p>\n

Traces X<\/em> (ca 13mn)
December 6th, 2024<\/strong>
Antony Millet accord\u00e9on – Lorenzo Matalon – electronics
Festival Micro-Flolie de Taverny<\/p>\n

Axes<\/em> (14mn)
Ensemble Ecoute – Fernando Palomeque conducting
December 12ve, 2024<\/strong>
Fondation Singer-Polignac
Paris<\/p>\n

Relatos<\/em>\u00a0(Concerto for Orchestra) (ca 23mn)
Brussels Philharmonic
Ivan Vilkov Conducting
December 14th, 2024<\/strong>
Studio 4 Salle Flagey
Bruxelles<\/p>\n

[\/et_pb_toggle][et_pb_toggle title=\u00a0\u00bb2023″ admin_label=\u00a0\u00bb2023″ _builder_version=\u00a0\u00bb4.27.4″ body_font=\u00a0\u00bb|||||on|||\u00a0\u00bb background_size=\u00a0\u00bbinitial\u00a0\u00bb background_position=\u00a0\u00bbtop_left\u00a0\u00bb background_repeat=\u00a0\u00bbrepeat\u00a0\u00bb use_border_color=\u00a0\u00bboff\u00a0\u00bb border_color=\u00a0\u00bb#ffffff\u00a0\u00bb border_style=\u00a0\u00bbsolid\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

January 6th 2023<\/strong>
\u2022 Traces IX<\/em> –\u00a0Flux & freeze – \u00a0Traces VII – Scarecrow<\/em>
Next Ensemble – Martin Matalon Conducting
CNSMD de Paris \/ France<\/p>\n

January 14h 2023<\/strong>
Traces XIV
Hubert Steiner Guitar
Frakzionen Festival fur Zeitgen\u00f6ssische Musik in der Kirche
Bielefeld, Germany<\/p>\n

February 4th 2023<\/strong>
\u2022 Trame XIV \u00a0<\/em>for clarinet solo and 14 instruments
Israeli Contemporary Chamber Players – Tibi Cziger clarinet solo – L\u00e9o Warinsky Conducting
Tel Aviv – Israel<\/p>\n

March 6th, 2023<\/strong>
Piano-Galaxie<\/em> (world premiere)
Matias Palou – piano
m\u00e9diath\u00e8que Lagrange Fleuret<\/p>\n

\u2022 March 26th 2023<\/strong>
Kammerkonzert \u00a0(World Premiere)<\/strong>
1.1.1.1 – 1.1.1.0 – perc. – strings 4.3.2.2.1
Orchestre de Normandie – Jean Deroyer Conducting
Auditorium de Caen<\/p>\n

\u2022 March 31rst 2023<\/strong>
Las siete vidas de un gato \/ Un chien Andalou<\/em> –\u00a0(16mn) –
Traces II (la cabra)<\/em> \/ \u00a0\/\u00a0Las Hurdes (terre sans pain) –<\/em> (36mn)
Traces XVI<\/em> (vibraphone and electronics)
cin\u00e9-concert with Luis Bu\u00f1uel’s Un Chien Andalou & Las Hurdes
Barcelona Modern – Martin Matalon Conducting
Sonar – Barcelona – Spain<\/p>\n

\u2022 May 4th, 5th & 6th 2023<\/strong>
Der NeinSager (35mn) (World Premiere)<\/strong>
Op\u00e9ra sur un texte de Bertolt Brecht
Orchestre de Normandie – Mise en Sc\u00e8ne Dorian Rossel
Th\u00e9atre de Caen<\/p>\n

\u2022 May 9th 2023<\/strong>
Le Scorpion \/ L’age d’Or (60mn)
cin\u00e9-concert with Luis Bu\u00f1uel’s L’Age d’Or
Neopercusion – Juanjo Guillen Conducting
Teatro Lopez de Ayala – Badajoz – Spain<\/p>\n

\u2022 May 19th, 2023<\/strong>
Metropolis Rebooted (145mn)<\/em>
Technique Ircam
Orchestre de Paris – Kazushi Ono\u00a0Conducting
Philharmonie de Paris salle Pierre Boulez<\/p>\n

\u2022 May 20th, 2023<\/strong>
Metropolis Rebooted (145mn)<\/em>
Technique Ircam
Orchestre de Paris – Kazushi Ono\u00a0Conducting
Philharmonie de Paris salle Pierre Boulez<\/p>\n

Prelude & Blue
June 23rd 2023<\/strong>
Court-circuit
Espace \u00e9v\u00e9nementiel Courbevoie
France<\/p>\n

June 29th, 2023<\/strong>
Scarecrow<\/em> : music for 3 Buster Keaton’s films \u00a0[ One week, Playhouse, ScareCrow]
dur\u00e9e : 1h05mn
Ens Instrumental – Martin Matalon Conducting
CETC – Buenos Aires – Argentina<\/p>\n

June 30th, 2023<\/strong>
Scarecrow<\/em> : music for 3 Buster Keaton’s films \u00a0[ One week, Playhouse, ScareCrow]
dur\u00e9e : 1h05mn
Ens Instrumental – Martin Matalon Conducting
CETC – Buenos Aires – Argentina<\/p>\n

July 1rst, 2023<\/strong>
Scarecrow<\/em> : music for 3 Buster Keaton’s films \u00a0[ One week, Playhouse, ScareCrow]
dur\u00e9e : 1h05mn
Ens Instrumental – Martin Matalon Conducting
CETC – Buenos Aires – Argentina<\/p>\n

July 2nd, 2023<\/strong>
Scarecrow<\/em> : music for 3 Buster Keaton’s films \u00a0[ One week, Playhouse, ScareCrow]
dur\u00e9e : 1h05mn
Ens Instrumental – Martin Matalon Conducting
CETC – Buenos Aires – Argentina<\/p>\n

July 3rd, 2023<\/strong>
Scarecrow<\/em> : music for 3 Buster Keaton’s films \u00a0[ One week, Playhouse, ScareCrow]
dur\u00e9e : 1h05mn
Ens Instrumental – Martin Matalon Conducting
CETC – Buenos Aires – Argentina<\/p>\n

Traces V
July 3 2023<\/strong>
Ensemble Court-circuit
Pierre Dutrieu Clarinette – \u00e9lectronique MOTU
Festival Les mots libres
France<\/p>\n

July 4th, 2023<\/strong>
Scarecrow<\/em> : music for 3 Buster Keaton’s films \u00a0[ One week, Playhouse, ScareCrow]
dur\u00e9e : 1h05mn
Ens Instrumental – Martin Matalon Conducting
CETC – Buenos Aires – Argentina<\/p>\n

Traces V
July 7 2023<\/strong>
Ensemble Court-circuit
Clarinet Pierre Dutrieu – electronics MOTU
Festival Ouvertures
France<\/p>\n

July 18th, 2023<\/strong>
Scarecrow<\/em> : music for 3 Buster Keaton’s films \u00a0[ One week, Playhouse, ScareCrow]
dur\u00e9e : 1h05mn
Ensemble Multilat\u00e9rale – Leo Warinsky Conducting
Festival Nice Classic Live<\/p>\n

\u2022 August 26th 2023<\/strong>
Der NeinSager (35mn)
Op\u00e9ra from an eponym text from Bertolt Brecht – stage directors Violeta Zamudio y Nahuel di Pierro
Orquesta del Teatro Colon – Martin Matalon conducting
Teatro Coliseo – Buenos Aires<\/p>\n

\u2022 August 27th 2023<\/strong>
Der NeinSager (35mn)
Op\u00e9ra from an eponym text from Bertolt Brecht – stage directors Violeta Zamudio y Nahuel di Pierro
Orquesta del Teatro Colon – Martin Matalon conducting
Teatro Coliseo – Buenos Aires<\/p>\n

\u2022 August 30th 2023<\/strong>
Der NeinSager (35mn)
Op\u00e9ra from an eponym text from Bertolt Brecht – stage directors Violeta Zamudio y Nahuel di Pierro
Orquesta del Teatro Colon – Martin Matalon conducting
Teatro Coliseo – Buenos Aires<\/p>\n

\u2022 August 31rst 2023<\/strong>
Der NeinSager (35mn)
Op\u00e9ra from an eponym text from Bertolt Brecht – stage directors Violeta Zamudio y Nahuel di Pierro
Orquesta del Teatro Colon – Martin Matalon conducting
Teatro Coliseo – Buenos Aires<\/p>\n

Traces XIII <\/em>\u00a0– Traces IX<\/em>
September 14th, 2023<\/strong>
Sillages ensemble
Piano, Vincent Leterme | Cello – Ingrid Schoenlaub – electronics Sillages
Festival Ensembles
L’Echangeur – Paris<\/p>\n

October 15th 2023<\/strong>
Metropolis<\/em>
Taiwan<\/p>\n

Traces V<\/em>
September 29th, 2023<\/strong>
Court-circuit ensemble
Clarinet, Pierru e Dutrie – electronics MOTU
Chateau de la Ville d’Avray<\/p>\n

Traces II (la cabra)<\/em> – Las Hurdes (terre sans pain) – ca 36mn
November 2nd, 2023<\/strong>
viola, Aglaya Gonzales – narrator and electronics Angel Verbis
Valencia – Spain<\/p>\n

Un Prologue<\/em> ca 18mn (CM)
November 9th 2023<\/strong>
for cl, bsn, tp, tb, perc., van et cb.
Texte Benjamin Lazar et Adeline Caron
Mise en sc\u00e8ne Benjamin Lazar
Orchestre R\u00e9gional de Normandie Jean Deroyer direction
Sc\u00e8ne Nationale de Cherbourg
France<\/p>\n

Un prologue<\/em> 18mn – (CM)
November 10h 2023<\/strong>
for cl, ben, tp, tb, perc., vln et cb.
Texte Benjamin Lazar et Adeline Caron
Mise en sc\u00e8ne Benjamin Lazar
Orchestre R\u00e9gional de Normandie Jean Deroyer direction
Sc\u00e8ne Nationale de Cherbourg – Le Trident
France<\/p>\n

Traces II (la cabra)<\/em> – Las Hurdes (terre sans pain) – ca 36mn
November 24th, 2023<\/strong>
viola, Aglaya Gonzales – narrator and electronics Angel Verbis
Espacio Turina
Sevilla – Spain<\/p>\n

Traces XIII <\/em>\u00a0– Traces IX<\/em>
September 14th, 2023<\/strong>
Sillages ensemble
Piano, Vincent Leterme | Cello – Ingrid Schoenlaub – electronics Sillages
Festival Ensembles
L’Echangeur – Paris<\/p>\n

Traces VI <\/em>\u00a0– Traces IX<\/em>
December 14th, 2023<\/strong>
Sillages ensemble
flute, Sophie Deshayes – Cello – Ingrid Schoenlaub – electronics Sillages
CRR de Brest Metropole
France<\/p>\n

[\/et_pb_toggle][et_pb_toggle title=\u00a0\u00bb2022″ admin_label=\u00a0\u00bb2022″ _builder_version=\u00a0\u00bb4.27.6″ background_size=\u00a0\u00bbinitial\u00a0\u00bb background_position=\u00a0\u00bbtop_left\u00a0\u00bb background_repeat=\u00a0\u00bbrepeat\u00a0\u00bb use_border_color=\u00a0\u00bboff\u00a0\u00bb border_color=\u00a0\u00bb#ffffff\u00a0\u00bb border_style=\u00a0\u00bbsolid\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

\u2022 January 19th, 2022\u00a0<\/span><\/strong>
Cin\u00e9-concert (60mn)
Foxtrot Delirium \/ Oyster Princess (Ernst Lubitsch)<\/i>
for 12 musicians & electronics
Lemanic Ensemble – Martin Matalon Conducting
Anemasse – France<\/p>\n

\u2022 January 20th, 2022\u00a0<\/span><\/strong>
Cin\u00e9-concert (60mn)
Foxtrot Delirium \/ Oyster Princess (Ernst Lubitsch)<\/i>
for 12 musicians & electronics
Lemanic Ensemble – Martin Matalon Conducting
Geneve – Switzerland<\/p>\n

\u2022 January 24th, 2022\u00a0<\/span><\/strong>
La Persecuta\/the Adventurer<\/i> (Charlie Chaplin) (25mn)
accordion, 2 percussionists & electronics
Etudiants du Conservatoire\u00a0 <\/span>de B\u00e2le
Conservatoire de B\u00e2le<\/p>\n

\u2022 January 24th, 2022\u00a0<\/span><\/strong>
Cin\u00e9-concert (23mn)
for flute, clarinet, percussion, piano violin & cello\u00a0<\/span>
Scarecrow <\/i>(Buster Keaton)
Etudiants du Conservatoire\u00a0 <\/span>de B\u00e2le – J\u00fcrg Henneberger conducting April 2nd, 2022
Conservatoire de B\u00e2le<\/p>\n

\u2022 February 7th, 2022 <\/strong>
Traces XII<\/em> (11mn)
for Harp & electronics
Ensemble court-circuit – Sound design – MOTU
Th\u00e9\u00e2tre Bouffes du Nord
Paris – France<\/p>\n

\u2022 February 15th 2021<\/strong>
Traces I<\/em>
Assif Binness Violoncelle –
Gilbert Nouno Live Electronics – https:\/\/barenboimsaid.de\/professor\/gilbert-nouno
Baremboim-Said Akad\u00e9mie
Boulez Saal
Berlin – Germany<\/p>\n

\u2022 February 16th 2022<\/strong>
Metropolis Rebooted <\/em>(140mn)
Gurzenich Orchestra – Fran\u00e7ois Xavier Roth Conducting
Philharmonie de Cologne<\/p>\n

\u2022 February 17th 2022 <\/strong>(140mn)
Metropolis Rebooted<\/em>
Gurzenich Orchestra – Fran\u00e7ois Xavier Roth Conducting
Philharmonie de Cologne<\/p>\n

\u2022 March 7th, 2022\u00a0– (<\/span><\/strong>2\u00a0repr\u00e9<\/span>sentations)
Cin\u00e9-concert (60mn)
Foxtrot Delirium \/ Oyster Princess (Ernst Lubitsch)<\/i>
for 12 musicians & electronics
P\u00f4le Sup Aubervilliers – Martin Matalon Conducting
CRR Aubervilliers
Paris – France<\/p>\n

\u2022 March 10th \u2013 2022<\/strong>
de Polvo y piedra (20mn)<\/i>
for 14 instruments & electronics
Proxima Centauri + \u00e9tudiants et professeurs du P\u00f4le sup de Bordeaux \u2013 Martin Matalon Conducting
Bordeaux<\/p>\n

\u2022 March 15th 2022<\/strong>
KDM Concerto – triple concerto for accordeon, 2 percussionists and Orchestra<\/em>
Orchestre de Caen \/ Leo Warinsky Conducting
CRR de Caen<\/p>\n

\u2022 March 15th, 2022<\/strong>
Wenceslao suite Orchestrale<\/em>
Orchestre de Caen \/ Leo Warinsky Conducting
CRR de Caen<\/p>\n

\u2022 March 16th 2022<\/strong>
KDM Concerto – triple concerto for accordeon, 2 percussionists and Orchestra<\/em>
Orchestre de Caen \/ Leo Warinsky Conducting
CRR de Caen<\/p>\n

\u2022 March 17th, 2022<\/strong>
Traces XVI (vibraphone), Traces X (<\/em>accord\u00e9on), Traces IV (marimba)<\/em><\/i>
trio KDM – Centre Henri Pousseur – \u00e9lectronique
Auditorium du CRR de Caen<\/p>\n

\u2022 March 17th, 2022<\/strong>
4 duos P\u00e9dagogiques – clepsydra <\/i>for vibraphone &\u00a0xylophone\u00a0–
<\/i>sombra<\/em> for bassoon & piano –
<\/i>fanfare & blues <\/em> for trumpet & trombone
pendulo<\/em> for violin & cello
students from the CRR of Caen
Auditorium du CRR de Caen<\/p>\n

\u2022 March 18th, 2022<\/strong>
La Persecuta \/ the adventurer<\/em>
trio KDM – Centre Henri Pousseur – \u00e9lectronique
music for Chaplin’s the adventurer
Gilles Doneux RIM & Sound Engineer
Le Periscope – Lyon<\/p>\n

\u2022 March 20th 2021<\/strong>
Formas de Arena<\/em>
trio Salcedo
Auditorium de Caen<\/p>\n

\u2022 March 24th 2021<\/strong>
Trame I<\/em>
for Oboe solo and 5 instruments
IEMA ensemble – Vicente Moronta Oboe solo
Hochschule f\u00fcr Musik und Darstellende Kunst
Gro\u00dfer Saal, Frankfurt am Main, Deutschland<\/p>\n

\u2022 March 29th, 2022<\/strong>
Traces VIII (violin)<\/em>
Lionel Schmidt Violon – Electrocution \u00a0\u00e9lectronique
Festival Electrocution – Brest<\/p>\n

\u2022 April 2nd, 2022<\/strong>
La Persecuta \/ the adventurer<\/em>
trio KDM – Centre Henri Pousseur – \u00e9lectronique
music for Chaplin’s the adventurer
Gilles Doneux RIM & Sound Engineer
Salle des f\u00eates de Belleray<\/p>\n

\u2022 April 3th, 2022<\/strong>
La Persecuta \/ the adventurer<\/em>
trio KDM – Centre Henri Pousseur – \u00e9lectronique
music for Chaplin’s the adventurer
Gilles Doneux RIM & Sound Engineer
salle des f\u00eates de Chatel Ch\u00e9h\u00e9ry<\/p>\n

\u2022 April 5th, 2022<\/strong>
La Persecuta \/ the adventurer<\/em>
trio KDM – Centre Henri Pousseur – \u00e9lectronique
music for Chaplin’s the adventurer
Gilles Doneux RIM & Sound Engineer
La grange de Tilly sur Meuse<\/p>\n

\u2022 April 6th, 2022<\/strong>
La Persecuta \/ the adventurer<\/em>
trio KDM – Centre Henri Pousseur – \u00e9lectronique
music for Chaplin’s the adventurer
Gilles Doneux RIM & Sound Engineer
Salle des f\u00eates de Damvilliers<\/p>\n

\u2022 April 8th, 2022<\/strong>
La Persecuta \/ the adventurer<\/em>
trio KDM – Centre Henri Pousseur – \u00e9lectronique
music for Chaplin’s the adventurer
Gilles Doneux RIM & Sound Engineer
La Grange D’Anes Art’gonne \u00e0 Evres<\/p>\n

\u2022 April 30th, 2022<\/strong>
Flux & freeze (world premiere)<\/i>
for 2 flutes, clarinet, saxophone, 2 percussionists, piano, synthetiser & electronics
Proxima – EMEX – Ensembs
Essen – Germany<\/p>\n

\u2022 May 5th, 2022<\/strong>
flux & freeze (world premiere)<\/i>
for 2 flutes, clarinet, saxophone, 2 percussionists, piano, synthetiser & electronics
Proxima – EMEX – Ensembs
Le Rocher de Palmer, Cenon<\/p>\n

\u2022 May 6th, 2022<\/strong>
Traces X<\/i><\/strong>
Accordion & electronics
Anthony Millet Accordion solo – Electronics Centre Henri Pousseur – Gilles Donneux Sound Designer
Li\u00e8ge – Belgique<\/p>\n

\u2022 May 12th, 2022<\/strong>
Traces XVII <\/em>(Marimba) Word premiere
Philippe Spiesser Marimba – Flashback electronics
Flashback – Perpignan<\/p>\n

\u2022 June 4th, 2022<\/strong>
8 minitraces – world premiere<\/i>
8 minitraces<\/em>\u00a0(duos and trios with electronics) – 2 to 4mn each
Students from the Conservatory of Genenevilliers
Paris – France<\/p>\n

\u2022 June 4th, 2022<\/strong>
La Persecuta \/ the adventurer<\/em>
trio KDM – Centre Henri Pousseur – \u00e9lectronique
music for Chaplin’s the adventurer
Conservatory of Genenevilliers
Paris – France<\/p>\n

\u2022 June 4th, 2022<\/strong>
Traces VI (fl\u00fbte), Traces XVI (vibraphone)<\/em>
student from the CRD de Genevilliers
CRR de Genevilliers<\/p>\n

\u2022 August 9th, \u00a02022<\/strong>
Metropolis (145mn)<\/em>
Orquesta Simfonica del Vall\u00e9s – Martin Matalon Conducting
Festivalde Torroella – Catalu\u00f1a<\/p>\n

\u2022 August 23rd, \u00a02022<\/strong>
Trame IV (15mn)\u00a0for piano solo & 11 instruments<\/i>
Ensamble contemporaneo- \u00a0Conducting – Aliocha Soloverapiano solo
Universidad Cat\u00f3lica – Santiago de Chile<\/p>\n

September 18th, 2022 flux & freeze<\/em><\/strong>
for 2 flutes, clarinet, saxophone, 2 percussionists, piano, synthetiser
Proxima – EMEX – Ensembs
Ensems Festival \u00a0Valencia<\/p>\n

October 16th, 2022 world premiere<\/em><\/strong>
for flute, clarinet, saxophone, percussion, piano, violin & cello
Students from the Pole Sup – Bordeaux – Conducting Martin Matalon
MAd Festival Bordeaux<\/p>\n

\u2022 November 18th, \u00a02022<\/strong>
Metropolis Rebooted (145mn)<\/em>
Brussels Philharmonic – Illan Volkov Conducting
Festival Ars Musica<\/p>\n

\u2022 November 19th, \u00a02022<\/strong>
Metropolis Rebooted (145mn)<\/em>
Brussels Philharmonic – Illan Volkov Conducting
Concertgebouw de Bruges
Belgium<\/p>\n

\u2022 November 26th, \u00a02022<\/strong>
La rueda (15mn)<\/em>
Duo Violon, Piano &- Electronics – Centre Henri Pousseur
Gand Conservatory
Gand – Belgium<\/p>\n

\u2022 November 26th, \u00a02022<\/strong>
Traces VIII (14mn)<\/em>
Violon & Electronics – Centre Henri Pousseur
Gand Conservatory
Gand – Belgium<\/p>\n

December 2nd 2022<\/strong>
Scarecrow<\/em> : music for 3 Buster Keaton’s films \u00a0[ One week, playhouse, ScareCrow]
dur\u00e9e : 1h05mn
Ens Multilat\u00e9rale – Martin Matalon Conducting
Toulouse<\/p>\n

December 5th 2022<\/strong>
Scarecrow<\/em> : music for 3 Buster Keaton’s films \u00a0[ One week, playhouse, ScareCrow]
dur\u00e9e : 1h05mn
Ens Multilat\u00e9rale – Martin Matalon Conducting
P\u00e9rigueux \/ France<\/p>\n

December 7th 2022<\/strong>
Scarecrow<\/em> : music for 3 Buster Keaton’s films \u00a0[ One week, playhouse, ScareCrow]
dur\u00e9e : 1h05mn
Ens Multilat\u00e9rale – Martin Matalon Conducting
P\u00e9rigueux \/ France<\/p>\n

[\/et_pb_toggle][et_pb_toggle title=\u00a0\u00bb2021″ open=\u00a0\u00bbon\u00a0\u00bb admin_label=\u00a0\u00bb2021″ _builder_version=\u00a0\u00bb4.27.4″ background_size=\u00a0\u00bbinitial\u00a0\u00bb background_position=\u00a0\u00bbtop_left\u00a0\u00bb background_repeat=\u00a0\u00bbrepeat\u00a0\u00bb use_border_color=\u00a0\u00bboff\u00a0\u00bb border_color=\u00a0\u00bb#ffffff\u00a0\u00bb border_style=\u00a0\u00bbsolid\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

January 8th 2021 – [CAPTATION]<\/strong>
Scarecrow<\/em> : music for 3 Buster Keaton’s films \u00a0[ One week, playhouse, ScareCrow] – World premiere
dur\u00e9e : 1h05mn
Conservatoire de Gennevilliers. Ens Multilat\u00e9rale – Leo Warisnky Conducting<\/p>\n

\u2022 January 14th & 15th 2021 – [CAPTATION]<\/strong>
Oyster Princess \/ Foxtrot Delirium
P\u00f4le sup d\u2019Aubervilliers \/ La Courneuve
El\u00e8ves du P\u00f4le Sup. – Martin Matalon Conducting
Auditorium du CRR d\u2019Aubervilliers \/ La Courneuve<\/p>\n

\u2022 January 21 & 22 janvier 2021<\/strong><\/del>
Scarecrow<\/em> : music for 3 Buster Keaton’s films \u00a0[ One week, playhouse, ScareCrow]<\/del>
Ens. Multilat\u00e9rale – Martin Matalon Conducting<\/del>
P\u00e9rigueux –<\/del><\/p>\n

\u2022 January 27th & 28 – 2021<\/strong><\/del>
Oyster Princess \/ Foxtrot Delirium<\/em><\/del>
2 repr\u00e9sentations<\/del>
Lemanic Ensemble – Martin Matalon Conducting<\/del>
Annemasse and Geneva –<\/del><\/p>\n

February 8th 2021 [CAPTATION]<\/strong>
Ens. Accroche Note & students from the P\u00f4le sup – Martin Matalon Conducting
\u2022 Traces XV<\/em> (basse car.) (CM)
\u2022 La Carta<\/em>
\u2022 Traces XIII<\/em> (piano)
\u2022Traces IV<\/em>
Trame IV<\/em> (piano et 11 instruments)<\/p>\n

March 5th 2021<\/strong><\/del>
Las siete vidas de un gato \/ Un Chien Andalou<\/em><\/del>
EIC – Mariano Cecciarini Conducting<\/del>
Cit\u00e9 de la musique<\/del>
Paris<\/del><\/p>\n

April 09th 2021<\/strong>
Tunneling<\/em>
Mac Gill U. Ensemble. Lorraine Vaillancourt conducting
McGill University – Pollack Hall<\/p>\n

Montreal \/ Canada<\/p>\n

April 12ve 2021<\/strong><\/del>
Oyster Princess \/ Foxtrot Delirium<\/em><\/del>
Mac Gill U. Ensemble. Martin Matalon Conducting<\/del>
Montreal \/ Canada<\/del><\/p>\n

\u2022 Caravanserail<\/em> \/ Las siete vidas de un gato<\/em><\/del> [CAPTATION]<\/strong>
Orchestre de Normandie \/ Jean Deroyer Conducting
Compagnie Bestia
-April 1rst 2021<\/strong> : cr\u00e9ation au th\u00e9\u00e2tre de Cornouaille, sc\u00e8ne nationale de Quimper (29) ;
– April 6th 2021<\/strong> : salle de spectacles de Conches en Ouche (27) dans le cadre du festival de cirque contemporain SPRING (option) ;<\/del>
– April 8th 2021<\/strong> : th\u00e9\u00e2tre de Lisieux (14)<\/del>
– April 9th<\/strong> 2021<\/strong>: th\u00e9\u00e2tre La Renaissance \u00e0 Mondeville (14) [CAPTATION]<\/strong>
– April 13th 2021<\/strong> : forum de Falaise (14) [CAPTATION]<\/strong><\/p>\n

\u2022 April 19nd 2021<\/strong>
Trame VIII (for marimba solo and ensamble)
cantus Ensemble
Zagreb\u2019s Festival<\/p>\n

\u2022 April 19nd 2021<\/strong>
Traces IX (for cello solo and electronics)
Vid Veljak – cello
Zagreb\u2019s Festival<\/p>\n

April 23rd 2021<\/strong><\/del>
\u2022 Traces IX<\/em> –<\/del>
\u2022 Las siete vidas de un Gato<\/em>\/Un chien Andalou<\/em><\/del>
EOC – Valerie Dulac Violoncelle – Bruno Mantovani Conducting<\/del>
CNSMD Lyon<\/del><\/p>\n

\u2022 May 8th – 2021
Metropolis Rebooted [CAPTATION]
Orchestre de Paris – Kazushi Ono Conducting –
technique Ircam – Thomas Goepfer RIM – Luca Bignoni Ing\u00e9nieur du son
Philharmonie de Paris<\/p>\n

\u2022 May 9th – 2021<\/del>
Metropolis Rebooted [CAPTATION]<\/del>
Orchestre de Paris – Kazushi Ono Conducting –<\/del>
technique Ircam – Thomas Goepfer RIM – Luca Bignoni Ing\u00e9nieur du son<\/del>
Philharmonie de Paris<\/del><\/p>\n

\u2022 June 4th 2021<\/strong>
Scarecrow<\/em> : music for 3 Buster Keaton’s films \u00a0[ One week, playhouse, ScareCrow]
Ens. Multilat\u00e9rale – Martin Matalon Conducting
CRR de Genevilliers<\/p>\n

\u2022 July 11th – 2021<\/strong>
La Persecuta \/ Chaplin’s The Adventurer (CM)
Cin\u00e9-concert
trio KDM – Technique Centre Henri Pousseur – Gilles Doneux RIM
Festival de Cluny<\/p>\n

\u2022 July 11th – 2021<\/strong>
Las siete vidas de un gato<\/em>
Cin\u00e9 concert
Aleph Ensemble –\u00a0Technique Centre Henri Pousseur – Gilles Doneux Ing\u00e9nieur du son
Festival de Cluny<\/p>\n

\u2022 July 30th 2021<\/strong>
Scarecrow<\/em> : music for 3 Buster Keaton’s films \u00a0[ One week, playhouse, ScareCrow]
Ens. Multilat\u00e9rale – Martin Matalon Conducting
Marseille – festival GMEM<\/p>\n

\u2022 October 10th- 2021<\/strong>
Caravanserail<\/em>
ESMUC Ensemble – Ernest Martinez Conducting
Festival Mixtur – Auditori de Barcelona<\/p>\n

October 31rst 2021<\/strong>
Loop & epilogue<\/i>
Ensemble Cairn
Festival Dutilleux
Candes St Martin<\/p>\n

\u2022 November 13th – 2021<\/strong>
Metropolis ensamble version (145mn)
Orquesta de Baleares – Martin Matalon Conducting
technique Ircam – Sylvain Cadars\u00a0Sound Engineer
Palma de Mallorca – Spain<\/p>\n

\u2022 November 21rst – 2021<\/strong><\/del>
Metropolis Rebooted<\/strong><\/del>
Orchestre de Taiwan<\/del>
technique Ircam – Thomas Goepfer RIM – Luca Bignoni Ing\u00e9nieur du son<\/del>
Taiwan<\/del><\/p>\n

\u2022 November 22nd – 2021<\/strong><\/del>
Metropolis Rebooted<\/strong><\/del>
Orchestre de Taiwan<\/del>
technique Ircam – Thomas Goepfer RIM – Luca Bignoni Ing\u00e9nieur du son<\/del>
Taiwan<\/del><\/p>\n

\u2022 December 11th 2021<\/strong>
Traces V (for clarinet solo and electronics)
Alain Billard – clarinet
Conservatoire de Romainville<\/p>\n

[\/et_pb_toggle][et_pb_toggle title=\u00a0\u00bb2020″ admin_label=\u00a0\u00bb2020″ _builder_version=\u00a0\u00bb4.16″ background_size=\u00a0\u00bbinitial\u00a0\u00bb background_position=\u00a0\u00bbtop_left\u00a0\u00bb background_repeat=\u00a0\u00bbrepeat\u00a0\u00bb use_border_color=\u00a0\u00bboff\u00a0\u00bb border_color=\u00a0\u00bb#ffffff\u00a0\u00bb border_style=\u00a0\u00bbsolid\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

\u2022 Foxtrot Delirium<\/strong> (60mn)
\nmusic for Lubitsch Oyster Princess
\nfor 12 instruments & electronics
\nJanuary 8th, 2020<\/strong>
\nSillages, Martin Matalon conducting
\nQuartz \/ Brest<\/p>\n

\u2022 Foxtrot Delirium<\/strong> (60mn)
\nmusic for Lubitsch Oyster Princess
\nfor 12 instruments & electronics
\nJanuary 14th, 2020<\/strong>
\nEnsemble 2E2M, Martin Matalon conducting
\nCRR de Paris<\/p>\n

Trame X<\/strong> (2001) 17mn
\nConcerto for accordeon & 10 instruments
\nJanuary 24th 2020<\/strong>
\nP\u00f4le Sup. Aubervilliers \/ La Courneuve – Martin Matalon Conducting
\nAuditorium du CRR d’Aubervilliers<\/p>\n

La Makina<\/strong> (2008) 25mn – Traces XIII<\/strong> – piano (2018) 15mn – Traces IV<\/strong> (2005) – 8mn
\n2 pianos + 2 percussions & electronics
\npiano & electronics
\nmarimba & electronics
\nFebruary 12ve, 2020<\/strong>
\nEnsemble Batida
\nAuditorium du CRR de Chalon
\nChalon sur Saone<\/p>\n

Le Scorpion<\/strong> (2001) 60mn
\nmusic for Luis Bu\u00f1uel\u2019s L\u2019Age d\u2019Or
\nfor piano, 6 percussions & electronics
\nFebruary 14th, 2020<\/strong>
\nPercussion Ensemble Drumming Dimitri Vassilakis piano – conducting
\nTeatro Central – S\u00e9ville – Spain<\/p>\n

Le Scorpion<\/strong> (2001) 60mn
\nmusic for Luis Bu\u00f1uel\u2019s L\u2019Age d\u2019Or
\nfor piano, 6 percussions & electronics
\nFebruary 14th, 2020<\/strong>
\nPercussion Ensemble from the Royal Conservatory of Li\u00e8ge, Salle Chiroux
\nLi\u00e8ge – Belgium<\/p>\n

Le Scorpion<\/strong> (2001) 60mn
\nmusic for Luis Bu\u00f1uel\u2019s L\u2019Age d\u2019Or
\nfor piano, 6 percussions & electronics
\nFebruary 28th & 29th, 2020<\/strong>
\nNEOPERCUSION Ensemble
\nNaves del Matadero
\nMadrid<\/p>\n

Traces X<\/strong> (13mn)
\nfor accordion & electronics
\nAnthony Millet Accordeon – electronics by Phonos
\nMarch 12th, 2020
\nPhonos
\nBarcelona<\/p>\n

Intermezzo<\/strong> (10mn)
\nMarch 12th, 2020
\nfor accordion quartet
\nQuatuor Aeolina
\nPhonos
\nBarcelona<\/p>\n

Formas de Arena<\/strong> (12mn)<\/del>
\nMarch 13th<\/del>
\ntrio for flute, viola & harp<\/del>
\nEnsemble Sillages<\/del>
\nAuditorio del Liceo<\/del>
\nBarcelona<\/del><\/p>\n

\u2022 KDM concerto<\/strong> 17mn (cr\u00e9ation Fran\u00e7aise)<\/del>
\ntriple concerto for accordion, 2 percussionists & orchestra<\/del>
\n\u2022 Wenceslao\u2019s orchestral suite<\/strong> 15mn (cr\u00e9ation Mondiale)<\/del>
\nfor orchestra<\/del>
\nMarch 17th & 18, 2020<\/strong><\/del>
\nFestival AMA<\/del>
\nOrchestre de Caen – L\u00e9o Warinsky conducting<\/del><\/p>\n

Traces X <\/strong>(accordeon), Traces XI <\/strong>(trombone) & Traces XVI <\/strong>(vibraphone)(WP)<\/strong><\/del>
\nTrio KDM – Christophe Hausser sound Engineer<\/del>
\nMarch 19th<\/strong><\/del>
\nFestival AMA<\/del><\/p>\n

Traces III <\/strong>(cor), Traces IV <\/strong>(marimba) & Traces V <\/strong>(clarinette) et dispositif \u00e9lectronique<\/del>
\nMarch 20th<\/strong><\/del>
\nFestival AMA<\/del>
\nCaen<\/del><\/p>\n

\u2022 Caravans\u00e9rail<\/strong> (35mn) \u2022 Las siete vidas de un gato<\/strong> (15mn)<\/del>
\nfor 13 instruments<\/del>
\nfor circassiens & musicians – compagnie el Nucleo<\/del>
\nmusic for Bu\u00f1uel\u2019s Un chien Andalou<\/del>
\nfor 8 instruments & electronics<\/del>
\nMarch 20th, 2020<\/strong><\/del>
\nOrchestre de Normandie<\/del>
\nJean Deroyer conducting<\/del>
\nTh\u00e9\u00e2tre de Cornouaille \/ Quimper<\/del><\/p>\n

Traces II <\/strong>(viola), Traces VII <\/strong>(soprano) & Traces I <\/strong>(violoncelle)<\/del>
\ndispositif \u00e9lectronique \/ Christophe Hausser sound Engineer<\/del>
\nMarch 21rst, 11h<\/strong><\/del>
\nFestival AMA<\/del>
\nCaen<\/del><\/p>\n

Traces VIII <\/strong>(violon), Traces XII <\/strong>(harp) & Traces XIII <\/strong>(piano)<\/del>
\ndispositif \u00e9lectronique \/ Christophe Hausser sound Engineer<\/del>
\nMarch 21rst, 17h<\/strong><\/del>
\nFestival AMA<\/del>
\nCaen<\/del><\/p>\n

Formas in Pulvere<\/strong> (45mn)<\/del>
\nfor 5 voices percussion & electronics<\/del>
\nEnsemble De Caelis<\/del>
\nMarch 21rst, 20h<\/strong><\/del>
\nFestival AMA<\/del>
\nCaen<\/del><\/p>\n

Traces VI <\/strong>(flute), Traces IX <\/strong>(violoncelle) & Traces XIV<\/strong>(guitar)<\/del>
\ndispositif \u00e9lectronique \/ Christophe Hausser sound Engineer<\/del>
\nMarch 22nd, 11h<\/strong><\/del>
\nFestival AMA<\/del>
\nCaen<\/del><\/p>\n

\u2022 Caravans\u00e9rail<\/strong> (35mn) (cr\u00e9ation Fran\u00e7aise) \u2022 Las siete vidas de un gato<\/strong> (15mn)<\/del>
\nfor circassiens & 13 musicians – compagnie el Nucleo<\/del>
\nmusic for Bu\u00f1uel\u2019s Un chien Andalou<\/del>
\nfor 8 instruments & electronics<\/del>
\nMarch 22th, 2020<\/strong><\/del>
\nOrchestre de Normandie<\/del>
\nJean Deroyer conducting<\/del>
\nTh\u00e9\u00e2tre de Caen<\/del><\/p>\n

Traces IX<\/strong>\u00a0(2014) 9mn & Las siete vidas de un gato<\/strong> (1996) 15mn<\/del>
\nfor cello & electronics<\/del>
\nfor 8 instruments & electronics<\/del>
\nMarch 22nd 2020<\/strong><\/del>
\nEnsemble EOC<\/del>
\nBienale musique en sc\u00e8ne<\/del>
\nSalle Var\u00e8se<\/del>
\nLyon<\/del><\/p>\n

\u2022 Caravans\u00e9rail<\/strong> (35mn)\u00a0\u2022 Las siete vidas de un gato<\/strong> (15mn)<\/del>
\nfor 13 instruments<\/del>
\nfor circassiens & musicians – compagnie el Nucleo<\/del>
\nmusic for Bu\u00f1uel\u2019s Un chien Andalou<\/del>
\nfor 8 instruments & electronics<\/del>
\nMarch 24th, 2020<\/strong><\/del>
\nOrchestre de Normandie<\/del>
\nJean Deroyer conducting<\/del>
\nTh\u00e9\u00e2tre de Lisieux<\/del><\/p>\n

\u2022 Caravans\u00e9rail<\/strong> (35mn)\u2022 Las siete vidas de un gato<\/strong> (15mn)<\/del>
\nfor 13 instruments<\/del>
\nfor circassiens & musicians – compagnie el Nucleo<\/del>
\nmusic for Bu\u00f1uel\u2019s Un chien Andalou<\/del>
\nfor 8 instruments & electronics<\/del>
\nMarch 28th, 2020<\/strong><\/del>
\nOrchestre de Normandie<\/del>
\nJean Deroyer conducting<\/del>
\nTh\u00e9\u00e2tre de Conche en Ouche<\/del><\/p>\n

Loop & epilogue<\/strong> (2010) 6mn<\/del>
\nApril 14th, 2020<\/strong><\/del>
\nfor piano, accordion & cello)<\/del>
\nEnsemble des professeurs de Ch\u00e2lon sur Sa\u00f4ne<\/del>
\nAuditorium de Ch\u00e2lon<\/del><\/p>\n

Foxtrot Delirium<\/strong> (2015) – 58min<\/del>
\nmusic for Ernst Lubitsch Oyster Princess<\/del>
\nApril 23th, 2020<\/strong><\/del>
\nEnsemble de la ESMUC – Martin Matalon conducting<\/del>
\nAuditori – Barcelona \/ Spain<\/del><\/p>\n

\u2026de tiempo y de Metal\u2026<\/strong>16mn<\/del>
\nfor 12 brass instruments (4 fr.horns, 4 tpts, 2 tb t\u00e9nor, tb.basse & tuba)<\/del>
\nApril 24th, 2020<\/del>
\nEnsamble de Bronzes de la ESMUC – Angel Serrano conducting<\/del>
\nBarcelona<\/del><\/p>\n

Foxtrot Delirium<\/strong> (2015) – 58min<\/del>
\nmusic for Ernst Lubitsch Oyster Princess<\/del>
\nMay 5th, 2020<\/strong><\/del>
\nEnsemble des professeurs de Ch\u00e2lons sur Sa\u00f4ne<\/del>
\nAuditorium de Ch\u00e2lons<\/del><\/p>\n

Monedas de Hierro<\/strong>* (1994) 15mn – Trame I<\/strong>** (1997)<\/del>
\n* for 10 instruments & electronics<\/del>
\n** concerto for Oboe and 5 instruments<\/del>
\nJune 19th, 2020<\/strong><\/del>
\nEnsemble d’\u00e9tudiants de Ch\u00e2lon sur Sa\u00f4ne<\/del>
\nTh\u00e9\u00e2tre Piccolo<\/del>
\nCh\u00e2lon sur Sa\u00f4ne<\/del><\/p>\n

Intermezzo Nouvelle version <\/b>\u00a0(2020) – 13mn (CM)<\/del>
\n* for Accord\u00e9on quartet<\/del>
\nJuly 23rd & 24th, 2020<\/strong><\/del>
\nAeolina Quartet<\/del>
\nFestival de Chaillol<\/del><\/p>\n

Intermezzo\u00a0Nouvelle version <\/b>(2020) – 13mn (CM)<\/del>
\n* for Accord\u00e9on quartet<\/del>
\nAugust 4th, 2020<\/strong><\/del>
\nAeolina Quartet<\/del>
\nFestival de Menton<\/del><\/p>\n

Las siete vidas de un gato<\/strong><\/del>
\ndur\u00e9e 15mn<\/del>
\nEnsemble Aleph<\/del>
\nJuillet 2020<\/del>
\nFestival Cluny<\/del><\/p>\n

Charlot s\u2019\u00e9vade<\/strong> (CM)<\/del>
\nmusique pour le film \u00e9ponyme de Chalie Chaplin<\/del>
\ndur\u00e9e 30mn<\/del>
\nTrio KDM \/ \u00e9lectronique Centre Henri Pousseur<\/del>
\nJuillet 2020<\/del>
\nFestival Cluny<\/del><\/p>\n

Traces XIV<\/strong><\/del>
\nTomas Bordalejo guitar<\/del>
\nJuillet 2020<\/del>
\nFestival de Cluny<\/del><\/p>\n

July 23rd 2020<\/strong>
\nOyster Princess \/ Foxtrot Delirium<\/em>
\nEns. Sillages – M.Matalon Conducting
\nBretagne<\/p>\n

July 24th 2020<\/strong>
\nTraces II (la cabra) \/ Las Hurdes (terre sans pain)<\/em>
\nAglaya viola – electronics by
\nSantiago de Compostela<\/p>\n

July 26th 2020<\/strong>
\nTrame VIII<\/em> – marimba solo & ensamble
\nESART Music School
\nLisboa Portugal<\/p>\n

Op\u00e9ra –\u00a0l\u2019Ombre de Venceslao<\/strong> (90mn)
\nSeptember 6th<\/strong>
\nOp\u00e9ra – texte de Copi
\nLibretto & Mise en sc\u00e8ne Jorge Lavelli
\nOrchestre du Capitol, \u00a0Ernest Martinez Conducting
\nTV broadcast France 3<\/p>\n

Op\u00e9ra –\u00a0l\u2019Ombre de Venceslao<\/strong> (90mn)
\nSeptember 14th<\/strong>
\nOp\u00e9ra – texte de Copi
\nLibretto & Mise en sc\u00e8ne Jorge Lavelli
\nOrchestre du Capitol, \u00a0Ernest Martinez Conducting
\nTV broadcast France 3<\/p>\n

October 21rst<\/strong>
\nLoop & Epilogue<\/em>
\nProfesseurs de CRR de Ch\u00e2lon
\nConservatoire de Ch\u00e2lon<\/p>\n

October 17th & 18th 2020 :<\/strong>
\nEnsemble Sillages
\nTraces XIII<\/em> (2018) pour piano et \u00e9lectronique \/ 14 minutes.<\/p>\n

[\/et_pb_toggle][et_pb_toggle title=\u00a0\u00bb2019″ admin_label=\u00a0\u00bb2019″ _builder_version=\u00a0\u00bb4.16″ background_size=\u00a0\u00bbinitial\u00a0\u00bb background_position=\u00a0\u00bbtop_left\u00a0\u00bb background_repeat=\u00a0\u00bbrepeat\u00a0\u00bb use_border_color=\u00a0\u00bboff\u00a0\u00bb border_color=\u00a0\u00bb#ffffff\u00a0\u00bb border_style=\u00a0\u00bbsolid\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

Formas de Arena<\/strong> (for harp, flute & viola)
\nJanuary 19, 20 & 21, 2019<\/strong>
\ntrio Iris
\nFestival La Beaume en Musiques
\nSaint Maurice d\u2019Ibie
\nSaint Sernin<\/p>\n

Traces IX\u00a0<\/strong>(9mn)
\nCello & electronics
\nJanuary 19th 2018<\/strong>
\nBarcelona New Modern
\nBarcelona<\/p>\n

Le scorpion <\/strong><\/em>(60mn)
\nFebruary 12e,\u00a02019
\nMusic for Luis Bu\u00f1uel’s – l’Age d’Or –
\nMiguel Bernat\u00a0Conducting
\nCasa della Musica \/ Porto \/ Portugal<\/p>\n

Foxtrot Delirium<\/strong>
\nmusic for Ernst Lubitsch Oyster Princess<\/em> (60mn)
\nFebruary 12ve\u00a02019 –
\nEnsemble 2e2m \/ Pierre Rouiller conducting
\nChampigny sur Marne<\/strong><\/p>\n

Atomization, loop & freeze<\/em> (for 3 pianos & 3 percussions)\u00a0cr\u00e9ation mondiale – 20mn<\/strong>
\nFebruary 12ve\u00a02019 –<\/strong>
\nBertrand Chamayou, Vanessa Benelli-Mosell, S\u00e9bastien Vichard – Pianos
\nFlorent Jodelet, Ad\u00e9la\u00efde Ferri\u00e8re, \u00c8ve Payeur – Percussion
\nMartin Matalon conducting
\nFestival\u00a0Pr\u00e9sences \/ Radio France<\/b><\/p>\n

Foxtrot Delirium<\/strong><\/em>
\nmusic for Ernst Lubitsch Oyster Princess\u00a0(60mn)
\nFebruary 22nd 2019 –
\n<\/strong>Ensemble 2e2m \/ Pierre Rouiller conducting
\n<\/strong>Th\u00e9\u00e2tre de Genevilliers \/ Paris><\/p>\n

Traces XIV<\/em> (guitare) (CM), prelude and Blue<\/strong>
\nFebruary 24th 2019 –
\n<\/strong>Pablo Marquez guitare
\nHorschule\u00a0de Bale
\n<\/strong><\/p>\n

Traces VIII (violon), IX (cello), X (accordeon), XI (trombone), XII (harpe) et XIII (piano)<\/strong><\/em>
\nMarch 22nd 2019 –
\nEnsemble Sillages
\nFestival Electrocution\/Brest<\/p>\n

Foxtrot Delirium<\/strong><\/em>
\nmusic for Ernst Lubitsch Oyster Princess
\nMarch 30st\u00a02019 –
\nEnsemble 2e2m \/ Pierre Rouiller conducting
\nTh\u00e9\u00e2tre de Issoudun<\/p>\n

Foxtrot Delirium<\/em> (60mn)<\/strong>
\nmusic for Ernst Lubitsch Oyster Princess
\nApril 5th\u00a02019 –
\n<\/strong>Ensemble Diagonal\u00a0\/ J\u00fcrg Henneberger conducting
\n<\/strong>Acad\u00e9mie de Musique de B\u00e2le, Neuer Saal
\n<\/strong>B\u00e2le – Switzerland<\/p>\n

Las siete vidas de un gato<\/em> (15mn)<\/strong>
\nmusic for Luis Bu\u00f1uel’s Un Chien Andalou
\nApril 5th\u00a02019 –
\n<\/strong>Ensemble Diagonal\u00a0\/ J\u00fcrg Henneberger conducting
\n<\/strong>Acad\u00e9mie de Musique de B\u00e2le, Neuer Saal
\n<\/strong>B\u00e2le – Switzerland<\/p>\n

Traces XII, Traces XI<\/strong><\/em>
\nApril 5th\u00a02019 –
\n\u00c9tudiants de la Horschule de B\u00e2le
\n<\/strong>Neuer Saal
\n<\/strong>B\u00e2le – Switzerland<\/p>\n

Foxtrot Delirium<\/em> (60mn)<\/strong>
\nmusic for Ernst Lubitsch Oyster Princess
\nApril 11th\u00a02019 –
\n<\/strong>Lemanic Modern Ensemble \/ Martin Matalon conducting
\n<\/strong>Sion – Switzerland<\/p>\n

Intermezzo<\/strong><\/em> (4 Accordions)
\nApril 13th 2019
\nquatuor Aeolina
\nLe D\u00f4me de Pontoise
\nFrance<\/p>\n

Short Stories<\/strong> (12mn)
\nfor vibraphone
\nApril 17th, 2019
\nSwann Van Rechem vibraphone
\nCNSMDP
\nParis<\/p>\n

Traces IV , La Rueda <\/strong>for violin, piano & \u00e9lectronics (cr\u00e9ation mondiale)<\/strong><\/em>
\nMay 2nd 2019
\nRIM – Gilles Doneux – Centre Henri Pousseur – Li\u00e8ge
\nEspace Senghor
\nBruxelles – Belgium<\/p>\n

Las siete vidas de un gato \/ Un chien Andalou<\/strong><\/em> (15mn)
\nfor 8 instruments and electronics
\nMay 5th, 2019
\nFlatpack film festival
\nNext Ensemble
\nBirmingham\/Great Britain<\/p>\n

Trame X<\/em> (concerto pour accordeon & ensemble)<\/strong>
\nMay 14th \u00a02019 –
\nVincent Gailly Accord\u00e9on solo – \u00e9tudiants du CNSMDP
\nCNSMDP de Paris<\/p>\n

Traces IX (cello), X (accordeon), V (clarinette), XI (trombone)<\/strong><\/em>
\nMay 17th \u00a02019 –
\nEnsemble Accroche note – Armand Angster (clar.) – Ingrid Schoenlaub (vlc) – Vincent Gailly (acc.) –
\nDimitri Debroutelle, trombone – Stanislas Nordey R\u00e9citant
\nOp\u00e9ra de Strasbourg<\/p>\n

Traces X (accordeon)<\/strong><\/em>
\nMay 18th \u00a02019 –
\nAnthony Millet Accord\u00e9on – technique GMEM
\nFestival GMEM – Marseille<\/p>\n

Spin<\/em><\/strong> (15mn)
\nfor 2 pianos & 2 percussions
\nMay 25th, 2019
\nMakrokosmos
\nSaint Petersburg \/ Russia<\/p>\n

La Makina<\/em> (2 pnos+2 percus+electro)<\/strong>(25mn)
\nNathalie Darche et Carine Llobet pianos –\u00a0Bruno Lemaitre et Math\u00e9o Guyon Percussions.
\nJune 14th\u00a02019
\nTh\u00e9\u00e2tre Jean Bart de Saint Nazaire<\/p>\n

Intermezzo<\/strong><\/em> (10mn)
\nfor 4 Accordeons
\nJune 15th \/2019
\nQuatuor Aeolina
\nEglise Saint-Corneille de Chartrettes
\nRencontres musicales en Seine et Marne<\/p>\n

Monedas de hierro<\/strong><\/em> (15mn)
\nfor 10 instruments & electronics
\nJune 18th \/2019
\nCRR de Chalons sur Saone<\/p>\n

Traces II (la cabra)<\/em><\/strong> (36mn)
\nmusic for Luis Bu\u00f1uel\u2019s Las Hurdes (terre sans pain)
\nJune 25th, 2019
\nfor viola, narrator & electronics –\u00a0viola Aglaya Gonzalez
\nFestival de Santiago de Compostela<\/p>\n

Traces IV<\/strong><\/em>
\nJuly 1rst 2019
\nGuillaume Vittel Marimba
\nSound Engineer CNSM de Paris
\nCNSM de Paris<\/p>\n

Formas in<\/strong> <\/em>pulvere<\/em> (50mn) new version (cr\u00e9ation mondiale)<\/strong>
\nAugust 7, 8, 9 & 11th 2019
\nStaging Diana Teocharidis
\nstudents from ISA \/ Martin Matalon conducting
\n<\/strong>CETC \/ Teatro Colon
\nBuenos Aires\/Argentina<\/p>\n

Traces IV<\/em><\/strong> (marimba), Traces XI<\/strong><\/em> (trombone), Traces XII<\/strong><\/em> (harp) & Traces XIII<\/em><\/strong> (piano), (50mn)
\nAugust 23rd, 24th and 25th, 2019
\nDiana Teocharidis Staging
\nCentro cultural Kirchner
\nArgentina<\/p>\n

Radio Diffusion de Traces XII<\/strong> <\/em>(10mn)
\nRadio France
\nNicolas Tulliez harpe
\nsemaine du 7 au 12 October, 2019<\/strong><\/p>\n

Intermezzo<\/strong> <\/em>(10mn)
\nfor 4 accordeons
\nAeolina quartet
\nOctober 12th, 2019<\/strong>
\nLa Scala \/ Paris<\/p>\n

Lineas, puntos, planos<\/strong> <\/em>(15mn)
\nfor violin, cello & piano
\nPilgrim trio
\nOctober 13th, 2019<\/strong><\/p>\n

Centre culturel Gilbert Zaug\/Remiremont<\/p>\n

Prelude & bleu<\/strong> <\/em>(15mn)
\nfor saxo, double bass & percussion
\nEnsemble Court-circuit
\nOctober 13th, 2019<\/strong>
\nVille d’Avray<\/p>\n

Traces IV <\/em><\/strong>(8mn)
\nfor marimba and electronics
\nOctober 19th, 2019<\/strong>
\nclasse de percussion de Jean Geoffroy
\nCNSMDL<\/p>\n

Recording\u00a0Traces VIII, IX, X, XI, XII et XIII.<\/em><\/strong>
\nfor, violin, cello, accordeon, trombone, harp & piano
\nOctober 31st, November 1rst & 2nd 2019<\/strong>
\nEnsemble Sillages
\nCNSMD de Lyon<\/p>\n

Intermezzo<\/strong> <\/em>(10mn)
\nfor 4 accordeons
\nAeolina quartet
\nNovember 15th, 2019<\/strong>
\nRADIO DIFFUSION – France Musique<\/p>\n

\u00a0Traces II <\/em><\/strong>(14mn)
\nfor viola and electronics
\nNovember 21st, 2019<\/strong>
\nOdile Auboin alto – Gilbert Nono Sound design
\nInnovasound Festival<\/p>\n

Le Scorpion<\/strong><\/em> (60mn)
\n23 Novembre 2019
\nfor 6 percussions, piano & electronics
\nLes percussions de Strasbourg
\nPhilharmonie of Luxembourg<\/p>\n

Traces II (la cabra)<\/em><\/strong> (36mn)
\nmusic for Luis Bu\u00f1uel\u2019s Las Hurdes (terre sans pain)
\nDecember 3rd, 2019
\nfor viola, narrator & electronics –
\nEnsemble court-circuit – Laurent Camatte alto -Electronique CIRM
\nFestival Manca \/ Nice<\/p>\n

Dos formas del tiempo<\/em><\/strong> (9mn)
\nDecember 15th, 2019
\nTayuka Otaki piano
\nLes matins du piano \/ Orl\u00e9ans<\/p>\n

[\/et_pb_toggle][et_pb_toggle title=\u00a0\u00bb2018″ admin_label=\u00a0\u00bb2018″ _builder_version=\u00a0\u00bb4.16″ background_size=\u00a0\u00bbinitial\u00a0\u00bb background_position=\u00a0\u00bbtop_left\u00a0\u00bb background_repeat=\u00a0\u00bbrepeat\u00a0\u00bb use_border_color=\u00a0\u00bboff\u00a0\u00bb border_color=\u00a0\u00bb#ffffff\u00a0\u00bb border_style=\u00a0\u00bbsolid\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

Traces XIII<\/strong> – CM\u00a0(14mn)
\nVincent Leterme Piano
\nJanuary 25th 2018<\/strong>
\nEnsemble Sillages
\nQuartz de Brest<\/p>\n

Op\u00e9ra –\u00a0l\u2019Ombre de Venceslao<\/strong> (90mn)
\nJanuary, 26th, 28th & 30th, 2018<\/strong>
\nOp\u00e9ra – texte de Copi
\nLibretto & Mise en sc\u00e8ne Jorge Lavelli
\nOrchestre de Montpellier, \u00a0Martin Matalon Conducting
\nOp\u00e9ra de Montpellier<\/p>\n

Op\u00e9ra –\u00a0l\u2019Ombre de Venceslao<\/strong> (90mn)
\nFebruary 11th, 2018<\/strong>
\n– texte de Copi
\nLibretto & Mise en sc\u00e8ne Jorge Lavelli
\nOrchestre de Reims, \u00a0Martin Matalon Conducting
\nOp\u00e9ra de Reims<\/p>\n

Foxtrot Delirium\u00a0<\/strong>(60mn)
\nmusic for Ernst Lubitsch Oyster Princess
\nFebruary 15th & 16h,<\/strong> 2018<\/strong> –
\nOrchestre Symphonique de Bretagne \/ Pierre Rouiller conducting
\nBretagne<\/p>\n

Dos formas del tiempo\u00a0<\/strong>(9mn)
\nfor Piano
\nMarch 11th, 2018<\/strong>
\nSara Picavet piano
\nVeranstaltungsort \/Gemeindehaus St. Marien
\nGermany<\/p>\n

Intermezzo (world premiere)\u00a0<\/strong>(8mn)
\nquatuor Aeolina
\nfor 4 Accordions
\nMarch 11th, 2018<\/strong>
\nCRR de Paris \/ France<\/p>\n

Metropolis<\/strong> (145mn)
\nMarch 14th & 15th, 2018<\/strong>
\nOrchestre National des pays de la Loire,\u00a0Martin Matalon Conducting
\nDirection Martin Matalon
\nNantes<\/p>\n

Traces XIII\u00a0<\/strong>(14mn)
\nVincent Leterme Piano
\nMarch 19th 2018<\/strong>
\nPiano & electronics\/ Festival Electrocution
\nEnsemble Sillages
\nQuartz de Brest<\/p>\n

Metropolis<\/strong> (145mn)
\nMarch 18h & 20th & 21rst, 2018<\/strong>
\nOrchestre National des pays de la Loire,\u00a0Martin Matalon Conducting
\nDirection Martin Matalon
\nAngers<\/p>\n

Traces XIII\u00a0<\/strong>(14mn)
\nMarch 23th 2018<\/strong>
\nFestival Electrocution
\nPiano & electronics\/ Festival Electrocution
\nVincent Leterme Piano – Ensemble Sillages
\nQuartz de Brest<\/p>\n

Traces XIII\u00a0<\/strong>(14mn)
\nVincent Leterme Piano
\nMarch 29th 2018<\/strong>
\nFestival\u00a0Musiques images
\nEnsemble Sillages
\nBruxelles<\/p>\n

Metropolis<\/strong> (145mn)
\nApril 4th, 2018<\/strong>
\nZahir Ensamble\u00a0– Juan Garcia Rodroguez Conducting
\nTeatro Central\/\u00a0Seville_Spain<\/p>\n

La Carta\u00a0<\/strong>(18mn)
\nApril 12e, 2018<\/strong>
\nfor soprano, accordion, percussion, clarinet & electronics\/\u00a0ensemble Sillages
\nBrest\/France<\/p>\n

Intermezzo\u00a0<\/strong>(8mn)
\nApril 21rst, 2018<\/strong>
\nquatuor Aeolian – for 4 Accordions
\nChapelle Notre Dame des Anges
\nParis \/ France<\/p>\n

Traces VIII\u00a0<\/strong>(12mn)
\nEco Ensemble
\nApril 30th 2018<\/strong>
\nCNMAT
\nBerkeley \/ USA<\/p>\n

Lignes de fuite<\/strong> (for orchestra)\u00a0(20mn)
\nMay 3rd, 2018<\/strong>
\nU.C.Berkeley Symphony Orchestra – David Milnes conducting
\nHertz Hall
\nBerkeley \/ USA<\/p>\n

Lignes de fuite<\/strong> (for orchestra)\u00a0(20mn)
\nMay 4th, 2018<\/strong>
\nU.C.Berkeley Symphony Orchestra – David Milnes conducting
\nHertz Hall
\nBerkeley \/ USA<\/p>\n

Foxtrot Delirium\u00a0<\/strong>(60mn)
\nmusic for Ernst Lubitsch Oyster Princess
\nMay 6th, 2018<\/strong>
\nEco Ensemble \/ David Milnes conducting
\nPresented by Cal Performances which has contributed significant funding to the performance of Foxtrot D\u00e9lirium
\nZellerbach Playhouse
\nBerkeley \/ USA<\/p>\n

Traces X\u00a0<\/strong>(10mn)
\nfor Accordion & electronics
\nMay 8th, 2018<\/strong>
\nKleben Leben Accordion
\nLubjana<\/p>\n

Trame XIV\u00a0<\/strong>(CM)\u00a0(18mn)
\nMay 11th 2018<\/strong>
\nCommissioned by AchtBr\u00fccken Festival
\nConcerto for Clarinet & ensemble
\nEnsemble MusikFabrik, Carl Rosman clarinet
\nK\u00f6ln \/ Germany<\/p>\n

Metropolis<\/strong> (140mn)
\nMay\u00a022nd,<\/strong>\u00a02018
\nEnsemble Modern,\u00a0Martin Matalon Conducting
\nElbphilharmonie
\nHamburg \/ Germany<\/p>\n

Traces IV<\/strong>
\nfor Marimba & electronics\u00a0(8mn)
\nMay 22nd, 2018<\/strong>
\nJeane Larrouturou Marimba
\nMusik Akademie Basel<\/p>\n

Trame Ia<\/strong>
\nJune 18th 2018\u00a0<\/strong>(15mn)<\/strong>
\nConcerto for saxo soprano & 5 instruments
\nEnsemble from CNSMDL, Helena Correa Otero – saxo
\nGoethe Institute \/ Lyon<\/p>\n

Traces V<\/strong>
\nfor clarinet & electronics\u00a0(8mn)
\nJune 30th, 2018
\nP\u00f4le sup d\u2019Aubervilliers \/ technique Ircam
\nFrance<\/p>\n

Intermezzo<\/strong>\u00a0(8mn)
\nJuly 15th, 2018<\/strong>
\nquatuor Aeolian – for 4 Accordions
\nPrieur\u00e9 de Charolles
\nCahrolles \/ France<\/p>\n

Las siete vidas de un gato<\/strong> (15mn), Traces II (la cabra) <\/strong>35mn Le scorpion <\/strong> (60mn)
\nLuis Bu\u00f1uel’s Un chien Andalou – Las Hurdes (terre sans pain) – l’Age d’Or –
\nJuly 21rst,\u00a02018
\nMartin Matalon Conducting
\nTeatro Colon – Buenos Aires \/ Argentina<\/p>\n

3 Interludes<\/strong>
\nfor 3 Accordions
\nAugust 5th, 2018
\nFestival International Agora
\nSwitzerland<\/p>\n

Lineas, puntos, planos<\/strong> (world premiere)\u00a0(14mn)
\nfor violin, cello & piano)
\nTrio Pilgrim
\nSeptember 9th, 2018<\/strong>
\nDordogne
\nFrance<\/p>\n

Rugged<\/strong> (world premiere)\u00a0(10mn)
\nfor orchestra with horn section concertino
\nSeptember 15th, 2018<\/strong>
\nOrchestre Philharmonique de Radio France \/ Mikko Franck Conducting
\nRadio France<\/p>\n

Traces XIII & Traces VIII, prelude & blue<\/strong>
\nSeptember 17th, 2018<\/strong>
\nJean Marie Cottet Piano – Alexandra Greffin Klein – Violon
\nEnsemble Court-circuit
\nSalle Cortot
\nParis\/France<\/p>\n

del color a la materia (40mn)<\/strong>
\nSeptember 29th, 2018<\/strong>
\nfor 6 percussions, piano & electronics
\nNew World Symphony
\nMiami \/ USA
\nMontr\u00e9al \/ Canada<\/p>\n

De Polvo y Piedra (22mn)<\/strong>
\nOctober 6th, 2018<\/strong>
\nfor 13 instruments & electronics
\nMcGill University Ensemble – Guillaume Bourgogne conducting
\nMacGill University – Pollack Hall
\nMontr\u00e9al \/ Canada<\/p>\n

Metropolis (145mn)<\/strong>
\nOctober 13th, 2018<\/strong>
\nfor 16 musicians & electronics
\nmusic for Fritz\u2019s Lang Metropolis
\nCepro Music Juan Jose Castillo Conducting
\nFestival Cervantino
\nMexico<\/p>\n

Trame IV (20mn)<\/strong>
\nOctober 13th, 2018<\/strong>
\nconcerto for piano and 11 musicians
\nIsraeli Contemporary players – Arturo Tamayo Conducting, Dimitri Vassilakis Piano
\nTel-Aviv – Israel<\/p>\n

Trame IV\u00a0(14mn)<\/strong>
\nOctober 14th, 2018<\/strong>
\nconcerto for piano and 11 musicians
\nIsraeli Contemporary players – Arturo Tamayo Conducting, Dimitri Vassilakis Piano
\nJerusalem – Israel<\/p>\n

Metropolis\u00a0(145mn)<\/strong>
\nOctober 15th, 2018<\/strong>
\nfor 16 musicians & electronics
\nmusic for Fritz\u2019s Lang Metropolis
\nCepro Music Juan Jose Castillo Conducting
\nCiudad de Mejico<\/p>\n

Foxtrot Delirium\u00a0(60mn)<\/strong>
\nNovember 16th, 2018<\/strong>
\nmusic for Ernst Lubitsch Oyster Princess
\nEnsemble Ars Nova – Jean Micahel Lavoie Conducting
\nFestival de Perpignan<\/p>\n

Spin<\/strong>
\nNovember 21th, 2018<\/strong>
\nfor 2 pianos, 2 percussions
\nQuatuor Makrokosmos
\nFestival de Perpignan<\/p>\n

Traces IX<\/strong>
\nDecember 14th, 2018<\/strong>
\nfor cello & electronics
\nEnsemble Aleph – Christophe Roy Violoncelle
\nLa Cartoucherie \/Paris<\/p>\n

Trame V\u00a0(20mn)<\/strong>
\nfor trumpet & orchestra
\nDecember 21th, 2018<\/strong>
\nOrquesta Sinfonica Nacional, Santiago Santero conducting, Valentin Garvie trumpet
\nCentro Cultural Kirschner
\nBuenos Aires\/Argentina<\/p>\n

[\/et_pb_toggle][et_pb_toggle title=\u00a0\u00bb2017″ admin_label=\u00a0\u00bb2017″ _builder_version=\u00a0\u00bb4.16″ background_size=\u00a0\u00bbinitial\u00a0\u00bb background_position=\u00a0\u00bbtop_left\u00a0\u00bb background_repeat=\u00a0\u00bbrepeat\u00a0\u00bb use_border_color=\u00a0\u00bboff\u00a0\u00bb border_color=\u00a0\u00bb#ffffff\u00a0\u00bb border_style=\u00a0\u00bbsolid\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

Caravanserail<\/strong> (WP)\u00a030mn
\nfor 13 musicians & Circassiens
\nJanuary 2nd,\u00a02017
\nEnsemble Modern, Frank Ollu Conducting
\nBockenheim Depot \/ Frankfurt<\/p>\n

Caravanserail<\/strong> (WP)\u00a030mn
\nfor 13 musicians & Circassiens
\nJanuary 3rd,\u00a02017
\nEnsemble Modern, Frank Ollu Conducting
\nBockenheim Depot \/ Frankfurt<\/p>\n

Caravanserail<\/strong> (WP)\u00a030mn
\nfor 13 musicians & Circassiens
\nJanuary 4th,\u00a02017
\nEnsemble Modern, Frank Ollu Conducting
\nBockenheim Depot \/ Frankfurt<\/p>\n

Caravanserail<\/strong> (WP)\u00a030mn
\nfor 13 musicians & Circassiens
\nJanuary 5th,\u00a02017
\nEnsemble Modern, Frank Ollu Conducting
\nBockenheim Depot \/ Frankfurt<\/p>\n

Metal sobre Metal<\/strong>
\nJanuary 23rd 2017
\nfor 2 trumpets & french horn
\nFocus Festival
\nJuilliard Ensemble
\nLincoln Center<\/p>\n

Metal sobre Metal<\/strong>
\nJanuary 30th, 2017
\nfor 2 trumpets & french horn
\nSAVASA trio
\nK\u00fcnstlerhaus. Helibrunnerstrasse 1,
\n5020 Salzburg\/Austria<\/p>\n

Metal sobre Metal<\/strong>
\nFebruary 12ve 2017
\nfor 2 trumpets & french horn
\nSAVASA trio
\nGreensboro \/ North Carolina
\nUSA<\/p>\n

Metal sobre Metal<\/strong>
\nFebruary 15th 2017
\nfor 2 trumpets & french horn
\nSAVASA trio
\nStatesboro \/ Georgia
\nUSA<\/p>\n

Metal sobre Metal<\/strong>
\nFebruary 16th 2017
\nfor 2 trumpets & french horn
\nSAVASA trio
\nColumbia \/ South Carolina
\nUSA<\/p>\n

Traces XII<\/strong> (CM) 10mn
\nfor Harp and electronics
\nNicolas Tuillez Harpe \/ RIM Nicolas Deflache
\ntechnique Radio France
\n12 F\u00e9vrier 2017
\nFestival Pr\u00e9sences<\/p>\n

Le Scorpion<\/strong>\u00a063mn
\nfor 6 percussionists, piano & electronics
\nFebruary 26th,\u00a02017
\nSixtrum ens. piano Brigitte Poulin Electronics CIRMMT
\nsalle de la place des Arts \/ Montr\u00e9al \/ Canada<\/p>\n

l\u2019Ombre de Venceslao<\/strong>
\nMarch 10th, 2017
\nOp\u00e9ra – texte de Copi
\nLivret et Mise en scene Jorge Lavelli
\nOrchestre d\u2019Avignon \/ Ernest Martinez Conducting
\nOp\u00e9ra d\u2019Avignon<\/p>\n

Traces X<\/strong>
\nMarch 17th, 2017
\nAccordeon & electronics
\n\u00e9l\u00e8ves du CNSMDP accordeon
\nCNSM de Paris<\/p>\n

Trame VII<\/strong>
\nMarch 18th 2017
\nFor French horn solo & 14 instruments
\nIsraeli Contemporary players \/ Saar Berger French Horn\/\/Guillaume Bourgogne direction
\nTel Aviv\/ Israel<\/p>\n

Trame VII<\/strong>
\nMarch 19th, 2017
\nFor French horn solo & 14 instruments
\nIsraeli Contemporary players \/ Saar Berger French Horn\/Guillaume Bourgogne direction
\nJerusalem \/ Israel<\/p>\n

Trame VII<\/strong>
\nMarch 19th, 2017
\nFor French horn solo & 14 instruments
\nIsraeli Contemporary players \/ Saar Berger French Horn\/Guillaume Bourgogne direction
\nIsraely Radio Broadcast<\/p>\n

l\u2019Ombre de Venceslao<\/strong>
\nMarch 22nd, 2017
\nOp\u00e9ra – texte de Copi
\nLivret et Mise en scene Jorge Lavelli
\nOrchestre d\u2019Auvergne \/ Martin Matalon Conducting
\nOp\u00e9ra de Cl\u00e9rmont-Ferrand<\/p>\n

Las siete vidas de un gato<\/strong>
\nMarch 23rd 2017
\nProxima -Centauri
\nBordeaux<\/p>\n

Trame VIII<\/strong>
\n30 Mars 2017
\nMarimba solo & 9 instruments
\nGuillaume Vitel Marimba
\nCNSMDP<\/p>\n

l\u2019Ombre de Venceslao<\/strong>
\nApril, 2, 4, 7 & 9th, 2017
\nOp\u00e9ra – texte de Copi
\nLivret et Mise en scene Jorge Lavelli
\nOrchestre du Capitol \/ Ernest Martinez Conducting
\nTh\u00e9\u00e2tre du Capitol
\nToulouse<\/p>\n

Traces VIII<\/strong>
\nApril 6th, 2017
\nClaire Bourdet Violin – Centre Henri Pousseur electronics
\nFestival : deux visages de la musique \u00e9lectroacoustique
\nEtterbeek \/ Belgique<\/p>\n

Tunneling<\/strong>
\nApril 13th 2017
\nLeipzig\u2019s Hochschule – Rainer Schmiedel\u00a0conducting
\nLeipzig \/ Germany<\/p>\n

Trame XI<\/strong>
\nMay 11th 2017
\nEns. Court Circuit – Didier Meu Contrebasse solo \/ Jean Deroyer\u00a0Conducting
\nConservatoire de Vanves<\/p>\n

Traces III<\/strong>
\nMay 18th 2017
\nEnsemble Sillages – Pierre Remondiere Cor
\nBrest<\/p>\n

Traces VIII<\/strong>
\nMay 20th, 2017
\nClaire Bourdet Violin – Centre Henri Pousseur electronics
\nPoint Culture
\nLi\u00e8ge \/ Belgique<\/p>\n

Formas de arena<\/strong>
\nJuly 22nd, 2017
\nTrio Iris
\nFestival des musicales de grillon
\nchapelle des p\u00e9nitents blancs de Valr\u00e9as.<\/p>\n

Tulles et les ombres<\/strong>
\nAugust 4rth 2017
\nEnsemble Lucilin
\nMusashino, Japan<\/p>\n

Tulles et les ombres<\/strong>
\n2 representations
\nAugust 5rth 2017
\nEnsemble Lucilin
\nNagakute, Japan<\/p>\n

Tulles et les ombres<\/strong>
\nAugust 6th 2017
\nEnsemble Lucilin
\nNagano, Japan<\/p>\n

Traces VI<\/strong>
\nAugust 29th, 2017
\nFlute & electronics
\nAnja Clift flute – Robert Torche electronics
\nConcours Nicati \/ Hochschule der K\u00fcnste Bern<\/p>\n

Traces X<\/strong>
\nSeptember 28th 2017
\nEnsemble AtMusica – Anthony Millet Accord\u00e9on
\nTours<\/p>\n

Lignes de fuite<\/strong><\/p>\n

September 29th 2017
\nOrquesta sinfonica Nacional de la Republica Argentina dir : Mariano Chiacchiarini
\nCentro cultural Kirchner – Buenos Aires, Argentina<\/p>\n

l\u2019Ombre de Venceslao<\/strong>
\nNovember 7th & 8th, 2017
\nOp\u00e9ra – texte de Copi
\nLivret et Mise en scene Jorge Lavelli
\nOrchestre de Marseille \/ Ernest Martinez Conducting
\nOp\u00e9ra de Marseille<\/p>\n

Spinning lines (Part 1)<\/strong>\u00a0(world premiere) 28mn<\/p>\n

November 24th 2017
\nfor orchestra, 3 soloists & electronics –\u00a0Ensemble Modern OrchestraConductor\u00a0Ilan Volkov
\nJaan Bossier clarinet,Saar Berger french horn, Jagdish Mistry Violin – Norbert Ommer Sound, Max Bruckert RIM
\nTechnique Grame –\u00a0RIM Max Bruckert – Sound Engineer Norbert Omer
\nFrankfurt \/ Germany<\/p>\n

Las siete vidas de un gato<\/strong>
\nDecember 16th 2017
\nEnsemble Aleph –\u00a0Michel Pozmanter conductor
\nTh\u00e9\u00e2tre de l’Aquarium\/Paris<\/p>\n

Traces VIII & X <\/strong>
\nDecember 9th, 2017
\nFestival Images sonores
\nLiege \/ Belgique<\/p>\n

[\/et_pb_toggle][et_pb_toggle title=\u00a0\u00bb2016″ admin_label=\u00a0\u00bb2016″ _builder_version=\u00a0\u00bb4.16″ background_size=\u00a0\u00bbinitial\u00a0\u00bb background_position=\u00a0\u00bbtop_left\u00a0\u00bb background_repeat=\u00a0\u00bbrepeat\u00a0\u00bb use_border_color=\u00a0\u00bboff\u00a0\u00bb border_color=\u00a0\u00bb#ffffff\u00a0\u00bb border_style=\u00a0\u00bbsolid\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

Traces I, VII et X<\/strong>
\nJanuary 7th 2016
\nfor cello &electronics, soprano &electronics and accordion &electronics
\nHaute Ecole de Musique de Strasbourg<\/p>\n

Las siete vidas de un gato<\/strong>
\nJanuary 13th 2016
\nUniversity of Vienna
\nAustria<\/p>\n

Prelude & blue<\/strong>
\nJanuary 27th 2016
\nEnsemble Court-circuit
\nConservatoire de Vanves<\/p>\n

Las siete vidas de un gato<\/strong>
\nMarch 3rd 2016
\nUniversity of Vienna
\nAustria<\/p>\n

Foxtrot d\u00e9lirium<\/strong> (CM) dur 58mn
\nMarch 6th, 2016
\nMusic for\u00a0Ernst Lubitsch\u2019s\u00a0Die Austernprinssezin
\nfor 12 instruments & \u00e9lectronics
\nArs Nova – Philippe Nahon Conducting
\nAuditorium de Lyon<\/p>\n

Traces X<\/strong>
\n6 March 2016
\nfor accordion &electronics
\nFanny Vincens Accordion
\nOslo Conservatory
\nNorway<\/p>\n

Trame XIII<\/strong>
\n22 Avril 2016
\nfor orchestra
\nOrchestre National de Montpellier \/ Direction Ernest Martinez
\nQuorum
\nMontpellier<\/p>\n

Trame XIII<\/strong>
\n23 avril 2016
\nfor orchestra
\nOrchestre National de Montpellier \/ Direction Ernest Martinez
\nQuorum
\nMontpellier<\/p>\n

Dos formas del tiempo<\/strong>
\nMay 23rd 2016
\nfor piano
\nTakuya Otaki \/ Piano
\nCasa della Musica,
\nParma Italy<\/p>\n

Traces IX<\/strong>
\n2 Juin 2016
\nBenjamin Glorieux – violoncelle
\nBelgique<\/p>\n

Tulles et les ombres<\/strong> dur 58mn
\na musical tale for 2 mimes and 7 instruments
\nJune 11th & 12th, 2016
\n(6 representations)
\nEnsemble Lucilin
\nKonzerthaus
\nAustria<\/p>\n

Traces X<\/strong>
\n10 Juillet 2016
\nfor accordion &electronics
\nAnthony Millet Accordion
\nFestival d\u2019Aujourd\u2019hui \u00e0 demain
\nCluny \/ France<\/p>\n

Traces VI<\/strong>
\nAugust 10th 2016
\nfor flute &electronics
\nAna Ligia Mastruzzo flute
\nTeatro Cervantes
\nBuenos Aires \/ Argentina<\/p>\n

La Rosa<\/strong>
\nAugust 18th & 19th 2016
\nEnsemble Instrumental
\nMartin Matalon Conducting
\nCentro Cultural Kirchner
\nBuenos Aires Argentina<\/p>\n

Le Scorpion<\/strong>
\nSeptember 23rd 2016
\nfor 6 percussions, 2 pianos & electronics
\nBatida Ensemble
\nl\u2019Alhambra Theater
\nGeneva \/ Switzerland<\/p>\n

La Carta<\/strong>
\n29 Septembre 2016
\nEnsemble Accroche note
\nMezzo-soprano, clarinette, accord\u00e9on, percussion et dispositif \u00e9lectronique
\nFestivalMusica<\/p>\n

Foxtrot d\u00e9lirium<\/strong> (CM) dur 58mn
\n30 Septembre 2016
\nMusic for\u00a0Ernst Lubitsch\u2019s\u00a0Die Austernprinssezin
\nfor 12 instruments & \u00e9lectronics
\nArs Nova – Philippe Nahon Conducting
\nFestival Musica \/ Strasbourg<\/p>\n

Foxtrot d\u00e9lirium<\/strong> (CM) dur 58mn
\nOctobre 2016
\nMusic for\u00a0Ernst Lubitsch\u2019s\u00a0Die Austernprinssezin
\nfor 12 instruments & \u00e9lectronics
\nArs Nova – Philippe Nahon Conducting
\nCMMAS Morelia \/ Mexico<\/p>\n

Foxtrot d\u00e9lirium<\/strong> (CM) dur 58mn
\nOctobre 2016
\nMusic for\u00a0Ernst Lubitsch\u2019s\u00a0Die Austernprinssezin
\nfor 12 instruments & \u00e9lectronics
\nArs Nova – Philippe Nahon Conducting
\nCervantino \/ Mexico<\/p>\n

Traces IV, Traces V, Traces VI<\/strong> Octobre 2016
\nfor trombone & \u00e9lectronics & for clarinet & electronics
\nPierre Simon Chevry fl\u00fbte, Eric Lamberger clarinette, Eve Payeur Marimba
\nXavier Bordelais Ing\u00e9nieur du son
\nArs Nova
\nLe Cenart \/ Mexico<\/p>\n

l\u2019Ombre de Venceslao<\/strong>
\n12, 14 et 16 Octobre 2016
\nOp\u00e9ra – texte de Copi
\nLivret et Mise en scene Jorge Lavelli
\nOrchestre de Bretagne Ernest Martinez Conducting
\nOp\u00e9ra de Rennes<\/p>\n

Las siete vidas de un gato<\/strong>
\nNovembre 30th 2016
\nEnsemble Court circuit
\nCRR de Paris<\/p>\n

[\/et_pb_toggle][et_pb_toggle title=\u00a0\u00bb2015″ admin_label=\u00a0\u00bb2015″ _builder_version=\u00a0\u00bb4.16″ background_size=\u00a0\u00bbinitial\u00a0\u00bb background_position=\u00a0\u00bbtop_left\u00a0\u00bb background_repeat=\u00a0\u00bbrepeat\u00a0\u00bb use_border_color=\u00a0\u00bboff\u00a0\u00bb border_color=\u00a0\u00bb#ffffff\u00a0\u00bb border_style=\u00a0\u00bbsolid\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

Metal sobre Metal<\/strong> (cr\u00e9ation mondiale)
\nJanuary 10th 2015
\nSavasa
\nfor 2 trumpets & french horn
\nLubjana\/<\/p>\n

Foxtrot delirium<\/strong> (CM) dur 58mn
\n20 Janvier 2015
\nmusique pour Die Austernprinssezin de Ernst Lubitsch
\npour 12 instruments et \u00e9lectronique
\nArs Nova – Direction Philippe Nahon
\nSc\u00e8ne National de Valence
\nFestival Lux de Valence<\/p>\n

La Carta<\/strong> (cr\u00e9ation mondiale)
\n9 f\u00e9vrier 2015
\nEnsemble Accroche note
\nMezzo-soprano, clarinette, accord\u00e9on, percussion et dispositif \u00e9lectronique
\nRadio France<\/p>\n

Short Stories<\/strong>
\nJanuary 23rd 2015
\nTom Kolor percussion
\nTenri Gallery
\nNew York city<\/p>\n

Traces VIII<\/strong>
\n16 F\u00e9vrier2015
\nSzuhwa Wu violon
\nStudio du Th\u00e9\u00e2tre de l\u2019espace
\nBesan\u00e7on<\/p>\n

Traces IX<\/strong>
\nF\u00e9vrier 2015
\npour violoncelle et dispositif \u00e9lectronique
\nTom Flaherty Violoncelle
\nPommona College
\nUSA<\/p>\n

Las siete vidas de un gato, Traces I, dos formas del tiempo, Formas de arena<\/strong>
\nconcert monographique
\n21 F\u00e9vrier 2015
\nEnsemble 21 – Marc Collet cunductor
\nEspace Senghor
\nBruxelles<\/p>\n

lignes de fuite<\/strong>
\n6 Mars 2015
\npour orchestre
\nOrchestre National de Montpellier \/ Direction Ernest Martinez
\nQuorum
\nMontpellier<\/p>\n

Trame VIII<\/strong>
\n20 Mars 2015
\npour marimba solo et 8 isnstruments
\nAtelier Instrumental \/ Marimba direction Martin Matalon
\nCRR d\u2019Aubervilliers \/ La Courneuve<\/p>\n

Trame VIII<\/strong>
\n21 Mars 2015
\npour marimba solo et 8 isnstruments
\nAtelier Instrumental \/ Marimba direction Martin Matalon
\ncrr de Aulnais<\/p>\n

Traces IX<\/strong>
\n26 Mars 2015
\npour violoncelle et dispositif \u00e9lectronique
\nEnsemble Sillages
\nFestival Electrocution
\nBrest<\/p>\n

KDM Fragments<\/strong>
\n29 Mars 2015
\npour 2 percussions, accord\u00e9on et \u00e9lectronique (17mn)
\nEnsemble KDM electronic GMEM
\nFestival Contratempo
\nVilla Medici Rome<\/p>\n

Traces XI<\/strong> (CM)
\n24 Avril 2015
\npour Trombone et dispositif \u00e9lectronique
\nUwe Dierksen trombone – technique Grame
\nFestival Witten
\nAllemagne<\/p>\n

Traces XI<\/strong> (CM)
\n24 Avril 2015
\npour Trombone et dispositif \u00e9lectronique
\nUwe Dierksen trombone – technique Grame
\nradio diffusion direct SWR<\/p>\n

KDM Fragments<\/strong>
\n7 Mai 2015
\npour 2 percussions, accord\u00e9on et \u00e9lectronique (17mn)
\nEnsemble Batida et Sergej Tchirkov
\nHEM Geneve<\/p>\n

Traces VI<\/strong>
\n13 Mai 2015
\npour fl\u00fbte et \u00e9lectronique,
\nElena stojcesk fl\u00fbte
\nLivry Gargan<\/p>\n

Trame IV<\/strong>
\n16 Mai 2015
\nIsraeli Contemporary players | Dan Yuhas Direction
\nTel Aviv Museum
\nIsrael<\/p>\n

La Carta<\/strong>
\nMay 2015
\nselection de la Tribune international des compositeurs
\ndiffusion sur URL<\/p>\n

del matiz al color<\/strong>
\n25 Mai 2015
\n\u2026del matiz al color\u2026
\nPhilhacellist
\nBeauvais<\/p>\n

KDM Fragments<\/strong>
\n28 Mai 2015
\npour 2 percussions, accord\u00e9on et \u00e9lectronique (17mn)
\nEnsemble Batida et Sergej Tchirkov
\nFestival Remusik
\nSaint Petersbourg
\nRussie<\/p>\n

Traces I, dos formas del tiempo<\/strong>
\n9 Juin 2015
\nEnsemble 21
\ncentre Belge
\nParis<\/p>\n

Trame XIII<\/strong> (cr\u00e9ation mondiale)
\n11 Juillet 2015
\npour saxophone et orchestre
\nVincent David Saxo – Orchestre de Strasbourg Baldur Bronnimann Direction
\nStrasbourg<\/p>\n

KDM Fragments<\/strong>
\nJuly 18th 2015
\npour 2 percussions, accord\u00e9on et \u00e9lectronique (17mn)
\nEnsemble KDM
\n\u00c9GLISE DU HAMEAU DE SAINT-MICHEL – CHAILLOL
\nGap<\/p>\n

Metal sobre Metal<\/strong>
\n28 Juillet 2015
\nfor 2 trumpets & French horn
\nSava Stoianov & Valentin Garvie trumpets Saar Berger french Horn
\nRan Baron Hall
\nTel aviv<\/p>\n

Traces X<\/strong>
\nAugust 8th 2015
\npour accord\u00e9on et \u00e9lectronique (14mn)
\nAccord\u00e9on Anthony Millet
\nTeatro Colon (CETC)
\nBuenos Aires \/Argentine<\/p>\n

KDM Fragments<\/strong>
\nAugust 9th 2015
\npour 2 percussions, accord\u00e9on et \u00e9lectronique (17mn)
\nEnsemble KDM
\nTeatro Colon (CETC)
\nBuenos Aires<\/p>\n

La Makina<\/strong>
\nOctober 2nd, 2015
\nfor two percussions, two pianos and electronics
\nensemble Batida
\nChalons sur Sa\u00f4ne<\/p>\n

Traces VIII<\/strong>
\nOctober 28th 2015
\npour violon et \u00e9lectronique,
\nAlexandra Greffin – Klein violon – Ensemble Sillages
\nfestival Traiettorie
\nParme Italie<\/p>\n

Traces IX<\/strong>
\nNovembre 3rd 2015
\nfor cello & electronics
\nSylvia Demgenski cello
\nMozarteum
\nSalzbourg<\/p>\n

Traces IX<\/strong>
\nNovembre 13th 2015
\nfor cello & electronics
\nBenjamin Glorieux cello
\nFestival Images Sonores
\nTh\u00e9\u00e2tre de Li\u00e8ge
\nBelgium<\/p>\n

Foxtrot d\u00e9lirium<\/strong> (CM) dur 58mn
\nDecember 1rst 2015
\nMusic for\u00a0Ernst Lubitsch\u2019s\u00a0Die Austernprinssezin
\nfor 12 instruments & \u00e9lectronics
\nArs Nova – Philippe Nahon Conducting
\nTAP de Poitiers<\/p>\n

Las siete vidas de un gato<\/strong>
\nDecember 11th 2015
\nEnsemble Ars Nova \/ Philippe Nahon Conducting
\nTeatro Juarez
\nOaxaca \/ Mexico<\/p>\n

Trame X<\/strong>
\nDecember 11th 2015
\nEnsemble Ars Nova \/ Pascal Contet Accordeon \/ Philippe Nahon Conducting
\nTeatro Juarez
\nOaxaca \/ Mexico<\/p>\n

Las siete vidas de un gato<\/strong>
\nDecember 16th 2015
\nEnsemble Modelo 62 \/ Ezequiel Mellaned Conducting
\nKorzo Theater
\nLa Haya \/Holland<\/p>\n

[\/et_pb_toggle][et_pb_toggle title=\u00a0\u00bb2014″ admin_label=\u00a0\u00bb2014″ _builder_version=\u00a0\u00bb4.16″ background_size=\u00a0\u00bbinitial\u00a0\u00bb background_position=\u00a0\u00bbtop_left\u00a0\u00bb background_repeat=\u00a0\u00bbrepeat\u00a0\u00bb use_border_color=\u00a0\u00bboff\u00a0\u00bb border_color=\u00a0\u00bb#ffffff\u00a0\u00bb border_style=\u00a0\u00bbsolid\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

Traces II<\/strong> (13mn)
\nFebruary 2nd 2014
\nviola & live electronics
\nsolosists from Chicago Symphony Orchestra
\nChicago \/ USA<\/p>\n

Traces IX<\/strong> (8mn) (world premiere)
\nFebruary 6th 2014
\nCello Alexis Descharmes \/ electronics MAx Bruckert
\nsalle Cortot – 78 Rue Cardinet, 75017 Paris<\/p>\n

Metropolis<\/strong> (140mn)
\nFebruary, 13th 2014
\nFritz Lang\u2019s Metropolis
\nfor 16 instruments & live electronics
\nEnsemble Intercontemporain \/ Martin Matalon conducting
\nRouen Opera<\/p>\n

Las siete vidas de un gato<\/strong> (16mn)
\nFebruary, 15th 2014
\nmusic for Luis Bu\u00f1uelUn chien Andalou
\nfor 8 instruments & live electronics
\nSonic Generator, Orchestre National de Lorraine
\nJacques Mercier Conducting
\nArsenal de Metz<\/p>\n

de Polvo y piedra<\/strong> (20mn)
\nFebruary, 16th 2014
\nfor 14 instruments & live electronics
\nEnsemble Modern \/ Franck Ollu conducting
\nFestival Pr\u00e9sences \/ Radio France
\nParis<\/p>\n

Traces IV<\/strong> (8mn)
\nFebruary, 16th 2014
\nfor Marimba & live electronics
\nJean Geoffroy Marimba, electronic design by Grame
\nOberlin College & Conservatory
\nOberlin \/ USA<\/p>\n

Traces IV<\/strong> (8mn)
\nFebruary, 17h 2014
\nfor Marimba & live electronics
\nJean Geoffroy Marimba, electronic design by Grame
\nUniversity of Akron
\nAkron \/ USA<\/p>\n

Les morts qui touchent<\/strong> (80mn)
\nSonic Theater
\nFebruary, 25, 26, 27 & 28 2014
\nfor soprano, accordion, 2 percussions & live electronics
\nKDM Trio & G\u00e9raldine Keller
\ntechnique Grame, RIM : Max Bruckert
\nstaging Jean Boillot \/ text Alexandre Koutchevsky
\nTh\u00e9\u00e2tre de Li\u00e8ge
\nBelgium<\/p>\n

de Polvo y piedra<\/strong> (20mn)
\nFebruary, 26 2014
\nfor 14 instruments & live electronics
\nEnsemble Modern \/ Franck Ollu conducting
\nRadio Broadcast – France Musiques<\/p>\n

Les morts qui touchent<\/strong> (80mn)
\nSonic Theater
\nMarch 6th, 2014
\nfor soprano, accordion, 2 percussions & live electronics
\nKDM Trio & G\u00e9raldine Keller
\ntechnique Grame, RIM : Max Bruckert
\nstaging Jean Boillot \/ text Alexandre Koutchevsky
\nTh\u00e9\u00e2tre Aisch sur Alzette
\nLuxembourg<\/p>\n

de Polvo y piedra<\/strong>
\nMarch 26 2014
\nfor 14 instruments & live electronics
\nEnsemble Modern \/ Franck Ollu conducting
\nRadio Broadcast \u201cMusica Clasica\u201d Radio Nacional de Espa\u00f1a<\/p>\n

Traces VIII<\/strong> (14mn)
\nMarch 28, 2014
\nfor violin & live electronics
\nelctronics by GRM
\nEnsemble Sillages – Lyonel Schmitt Violin
\nQuartz de Brest<\/p>\n

Traces VIII<\/strong> (14mn)
\nMarch 29, 2014
\nfor violin & live electronics
\nelctronics by GRM
\nEnsemble Sillages – Lyonel Schmitt Violin
\nQuartz de Brest<\/p>\n

Trame VIII<\/strong> (20mn)
\nApril 3rd, 2014
\nconcerto for Marimba & 8 instruments
\nNouvel Ensemble Moderne
\nLorraine Vaillancourt Conducting – Noam Bierstone Marimba
\nSalle Bourgie
\nMontr\u00e9al Canada<\/p>\n

Loop & Epilogue<\/strong> (Cr\u00e9ation Mondiale)
\nApril 10th 2014
\nfor cello, accordion & piano
\nFestival Printemps des arts de Montecarlo<\/p>\n

Traces IX (8mn)
\nApril 12th 2014
\nfor cello & live electronics
\nFestival Printemps des arts de Montecarlo<\/p>\n

Trame VIII<\/strong> (20mn)
\nApril 14th, 2014
\nconcerto for Marimba & 8 instruments
\nNouvel Ensemble Moderne
\nLorraine Vaillancourt Conducting – Noam Bierstone Marimba
\nMaison de la culture Frontenac
\nMontr\u00e9al\/Canada<\/p>\n

Trame VIII<\/strong> (20mn)
\nApril 23rd 2014
\nconcerto pour Marimba et 8 instruments
\nNouvel Ensemble Moderne
\nLorraine Vaillancourt Conducting – Noam Bierstone Marimba
\nChapelle historique du bon Pasteur
\nMontr\u00e9alCanada<\/p>\n

Trame VIII<\/strong> (20mn)
\nApril 24th, 2014
\nconcerto for Marimba & 8 instruments
\nNouvel Ensemble Moderne
\nLorraine Vaillancourt Conducting – Noam Bierstone Marimba
\nMaison de la culture C\u00f4te des neiges
\nMontr\u00e9al\/Canada<\/p>\n

Metropolis<\/strong> (140mn)
\nApril 26h, 2014
\nFritz Lang\u2019s Metropolis
\nfor 16 instruments & live electronics
\nEnsemble Intercontemporain \/ Martin Matalon conducting
\nAuditorium de Lyon<\/p>\n

Traces VIII<\/strong> (14mn)
\nApril 29th 2014
\nfor violin & live electronics
\nHae Sun Kang Violon
\nElectronics by Ircam \/ Serge Lemouton RIM
\nSalle Olympus
\nSeoul \/ Korea<\/p>\n

Spirals, loops, lines<\/strong> (world premiere) (22mn)
\nMay 1rst, 2014
\nfor 15 instruments
\nAsko\/Schoenberg Ensemble
\nReinbert De leeuw conducting
\nAcht brucken Festival
\nK\u00f6ln \/ Germany<\/p>\n

formas de arena<\/strong>
\nMay 16th, 2014
\ntrio fah
\nfor flute, harp & viola
\nConservatoire National Supeerieur de Musique de Lyon
\nLyon<\/p>\n

Trame I<\/strong> (16mn)
\nMay 23th, 2014
\nconcerto for Oboe & ensemble
\nAgnalys Hager – Hautbois – .Jean Jacques Balet conducting
\nHaute Ecole de Musique de Gen\u00e8ve
\nSwitzerland<\/p>\n

Metropolis<\/strong> (140mn)
\nMay 25th, 2014
\nmusic for Fritz Lang\u2019s Metropolis
\nfor 16 instruments & live electronics
\nEnsemble BIT20 \/ Martin Matalon conducting
\nBergen \/ Norway<\/p>\n

Traces VI<\/strong> (12mn)
\nMay 30th, 2014
\nfor flute et electronics
\nB\u00e2le Academie
\nSwitzerland<\/p>\n

Trame VIII<\/strong> (20mn)
\nJune 26th, 2014
\nconcerto for Marimba & 8 instruments
\nEnsemble du CNSMDP
\nMarimba Noam Bierstone
\nConservatoire National Sup\u00e9rieur de Musique et de Danse de Paris
\nFrance<\/p>\n

Traces VIII<\/strong> (14mn)
\nJuly 20th, 2014
\nfor violin & live electronics
\nLionel Schmit Violin \/ Electronics by GRAME \/ Max Bruckert
\nfestival des Arcs
\nFrance<\/p>\n

Traces III<\/strong> (10mn)
\nJuly 21rst, 2014
\nfor french horn & live electronics
\nElectronics by GRAME \/ Max Bruckert
\nfestival des Arcs
\nFrance<\/p>\n

Traces II<\/strong> (13mn)
\nJuly 22nd, 2014
\nfor viola & live electronics
\nElectronics by GRAME \/ Max Bruckert
\nfestival des Arcs
\nFrance<\/p>\n

Trame XI<\/strong> (17mn)
\nJuly 23rd, 2014
\nconcerto for contrabasse & ensamble
\nErnest Martinez Izquierdo \/ conducting
\nfestival des Arcs
\nFrance<\/p>\n

Traces IX<\/strong> (8mn)
\nJuly 24th, 2014
\nfor cello & live electronics
\nAlexis Descharmes cello \/ Electronics by GRAME \/ Max Bruckert
\nfestival des Arcs
\nFrance<\/p>\n

Traces X<\/strong> (world premiere) (15mn)
\nJuly 25th, 2014
\nfor accordion & live electronics
\nBruno Maurice Accordion
\nElectronics by GRAME \/ Max Bruckert
\nfestival des Arcs
\nFrance<\/p>\n

Traces VII<\/strong> (15mn)
\nJuly 28th, 2014
\nfor soprano & live electronics
\nPee Wee soprano \/ Electronics by GRAME \/ Max Bruckert
\nfestival des Arcs
\nFrance<\/p>\n

Traces IV<\/strong> (8mn)
\nJuly 29th, 2014
\nfor marimba & live electronics
\nEve Payeur Marimba \/ Electronics by GRAME \/ Max Bruckert
\nfestival des Arcs
\nFrance<\/p>\n

Traces VI<\/strong> (12mn)
\nAugust 1rst, 2014
\nfor fl\u00fbte & live electronics
\nElectronics by GRAME \/ Max Bruckert
\nfestival des Arcs
\nFrance<\/p>\n

Traces V<\/strong> (08 mn)
\nAugust2nd, 2014
\nfor clarinet & live electronics
\nElectronics by GRAME \/ Max Bruckert
\nfestival des Arcs
\nFrance<\/p>\n

Traces I<\/strong> (12mn)
\nAugust 3rd, 2014
\nfor cello & live electronics
\nAlexis Descharmes violoncelle \/ Electronics by GRAME \/ Max Bruckert
\nfestival des Arcs
\nFrance<\/p>\n

\u2026del Color a la materia…<\/strong> (40mn)
\nAugust 21rst, 2014
\npour 2 pianos, 6 percussions & live electronics
\nEnsamble Batida,
\nLes jardins musicaux
\nCernier \/ Canton de Neuchatel
\nSwitzerland<\/p>\n

\u2026del Color a la materia…<\/strong> (35mn)
\nSeptember 14th, 2014
\npour 2 pianos, 6 percussions & live electronics
\nEnsamble Batida,
\nRadio Bradcast
\nRadio Espace 2
\nSwitzerland<\/p>\n

Traces X<\/strong> (22mn)
\nSeptember 16th, 2014
\npour accordion & live electronics
\nFanny Vicens Accordion
\nEnsemble le Balcon
\nCDMC \/ Paris<\/p>\n

Trame VIII<\/strong>
\nSeptember 16th, 2014
\nfor marimba solo & 8 isnstruments
\nEnsemble Camerata
\nErnest Martinez conducting
\nSao Pablo \/ Br\u00e9sil<\/p>\n

KDM Fragments<\/strong>
\nOctober 3rd, 2014
\nfor 2 percussions, accordion & electronics
\nTrio KDM
\nFestival Musica Strasbourg
\nFrance<\/p>\n

Traces V, Traces VI<\/strong>
\nOctober25th, 2014
\nfor clarinet & electronics – for flute & electronics
\nNew Modern project Ensemble
\nIstitut Fran\u00e7ais
\nBarcelona \/ Spain<\/p>\n

Traces IV et Traces IX<\/strong>
\nNovember 25th, 2014
\nfor marimba & electronics, for cello & electronics
\nFestival Manca \/ Nice
\nFRANCE<\/p>\n

Traces II (la cabra)<\/strong> 38mn
\nNovember 27th, 2014
\nmusic for Luis Bu\u00f1uel\u2019s Las Hurdes terre sans Pain
\nfor viola, narrator & live electronics
\nIsraeli Contemporary players
\nHaltelva
\nJaffa \/ Israel<\/p>\n

[\/et_pb_toggle][et_pb_toggle title=\u00a0\u00bb2013″ admin_label=\u00a0\u00bb2013″ _builder_version=\u00a0\u00bb4.16″ background_size=\u00a0\u00bbinitial\u00a0\u00bb background_position=\u00a0\u00bbtop_left\u00a0\u00bb background_repeat=\u00a0\u00bbrepeat\u00a0\u00bb use_border_color=\u00a0\u00bboff\u00a0\u00bb border_color=\u00a0\u00bb#ffffff\u00a0\u00bb border_style=\u00a0\u00bbsolid\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

Las siete vidas de un gato<\/strong>
\n17 Janvier 2013
\nPhace ensemble
\nWiener Konzerthauss<\/p>\n

Metropolis<\/strong>
\n2 F\u00e9vrier 2013
\n20.00 Uhr \u2013 Tafelhalle N\u00fcrnberg
\nStummfilm und Musik
\nIm Rahmen der 17. StummFilmMusikTage
\nRegie: Fritz Lang 1925\/27
\nMusik: Martin Matalon 1995
\nLeitung: Frank Strobel
\neine Koproduktion von ensembleKontraste, (a)synchron und der Tafelhalle N\u00fcrnberg<\/p>\n

Metropolis<\/strong>
\n3 F\u00e9vrier 2013
\nTafelhalle N\u00fcrenberg
\nStummfilm und Musik
\nIm Rahmen der 17. StummFilmMusikTage
\nRegie: Fritz Lang 1925\/27
\nMusik: Martin Matalon 1995
\nLeitung: Frank Strobel
\nWeitere Informationen unter www.stummfilmmusiktage.de<\/p>\n

Las siete vidas de un gato<\/strong>
\n9 F\u00e9vrier 2013
\nremix ensemble
\ncasa del la musica
\nPorto Portugal<\/p>\n

Lignes de fuite<\/strong>
\n20 F\u00e9vrier 2013
\nOrchestre SWDR – Pablo Rus Boceta<\/p>\n

Metropolis<\/strong>
\nMarch 9th 2013
\nEnsemble modern \/ Jean Michael Lavoie direction
\nKonzert im Anhaltischen Theater Dessau<\/p>\n

La Rosa<\/strong>
\n12 Mars 2013
\nEnsemble Modern, r\u00e9citant Rodolfo de Souza
\nHappy new ear series
\nOp\u00e9ra de Frankfurt<\/p>\n

Short Stories<\/strong>
\n20 Mars 2013
\nFlorent Jodelet, vibraphone
\nVilla des Tourelles
\nNanterre \/ France<\/p>\n

Las siete vidas de un gato<\/strong>
\n21 Mars 2013
\nIonSound Project group \/ direction Robert Frankenberry
\nAndy Warhol Museum
\nPittsburgh \/USA<\/p>\n

KDM Fragments<\/strong>
\n21 Mars 2013
\nTrio KDM et dispositif \u00e9lectronique
\nStudio L\u2019Ermitage\/Paris<\/p>\n

Trois pommes d\u2019or<\/strong> (CM)
\n17 Avril 2013
\nconte musical pour 7 instruments et \u00e9lectronique
\n\u00e9l\u00e8ves du CRR d’Aubervilliers la Corneuve \/ Martin Matalon Direction<\/p>\n

Trois pommes d\u2019or<\/strong> (CM)
\n26 Avril 2013
\nconte musical pour 7 instruments et \u00e9lectronique
\n\u00e9l\u00e8ves du CRR d’Aubervilliers la Corneuve \/ Martin Matalon Direction<\/p>\n

Trame XI et Traces IV<\/strong>
\n8 Mai 2013
\nBarcelona 216 direction Martin Matalon
\nFestival de Seville
\nEspagne<\/p>\n

KDM Fragments<\/strong>
\n11 Mai 2013
\nTrio KDM et dispositif \u00e9lectronique
\nDiffusion France Musiques<\/p>\n

de Polvo y piedra<\/strong> (CM)
\n14 Mai\u00a02013
\npour 14 musiciens et \u00e9lectronique
\nEnsemble Modern Stephan Asbury direction
\nAlte Oper
\nFrankfurt<\/p>\n

La Makina<\/strong>
\n16 Mai 2013
\nAlexandra Bellon, Jeanne Larrouturou \/ Percussion
\nViva Sanchez, Rapha\u00ebl Krajka \/ Piano
\nDavid Poissonnier \/ Electronique2 pianos + 2 percussions + electro
\nInstitut Jacques Dalcroze
\nGeneve<\/p>\n

Metropolis<\/strong>
\n28 Mai 2013
\nSonic Generator Ensemble \/ Bruno Ferrandis Direction
\nAtlanta Arts Center
\nGeorgia\/USA<\/p>\n

prelude & blue<\/strong>
\n28 Mai 2013
\nEnsemble Court-circuit
\nAuditorium du CRR de Rueil Malmaison<\/p>\n

KDM Fragments<\/strong>
\n30 Mai 2013
\nMarion Fr\u00e9tigny, Alexandre Pronteau \/ Percussion
\nAnthony Millet \/ Accord\u00e9on
\nDavid Poissonnier \/ Electronique
\nConservatoire de Lausanne<\/p>\n

La Makina<\/strong>
\n12 Juin 2013
\nAlexandra Bellon, Jeanne Larrouturou \/ Percussion
\nViva Sanchez, Rapha\u00ebl Krajka \/ Piano
\nDavid Poissonnier \/ Electronique
\n2 pianos + 2 percussions + electro
\nHEM de Geneve<\/p>\n

KDM Fragments<\/strong>
\n12 Juin 2013
\nMarion Fr\u00e9tigny, Alexandre Pronteau \/ Percussion
\nAnthony Millet \/ Accord\u00e9on
\nDavid Poissonnier \/ Electronique
\nHaute Ecole de Musique de Gen\u00e8ve<\/p>\n

Las siete vidas de un Gato<\/strong>
\n17 Juin 2013
\nOficina musica viva ensemble
\nInhotim
\nContemporary Art Museum of Belo Horizonte
\nBrasil<\/p>\n

Traces I<\/strong>
\n22 Juin 2013
\nAlexis Descharmes violoncelle, technique Thierry Coduys
\nChateau de Ratilly
\nTreigny \/ Montreuil<\/p>\n

Traces V<\/strong>
\n25 Juin 2013
\nCarole Mundingler Clarinette, technique Il Wong Seo
\nConservatoire de Persan<\/p>\n

Trame XII<\/strong>
\n29 Juin 2013
\nOrquesta d\u2019Auvergne direction Roberto Fores
\ntrompette Romain Leleu
\nVichy<\/p>\n

formas in pulvere<\/strong>
\n19 Juillet 2013
\npour 5 voix de femmes, percussion et dispositif \u00e9lectronique
\nDirection Martin Matalon
\nAbbaye aux dames
\nFestival de Saintes<\/p>\n

Dos formas del tiempo<\/strong>
\n1 Ao\u00fbt 2013
\nFestival Les Arcs<\/p>\n

Trame XI<\/strong> (17mn)
\nconcerto pour contre basse et ensemble
\n21 Septembre 2013
\nEns. Multilat\u00e9rale Direction Kanako Abe \/ Nicolas Crosse Contrebasse
\nFestival Musica
\nStrasbourg<\/p>\n

Las siete vidas de un gato<\/strong> (16mn)
\n23 Septembre 2013
\ncin\u00e9\/concert avec Un chien Andalou de Luis Bu\u00f1uel
\npour 8 instruments et \u00e9lectronique
\nHermes ensemble
\nFestival Vlaanderen Vlaams Bravant
\nLeuven\/Belgique<\/p>\n

dos lineas<\/strong> (CM) (8mn)
\npour 5 voix de femme et \u00e9lectronique
\nensemble De Caelis \/ direction Martin Matalon
\n28 Septembre 2013
\nAbbaye de Noirlac<\/p>\n

Metropolis<\/strong> (140mn)
\n23 Octobre 2013
\ncin\u00e9-concert avec le film de Fritz Lang Metropolis
\npour 16 instruments et \u00e9lectronique
\nEnsemble Barcelona 216 direction Martin Matalon Teatro Colon
\nBuenos Aires \/ Argentina<\/p>\n

Las siete vidas de un gato<\/strong> (16mn)
\n03 Novembre 2013
\ncin\u00e9\/concert avec Un chien Andalou de Luis Bu\u00f1uel
\npour 8 instruments et \u00e9lectronique
\nOrchestre National de Lorraine et Sonic Generator Direction Jacques Mercier
\nGeorgia Tech – Atlanta – USA<\/p>\n

Les morts qui touchent<\/strong> (80mn)
\nTh\u00e9\u00e2tre Sonique
\n14, 15, 16, 17, 19, 20 Novembre 2013
\npour soprano, accord\u00e9on, 2 percussions et dispositif \u00e9lectronique
\nTrio KDM et G\u00e9raldine Keller
\ntechnique Grame, RIM : Max Bruckert
\nMise en sc\u00e8ne Jean Boillot \/ texte Alexandre Koutchevsky
\nNEST – Thionville<\/p>\n

Trame XI<\/strong> (17mn)
\n15 Novembre 2013
\nconcerto pour contrebasse et ensemble
\nEnsemble Souninitiave \/ Kaleb Contrebasse \/ Martin Matalon Direction
\nrendez vous contemporains de St-Merry
\nParis<\/p>\n

formas in pulvere<\/strong> (35mn)
\n23 Novembre 2013
\npour 5 voix de femmes, percussion et dispositif \u00e9lectronique
\nEnsemble De Caelis, Eve Payeur percussion, Direction Martin Matalon
\ntechnique Christophe Hausser
\nCherbourg<\/p>\n

Tulles et les Ombres<\/strong> (55mn)
\npour 7 musiciens et mimes – spectacle pour enfants
\n6 repr\u00e9sentations 23 et 24 Novembre 2013
\nEnsemble Lucillin
\nPhilharmonie de Luxembourg<\/p>\n

Traces V<\/strong> (8mn)
\n23 Novembre 2013
\npour clarinette solo et dispositi \u00e9lectronique
\nTM+ clarinette
\nFonoteca National
\nCiudad de Mejico
\nMexico<\/p>\n

Traces V<\/strong> (8mn), Traces VI<\/strong> (12mn), Las siete vidas de un gato<\/strong> (16mn)
\n30 Novembre 2013
\npour clarinette solo et dispositi \u00e9lectronique
\npour fl\u00fbte solo et dispositi \u00e9lectronique
\ncin\u00e9\/concert avec Un chien Andalou de Luis Bu\u00f1uel
\nProffesseurs du CDR d\u2019Orsay \/ direction Martin Matalon
\nOrsay<\/p>\n

Tunneling<\/strong> (20mn)
\n30 Novembre 2013
\npour 7 instrumentistes et disposif \u00e9lectronique
\nvideo-concert – images Paolo Pachini – spectacle Ch\u00fbtes
\nEnsemble…Technique GRAME
\nMoscou<\/p>\n

Traces II<\/strong> (13mn)
\nD\u00e9cembre 2013
\nalto et dispositif \u00e9lectronique
\nIrcam\/CRR Aubervilliers<\/p>\n

formas in pulvere<\/strong> (35mn)
\n15 D\u00e9cembre 2013
\npour 5 voix de femmes, percussion et dispositif \u00e9lectronique
\nEnsemble De Caelis, Eve Payeur percussion, Direction Martin Matalon
\nOp\u00e9ra de Marseille<\/p>\n

[\/et_pb_toggle][et_pb_toggle title=\u00a0\u00bb2012″ admin_label=\u00a0\u00bb2012″ _builder_version=\u00a0\u00bb4.16″ background_size=\u00a0\u00bbinitial\u00a0\u00bb background_position=\u00a0\u00bbtop_left\u00a0\u00bb background_repeat=\u00a0\u00bbrepeat\u00a0\u00bb use_border_color=\u00a0\u00bboff\u00a0\u00bb border_color=\u00a0\u00bb#ffffff\u00a0\u00bb border_style=\u00a0\u00bbsolid\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

Trame X<\/strong> (c\u00e9ation)
\n12 Janvier 2012
\n2E2M Max Bonney Accord\u00e9on, Pierre Rouiller Direction
\nAuditorium Marcel Landowsky
\nCRR de Paris<\/p>\n

Traces IV<\/strong>
\n21 Janvier 2012
\nPhilippe Spiesser – technique GMEM
\nTh\u00e9\u00e2tre de Nimes<\/p>\n

La Makina<\/strong>
\n12 F\u00e9vrier 2012
\nJean Fran\u00e7ois Heisser Marie-Joseph Jude Pianos
\nEve Payeur Florent Jodelet Percussions
\nRadio France technique GRM<\/p>\n

Las siete vidas de un gato<\/strong> et Traces II (la cabra)<\/strong>
\n17 F\u00e9vrier 2012
\nCin\u00e9ma l\u2019\u00e9toile
\nLa Courneuve<\/p>\n

La Makina<\/strong>
\n2 Mars 2012
\nJeaan Fran\u00e7ois Heisser Marie Joseph Jude Pianos
\nEve Payeur Florent Jodelet Percussions
\nRadio diffusion frances Musiques<\/p>\n

Trame X<\/strong> (c\u00e9ation)
\n5 mars 2012
\n2E2M Max Bonney Accord\u00e9on, Pierre Rouiller Direction
\nRadio diffusion frances Musiques<\/p>\n

Metropolis<\/strong>
\nMarch 8th 2012
\nEnsemble modern \/ Martin Matalon direction
\nStaatstheater Darmstadt<\/p>\n

Traces III<\/strong>
\n10 Mars 2012
\nCor et \u00e9lectronique en temps r\u00e9el
\nInternational Ensemble Modern Academy
\nZKM – Karlsruhe<\/p>\n

Traces III<\/strong>
\n17 Mars 2012
\nCor et \u00e9lectronique en temps r\u00e9el
\nInternational Ensemble Modern Academy
\nFrankfurt Musikhoschule<\/p>\n

Trame XI<\/strong>
\n14 Mars 2012
\nEnsemble l\u2019At\u00e9lier \/ Direction Martin Matalon
\nCRR Aubervilliers\/La courneuve
\nParis<\/p>\n

Tunneling<\/strong>
\n24 Mars 2012
\nEco Ensemble \/ David Milnes conductor\/technique CINMAT
\nHERTZ HALL
\nUC Berkeley<\/p>\n

Trame XI<\/strong>
\n29 Mars 2012
\nEnsemble l\u2019At\u00e9lier \/ Direction Martion Matalon
\nInstitut Cervantes<\/p>\n

La Rosa…<\/strong>
\n4 Avril 2012
\nArs Nova Philippe Nahon direction, Isabelle Soccoja mezzo, Pascal Contet Accord\u00e9on,
\nRodolfo de Souza Comm\u00e9dien
\nArsenal de Metz<\/p>\n

Le Scorpion<\/strong>
\n6 Avril 2012
\nEve Payeur Direction Classe de percusion de Rueil Malmaison
\nBe\u00e7anson<\/p>\n

Traces VIII<\/strong> (CM)
\n5 Mai 2012
\nAisha Ozbarayeva violin technique GRM
\nRadio France studio 105<\/p>\n

Dos formas del tiempo<\/strong>
\n2 Mai 2012
\nDimitri Vassilakis
\nSeville \/ Espagne<\/p>\n

Traces VIII<\/strong> (CM)
\nMai 2012
\nAisha Ozbarayeva violin technique GRM
\nRadiodiffusion<\/p>\n

La Rosa…<\/strong>
\n9 Mai 2012
\nArs Nova Philippe Nahon direction, Isabelle Soccoja mezzo, Pascal Contet Accord\u00e9on,
\nRodolfo de Souza Comm\u00e9dien
\nTAP \/ Poitiers<\/p>\n

La Rosa…<\/strong>
\n12 Mai Avril 2012
\nArs Nova Philippe Nahon direction, Isabelle Soccoja mezzo, Pascal Contet Accord\u00e9on,
\nRodolfo de Souza Comm\u00e9dien
\nTh\u00e9\u00e2tre de Cournouaille
\nQuimper<\/p>\n

Traces VI<\/strong>
\n18 Mai 2012
\nNicolas Valette fl\u00fbte – technique GMEM
\nGMEM Marseille<\/p>\n

Dos formas del tiempo<\/strong>
\n23 Mai 2012
\nYejin Gil Piano
\nFestival de Sully
\nFrance<\/p>\n

Traces VI<\/strong>
\nMai 2012
\nGenevi\u00e8ve D\u00e9raspe fl\u00fbte – technique UM
\nUniversit\u00e9 de Montr\u00e9al
\nCanada<\/p>\n

La Rosa…<\/strong>
\n22 Mai 2012
\nArs Nova Philippe Nahon direction, Isabelle Soccoja mezzo, Pascal Contet Accord\u00e9on,
\nRodolfo de Souza Comm\u00e9dien
\nHippodrome Sc\u00e8ne Nationale – Douai<\/p>\n

La Rosa…<\/strong>
\n24 Mai 2012
\nArs Nova Philippe Nahon direction, Isabelle Soccoja mezzo, Pascal Contet Accord\u00e9on,
\nRodolfo de Souza Comm\u00e9dien
\nTh\u00e9\u00e2tre Romain Rolland
\nFestival Extension de la note
\nVillejuif<\/p>\n

Las siete vidas de un gato<\/strong>
\n10 Juin 2012
\nGonzalo Bustos direction
\nCit\u00e9 Universitaire<\/p>\n

Traces VIII<\/strong> (CM)
\n14 Juillet 2012
\nAisha Ozbarayeva violin technique GRM
\nLatitude Festival BBC Radio 3 Late Junction
\nLondres<\/p>\n

…formas in pulvere…<\/strong>(CM)
\n16 Juillet 2012
\npour 5 voix de femmes, percussion et dispositif \u00e9lectronique
\nDe Caelis, Eve Payeur Percussions, Martin Matalon Direction
\nFestival de Radio France \u00e0 Montpellier<\/p>\n

Traces VIII<\/strong> (CM)
\n20 Juillet 2012
\nAisha Ozbarayeva violin
\nNon Classical at V22 Summer Club
\nLondres<\/p>\n

KDM Fragments<\/strong>
\n10 Ao\u00fbt 2012
\nTrio KDM
\nNormandou<\/p>\n

Trame VIII<\/strong>
\n23 Ao\u00fbt 2012
\nNouvel Ensemble Modern Direction Lorraine Vaillancourt
\nMarimba solo Noam Bierstone
\nCharlevoix \/ Canada<\/p>\n

…formas in pulvere…<\/strong>(CM)
\n24 Ao\u00fbt 2012
\npour 5 voix de femmes, percussion et dispositif \u00e9lectronique
\nFestival de Radio France \u00e0 Montpellier
\nRadio diffusion du concert du 16 Juillet ao Corum de Montpellier<\/p>\n

Traces I<\/strong>
\nseptember 19 2012
\nAlexis Descharmes Violoncelle
\nMiniature Ballet – JC MAILLOT
\npassage MEZZO<\/p>\n

Trame XI<\/strong>
\n28 Septembre 2012
\nNouvel ensemble Modern \/ Yannick Chenevert Contrebasse,
\nLorraine Vailancourt direction
\nSalle Champagne \/ Montr\u00e9al<\/p>\n

Dos formas del tiempo<\/strong>
\n2 Octobre 2012
\npour piano dur 9mn
\nHoracio Lavandera Piano
\nTeatro Maipo
\nBuenos Aires Argentina<\/p>\n

Traces I<\/strong>
\n16 Octobre 2012
\nAlexis Descharmes Violoncelle
\nThierry Coduys technique
\nAmphith\u00e9\u00e2tre de l\u2019op\u00e9ra de Lyon
\nFestival RhinoJazzs
\nLYON \/ France<\/p>\n

Preludio, serenata y ep\u00edlogo<\/strong>
\n31 Octobre 2012
\nOrquesta Filharmonica Real de Galicia \/ Direction Ernest Martinez Izquierdo
\nSantiago de Compostela
\nEspagne<\/p>\n

\u2026de metal y de tiempo\u2026<\/strong>
\n1 Novembre 2012
\nSanta Rosa Symphony Orchestra – Bruno Ferrandis conductor
\nGreen Music Center
\nSanta Rosa \/ USA<\/p>\n

\u2026de metal y de tiempo\u2026<\/strong>
\n2 Novembre 2012
\nSanta Rosa Symphony Orchestra – Bruno Ferrandis conductor
\nGreen Music Center
\nSanta Rosa \/ USA<\/p>\n

\u2026de metal y de tiempo\u2026<\/strong>
\n3 Novembre 2012
\nSanta Rosa Symphony Orchestra – Bruno Ferrandis conductor
\nGreen Music Center
\nSanta Rosa \/ USA<\/p>\n

Metropolis<\/strong>
\n13 Novembre 2012
\nEOC Mark Forster direction
\nFestival Manca \/ Nice<\/p>\n

Traces IV et VI<\/strong>
\n15 Novembre 2012
\nConservatoire de Montpellier<\/p>\n

Trame IV<\/strong>
\n20 Novembre 2012
\nNew Music Ensemble of the Royal Conservatory dir Brian Current
\nRichard Bradshaw Amphitheatre
\nToronto Canada<\/p>\n

\u201cTrazas sobre Trazas\u201d<\/strong>
\nTraces I, III, IV, V, VI
\n29 Novembre 2012
\nArs Nova,
\nChoreografia Diana Teocharidis
\nTeatro Colon
\nBuenos Aires<\/p>\n

Traces I, III, IV, V , VI et VII<\/strong>
\n30 Novembre 2012
\nArs Nova,
\nChoreografia Diana Teocharidis
\nTeatro Colon
\nBuenos Aires<\/p>\n

Traces I, III, IV, V, VI et VII<\/strong>
\n1 D\u00e9cembre 2012
\nArs Nova,
\nChoreografia Diana Teocharidis
\nTeatro Colon
\nBuenos Aires<\/p>\n

La Rosa…<\/strong>
\n4 D\u00e9cembre 2012
\nArs Nova Philippe Nahon direction, Isabelle Soccoja mezzo, Pascal Contet Accord\u00e9on,
\nRodolfo de Souza Com\u00e9dien
\nTeatro Colon<\/p>\n

La Rosa…<\/strong>
\n5 D\u00e9cembre 2012
\nArs Nova Philippe Nahon direction, Isabelle Soccoja mezzo, Pascal Contet Accord\u00e9on,
\nRodolfo de Souza Com\u00e9dien
\nTeatro Colon<\/p>\n

Trame IV<\/strong>
\n6 D\u00e9cembre 2012
\nNew Music Ensemble of the Royal Conservatory dir Brian Current
\nMazzoleni Hall, The Royal Conservatory
\nToronto Canada<\/p>\n

[\/et_pb_toggle][et_pb_toggle title=\u00a0\u00bb2011″ admin_label=\u00a0\u00bb2011″ _builder_version=\u00a0\u00bb4.16″ background_size=\u00a0\u00bbinitial\u00a0\u00bb background_position=\u00a0\u00bbtop_left\u00a0\u00bb background_repeat=\u00a0\u00bbrepeat\u00a0\u00bb use_border_color=\u00a0\u00bboff\u00a0\u00bb border_color=\u00a0\u00bb#ffffff\u00a0\u00bb border_style=\u00a0\u00bbsolid\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

\u2026del color\u00a0 a la materia\u2026<\/strong>(world premiere)
\nJanuary 12 2011
\nPercussions de Strasbourg – Christopher Falzone Piano
\nMartin Matalon\u00a0conducting
\nTh\u00e9\u00e2tre D\u2019Orl\u00e9ans
\nOrl\u00e9ans \/ France<\/p>\n

K\/D\/M Concerto<\/strong>\u00a0(world premiere)
\nJanuary\u00a015 \u00a02011
\nQatar Symphony Orchestra conducting Fernando Alvarez
\nGilles Durot et Bachar El Khalife Percussions Anthony Millet Accord\u00e9on
\nopera House Katara cultural Village
\nDoha \/ Qatar<\/p>\n

K\/D\/M concerto<\/strong>\u00a0(cadenza only)
\nJanuary\u00a021rst 2011
\nGilles Durot et Bachar El Khalife Percussions Anthony Millet Accord\u00e9on
\nsalle adagio
\nThionville \/ France<\/p>\n

\u2026del color\u00a0 a la materia\u2026<\/strong>
\nJanuary\u00a024th 2011
\nPercussions de Strasbourg – Christopher Falzone Piano
\nMartin Matalon\u00a0conducting
\nTh\u00e9\u00e2tre Bouffes du Nord \/\u00a0Paris
\nFrance<\/p>\n

Trame II<\/strong>
\nJanuary\u00a030th 2011
\nLes si\u00e8cles Fran\u00e7ois Xavier Roth\u00a0conducting
\nSalle Pleyel \/ Paris
\nFrance<\/p>\n

Las siete vidas de un Gato<\/strong>
\nJanuary\u00a031rst 2011
\nChicago Symphony New Music series \/ Andr\u00e9 Deridder conducting
\nChicago \/ USA<\/p>\n

Prelude & blue<\/strong>
\nfebruary 1rst 2011
\ncourt-circuit \/ Multilat\u00e9rale
\nTh\u00e9\u00e2tre de l\u2019At\u00e9lier
\nParis \/\u00a0\u00a0France<\/p>\n

Traces VI<\/strong>
\nfebruary 13th 2011
\nNicolas Valette\u00a0 fl\u00fbte
\ntechnique C\u00e9sar\u00e9 centre National de cr\u00e9ation
\nTh\u00e9\u00e2tre de Reims
\nReims \/\u00a0\u00a0France<\/p>\n

Traces I<\/strong>
\nfebruary 22nd 2011
\nEnsemble Sillages Sev\u00e9rine Ballon Violoncelle
\ntechnique Robin Meier
\nLe quartz
\nBrest\u00a0\/\u00a0France<\/p>\n

\u2026del color\u00a0 a la materia\u2026<\/strong>
\nfebruary 15th 2011
\nPercussions de Strasbourg – Christopher Falzone Piano
\nMartin Matalon\u00a0conducting
\nRadio Broadcast
\nFrance<\/p>\n

Traces IV<\/strong>
\nfebruary 24th 2011
\nMarimba\u00a0 Jean Geoffroy
\ntechnique GRAME
\nBourgoin Jailleux
\nFrance<\/p>\n

Prelude & blue, Trame III, Metropolis extraits, traces VII<\/strong>
\nfebruary 28th 2011
\ncourt-circuit \/ Multilat\u00e9rale
\nRadio Broadcast
\nFrance<\/p>\n

Metropolis<\/strong>
\nMarch 5th, 2011
\nEnsemble modern \/ fran\u00e7ois Vaxier Roth\u00a0conducting
\nSalzburg bienale
\nRepublic\u00a0theatre
\nSalzburg \/ Austria<\/p>\n

Metropolis<\/strong>
\nMarch 19th, 2011
\nEnsemble modern \/ fran\u00e7ois Vaxier Roth\u00a0conducting
\nFestival MaerzMuzik \/\u00a0Volksb\u00fchne
\nBerlin \/ Germany<\/p>\n

Metropolis<\/strong>
\nMarch 20th, 2011
\nEnsemble modern \/ fran\u00e7ois Vaxier Roth\u00a0conducting
\nFestival MaerzMuzik \/\u00a0Volksb\u00fchne
\nBerlin \/ Germany<\/p>\n

Trame II et Trame IV<\/strong>
\nMarch 22nd,\u00a02011
\nles siecles direction Fran\u00e7ois Xavier Roth\u00a0conducting
\nRadio Broadcast
\nFrance<\/p>\n

Traces II<\/strong>
\nMarch 24th,\u00a02011
\nEnsemble Multilat\u00e9rale
\nLaurent Camatte viola, computer \u00a0Gr\u00e9goire Lorieux
\nMadrid \/ Spain<\/p>\n

la cifra<\/strong>
\nMarch 28th,\u00a02011
\nNew York new music ensemble
\nNew York<\/p>\n

Short Stories<\/strong>
\nMarch 29th, 2011
\nDiffusion France Musique
\n\u201cLes invit\u00e9s d\u2019Arielle\u201d
\nVibraphone: Florent Jodelet
\nRadio Broadcast
\nFrance<\/p>\n

Trame II<\/strong>
\nApril 3rd, 2011
\nles lundis de la contemporaine
\nRadio Broadcast
\nFrance<\/p>\n

Traces IV<\/strong>
\napril 21rst 2011
\nEnsemble Syntax – Marimba\u00a0 Phlippe Spiesser
\ntechnique Jonathan Prager
\nAuditorium John Cage
\nConservatory of Perpignan
\nPerpignan\u00a0\u00a0\/ France<\/p>\n

Trame XI<\/strong>
\nMay 7th, 2011
\nEnsemble Multilat\u00e9rale \/ Nicolas Crosse doublebasse \/ Kanako Abe conducting
\nFestival \u201cles Musiques\u201d GMEM
\nMarseille\u00a0\u00a0\/ France<\/p>\n

Traces VI et Traces I<\/strong>
\nMay 14th, 2011
\nEnsemble Sillages
\ncomputer Robin Meier
\nSeverine Ballon cello, sophie Deshayes flute
\nConservatory of Saint Brieux
\nSaint Brieux\u00a0\/ France<\/p>\n

\u2026del matiz al color\u2026<\/strong>
\nfor 8 cellos
\nMay 15th, 2011
\nPhil\u2019ArtCellistes
\ncaf\u00e9concert 109 rue des Haies
\nParis\u00a0\/ France<\/p>\n

Traces IV<\/strong>
\nMay 16th, 2011
\nEnsemble Syntax\u00a0 – Marimba\u00a0 Phlippe Spiesser
\ncomputer Jonathan Prager
\nWroclaw\/\u00a0Poland<\/p>\n

Metropolis<\/strong>
\nMay 18th, 2011
\nEnsemble Intercontemporain \/ Jean Michael Lavoie conducting
\nCit\u00e9 de la Musique \/ Paris<\/p>\n

\u2026de metal y de tiempo\u2026 <\/strong>and Traces III<\/strong>
\nMay 21rst, 2011
\nEnsemble Ars Nova
\nHyppodrome de Douai
\nDouai\u00a0\/ France<\/p>\n

Metropolis<\/strong>
\nJune 3rd, 2011
\nEnsemble Modern \/ Martin Matalon direction
\nKunstfestspiele Herren Hausen
\nHannoer \/\u00a0\u00a0Germany<\/p>\n

Trame VII<\/strong>
\nJune 3rd, 2011
\nEnsemble MusikFabrik, Dominique My conducting \/ Christine Chapman French Horn
\nWDR
\nradio broadcast
\nGermany<\/p>\n

Traces III<\/strong> and \u2026de metal y de tiempo\u2026<\/strong>
\nJune 4th, 2011
\nEnsemble Ars Nova
\nconservatory of Thouars
\nThouars\u00a0\/ France<\/p>\n

Trame I<\/strong>
\nJune 5th, 2011
\nKevin Juillerat saxo, Pierre St\u00e9phane Meuge conducting
\nConservatory of Lausanne
\nSwitzerland<\/p>\n

Traces IV<\/strong>
\nJune 15th, 2011
\nMarimba\u00a0 Benoit Morin
\ncomputer CNSMDP
\nConservatoire National Superieur de Paris \/ France<\/p>\n

Traces IV<\/strong>
\nJune 17th, 2011
\nMarimba\u00a0 Thibaut Weber
\ncomputer CNSMD
\nCNSMD de Lyon \/ France<\/p>\n

Metropolis<\/strong>
\nJuly 1rst, 2011
\nBarcelona 216 \/ Ernest Martinez Izquierdo direction
\nFestival Grec \/ Barcelona
\nSpain<\/p>\n

Traces IV et Short Stories<\/strong>
\nJuly 26th, 2011
\nPhilippe spiesser Marimba and Vibraphone
\nConfranc Aragon
\nSpain<\/p>\n

dos formas del tiempo<\/strong>
\nAugust 11th, 2011
\nBruno Mesz Piano
\nTeatro Nacional Cervantes
\nBuenos Aires \/ Argentina<\/p>\n

Metropolis<\/strong>
\nSeptember 12ve, 2011
\nSalle Ansermet
\nEnsemble Contrechamps \/ Martin Matalon conducting
\nGeneva \/ Switzerland<\/p>\n

Metropolis<\/strong>
\nSeptember 13th, 2011
\nSalle Ansermet
\nEnsemble Contrechamps \/ Martin Matalon conducting
\nGeneva \/ Switzerland<\/p>\n

Traces I,\u00a0 III, IV, and VI<\/strong>
\nSeptember 20th, 2011
\nImari Hokins cello, steven James fr. horn, Bj\u00f8nar Habbestad flute, Bastien Ricquebourg marimba
\nvisuals by KanonKameratene
\nTou Scene
\nStavanger Festival
\nNorway<\/p>\n

Las siete vidas de un Gato<\/strong>
\nSeptember 21rst, 2011
\nEnsemble Modelo 62, conducting Ezequiel Mellaned
\nStavanger\/Norv\u00e8ge<\/p>\n

\u2026del matiz al color\u2026<\/strong>
\nseptember 23rd
\nEnB1 ensemble
\nSaint Petri Kirke
\nStavanger Festival<\/p>\n

Dos formas del tiempo<\/strong>
\nseptember 23rd
\nYejin Gil Piano
\nSaint Petri Kirke
\nStavanger Festival<\/p>\n

Lignes de fuite<\/strong>
\n6 Octobre 2011
\nStavanger Symphonic Orchestra – Fran\u00e7ois Xavier Roth Direction
\nStavanger Konserthuse
\nStavanger Norv\u00e8ge<\/p>\n

La Rosa…\u00a0<\/strong>(world premiere)
\nOctober 6th,\u00a02011
\nArs Nova, Philippe Nahon conducting, Isabelle Soccoja mezzo sopr., Pascal Contet Accordion,
\nRodolfo de Souza narator
\nConservatoire d\u2019art dramatique de Paris
\nParis<\/p>\n

Traces IV<\/strong>
\nOctober 19th,\u00a02011
\nMarimba\u00a0 Jean Geoffroy
\ntechnique GRAME
\nSeoul \/ Korea<\/p>\n

La Rosa…<\/strong>
\nOctober 31rst,\u00a02011
\nArs Nova, Philippe Nahon conducting, Isabelle Soccoja mezzo sopr., Pascal Contet Accordion,
\nRodolfo de Souza narrator
\nRadioBroadcast<\/p>\n

Trame XII<\/strong> (world premiere)
\nNovember 9th, 2011
\nfor trumpet and string orchestra
\nOrchestre d\u2019Auvergne – Romain Leleu trumpet, Roberto Fores, conducting
\nFestival Musiques Demesur\u00e9es
\nMus\u00e9 d’art Roger Quilliot
\nClermont-Ferrand<\/p>\n

Traces II, IV <\/strong>et V<\/strong>
\nNovember 16th, 2011
\nEnsemble Eole
\nTh\u00e9\u00e2tre Garonne
\nFestival Novelum
\nToulouse<\/p>\n

KDM Fragments<\/strong>\u00a0(world premiere)
\nDecember 1rst, 2011
\nTrio KDM \/ Sebastien Tondo Computer
\nArsenal de Metz
\nMetz<\/p>\n

[\/et_pb_toggle][et_pb_toggle title=\u00a0\u00bb2010″ admin_label=\u00a0\u00bb2010″ _builder_version=\u00a0\u00bb4.16″ background_size=\u00a0\u00bbinitial\u00a0\u00bb background_position=\u00a0\u00bbtop_left\u00a0\u00bb background_repeat=\u00a0\u00bbrepeat\u00a0\u00bb use_border_color=\u00a0\u00bboff\u00a0\u00bb border_color=\u00a0\u00bb#ffffff\u00a0\u00bb border_style=\u00a0\u00bbsolid\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

Dos formas del tiempo<\/strong>
\n15 Janvier 2010
\nFlorence Cioccolani Piano
\nChapelle des R\u00e9demptoristes
\nChateauroux<\/p>\n

La Makina<\/strong>
\n11 et 12 Janvier 2010
\nClasse de percussion de la Haute \u00e9cole de Musique de Gen\u00e8ve
\nSuisse<\/p>\n

Dos formas del tiempo<\/strong>
\n19 Janvier 2010
\nFlorence Cioccolani Piano
\nTh\u00e9\u00e2tre Mac Nab
\nVierzon<\/p>\n

Le Scorpion<\/strong>
\n6 F\u00e9vrier 2010
\nSixtrum ensemble
\nMontreal \/ Canada<\/p>\n

Le Scorpion<\/strong>
\n16 F\u00e9vrier 2010
\nEnsemble des percussion \/ Direction Eve Payeur
\nRueil Malmaison<\/p>\n

Har le Tailleur de Pierre<\/strong>
\n23 F\u00e9vrier 2010
\nTrio Suo Tempore
\nMontb\u00e9lier<\/p>\n

Las siete vidas de un gato<\/strong>
\n1 Mars 2010
\nGrup instrumental de Valencia \/ Joan Cervero direction
\nIntegra
\nOut Hear\/Kings place Hall
\nLondon\/Great Britain<\/p>\n

La l\u00e9gende de M Chance<\/strong>
\n3 Mars 2010
\nOrchestre de Monaco \/ Martin Matalon direction
\nMontecarlo<\/p>\n

Trame IV<\/strong>
\n4 Mars 2010
\nConservatoire de Gr\u00e9noble
\nDirection Arnaud Petit – Piano, Florence Cioccolani
\nGrenoble<\/p>\n

Las siete vidas de un gato<\/strong>
\n7 Mars 2010
\nGrup instrumental de Valencia \/ Joan Cervero direction
\nCentro ultural de Belem
\nLisbonne\/Portugal<\/p>\n

Trame IX<\/strong> (CM)
\n9 Mars 2010
\nOrchestre de Poitou Charentes
\nErnest Martinez Izquierdo Direction\/Hautbois
\nBressuire (79) Bocap\u00f4le<\/p>\n

Trame IX<\/strong> (CM)
\n11 Mars 2010
\nOrchestre de Poitou Charentes
\nErnest Martinez Izquierdo Direction\/Hautbois
\nTAP – Auditorium – Poitiers<\/p>\n

Formas de arena, Traces VI
\n12 Mars 2010
\nEnsemble Utopik
\nConservatoire de Rez\u00e9<\/p>\n

Trame IX<\/strong> (CM)
\n12 Mars 2010
\nOrchestre de Poitou Charentes
\nErnest Martinez Izquierdo Direction\/Hautbois
\nRochefort (Gymnase de la Vielle forme)<\/p>\n

Trame IX<\/strong> (CM)
\n13 Mars 2010
\nOrchestre de Poitou Charentes
\nErnest Martinez Izquierdo Direction\/Hautbois
\nLussac les Chateaux (Eglise)<\/p>\n

Trame IX<\/strong> (CM)
\n14 Mars 2010
\nOrchestre de Poitou Charentes
\nErnest Martinez Izquierdo Direction\/Hautbois
\nPoitiers<\/p>\n

Formas de arena<\/strong>, Traces VI<\/strong>, Las siete vidas de un gato<\/strong>
\n19 Mars 2010
\nEnsemble Utopik
\nOp\u00e9ra Graslin Nantes\/Nantes<\/p>\n

Tunneling<\/strong>
\n19 Mars 2010
\nEnsemble MusikFabrik
\nfestival Musiques en sc\u00e8ne
\nGrame\/Lyon<\/p>\n

Tunneling<\/strong>
\n22 Mars 2010
\nEnsemble MusikFabrik
\nfestival Musiques en sc\u00e8ne
\nAnnecy<\/p>\n

Traces III<\/strong>
\n23 Mars 2010
\nPierre Remondiere Cor – Robin Meier technique
\nensemble Sillages
\nCentre d\u2019Art Passerelle Brest<\/p>\n

Traces IV<\/strong>
\n3 Avril 2010
\nJean Geoffroy Marimba
\ntechnique Grame
\nMoscou\/Russie<\/p>\n

La Makina<\/strong>
\n13 Avril 2010
\nStony Brook Contemporary Chamber Players
\nJulia Den Boer et Sophie Patey – Pianos
\nPiero Guimaraes, Nicholas Woodbury percussions
\nRecital Hall, Staller Center, Stony Brook University
\nNew York<\/p>\n

Traces III<\/strong>
\n13 Avril 2010
\nAntonio Jesus Perez Cor – technique
\nensemble NeoArs
\nSeville\/Espagne<\/p>\n

Traces V<\/strong>
\n23 Avril 2010
\nAlain Billard clarinette – technique GMEM
\nGMEM Marseille<\/p>\n

Trame VIII<\/strong>
\n28 Avril 2010
\nStony Brook contemporary players\/Levi Lorenzo marimba
\nStony Brooke<\/p>\n

Trame IV<\/strong>
\n29 Avril 2010
\nJuilliard ensemble
\nJoel Sachs direction Elena klionsky piano
\nJuilliard Theater \/ New York<\/p>\n

Las siete vidas de un gato<\/strong>
\n11 Mai 2010
\nGrup instrumental de Valencia \/ Joan Cervero direction
\nValencia\/Espa\u00f1a<\/p>\n

Trame IV<\/strong>
\nCamerata Aberta \/ Guillaume Bourgogne direction
\n11 Mai 2010
\nFacultad Santa Marcelina
\nSao Paolo \/ Brasil<\/p>\n

Trame IV<\/strong>
\nCamerata Aberta \/ Guillaume Bourgogne direction
\n12 Mai 2010
\nGrande Auditorio Do Masp
\nSao Paolo \/ Brasil<\/p>\n

Har le tailleur de pierre<\/strong>
\n13 Mai 2010
\nNexe duet
\nValencia\/Espa\u00f1a<\/p>\n

Har le tailleur de pierre<\/strong>
\n14 Mai 2010
\nNexe duet
\nValencia\/Espa\u00f1a<\/p>\n

Le Scorpion<\/strong>
\n28 Mai 2009
\n\u00e9l\u00e8ves de la Haute \u00e9cole de Musique de Gen\u00e8ve
\ndirection Philippe Mac\u00e9
\nsalle Wilsdorf
\nGen\u00e8ve<\/p>\n

Tunneling<\/strong>
\n3 Juin 2010
\nEnsemble MusikFabrik
\nfestival Extension du domaine de la note
\nArsenal de Metz<\/p>\n

Har le Tailleur de pierre<\/strong> (2 repr\u00e9sentations)
\n4 Juin 2010
\nNexeduet – trio de magia
\nFestival Mostra del son Espagne<\/p>\n

Tunneling<\/strong>
\n5 Juin 2010
\nEnsemble MusikFabrik
\nfestival Extension du domaine de la note
\nLa muse en circuit \/ Cr\u00e9teil<\/p>\n

Metropolis<\/strong>
\n18 Juin 2010
\nMartin Matalon direction
\nGulbenkian Orchestra
\nfestival proximo futuro
\nGulbenkian\/Portugal<\/p>\n

Traces VI<\/strong>
\n26 Juin 2010
\nConservatoire de Strasbourg<\/p>\n

\u2026del matiz al color\u2026<\/strong>
\n3 Juillet 2010
\nPhilartcellistes
\nFestival de Noirlac<\/p>\n

Traces III<\/strong> et \u2026de tiempo y de metal\u2026<\/strong>
\n10 Juillet 2010
\nEnsemble Ars Nova
\nNoirlac<\/p>\n

La Cifra<\/strong>
\n23 Juillet 2010
\nWalden School
\nDublin NH – USA<\/p>\n

Lignes de Fuite<\/strong>
\n2 Septembre 2010
\nBBC National orchestra of Wales \/ Fran\u00e7ois Xavier Roth Direction
\nThe Proms\/Royal Albert Hall
\nLondres<\/p>\n

\u2026de tiempo y de metal\u2026<\/strong>
\n19 Septembre 2010
\nEnsemble Ars Nova
\nCit\u00e9 universitaire\/ Paris<\/p>\n

Preludio, Serenata y Epilogo<\/strong> (creation)
\n26 Septembre 2010
\nOrchesta di Padova direction Deridder
\nLa Fenice\/ Venice<\/p>\n

Torito Catalan<\/strong>
\n27 Septembre 2010
\nCamerata Academica\/direction Alejo Perez Poullieux
\nTeatro Argentino de la Plata
\nArgentina<\/p>\n

Traces I,\u00a0Traces II,\u00a0Traces III,\u00a0Traces IV,\u00a0Traces V,\u00a0Traces VI,\u00a0Traces VII<\/strong>
\n15 Octobre 2010\u00a0– 20h30
\nEnsemble Silages
\ntechnique la muse en circuit
\n\u00c9glise Saint-Merri
\nParis<\/p>\n

Traces VI<\/strong>
\n20 Octobre 2010
\nCRR d\u2019Aubervilliers<\/p>\n

Lignes de Fuite<\/strong>
\n24 octobre 2010
\nOrquesta Sinfonica de la Univesidad de Cordoba \/ Gonzalo Bustos Direction
\nSala de las Americas del Pabellon Argentina
\nCiudad Universitaria de Cordoba
\nArgentina<\/p>\n

Las siete vidas de un gato<\/strong>
\n17 Novembre 2010
\nColumbus state university Contemporary Music ensemble \/ Paul Hostetter conducting
\nGeorgia \/ USA<\/p>\n

Le Scorpion<\/strong>
\n21 Novembre 2010
\n\u00e9l\u00e8ves de la Haute \u00e9cole de Musique de Gen\u00e8ve
\ndirection Philippe Mac\u00e9
\nPerpignan<\/p>\n

Traces III<\/strong> et \u2026de metal y de tiempo\u2026<\/strong>
\n5 D\u00e9cembre 2010
\nEnsemble Ars Nova
\nTAP \/ Poitiers<\/p>\n

[\/et_pb_toggle][et_pb_toggle title=\u00a0\u00bb2009″ admin_label=\u00a0\u00bb2009″ _builder_version=\u00a0\u00bb4.16″ background_size=\u00a0\u00bbinitial\u00a0\u00bb background_position=\u00a0\u00bbtop_left\u00a0\u00bb background_repeat=\u00a0\u00bbrepeat\u00a0\u00bb use_border_color=\u00a0\u00bboff\u00a0\u00bb border_color=\u00a0\u00bb#ffffff\u00a0\u00bb border_style=\u00a0\u00bbsolid\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

Lignes de fuite<\/strong>
\norchestre
\n17 Janvier 2009
\nElder Hall\/Elder Conservatorium of Music
\nAustralian Youth Orchestra \/ Fran\u00e7ois Xavier Roth direction
\nAdelaide \/ Australie<\/p>\n

Traces II<\/strong>
\n17 Janvier 2009
\nEnsemble Multilat\u00e9rale
\nalto et \u00e9lectronique en temps
\nTechnique la muse en circuit<\/p>\n

Traces III<\/strong>
\n29 Janvier 2009
\nEnsamble neoArs \/ Eugenio J Perez Cor
\nAsociaci\u00f3n Cultural Amigos de la M\u00fasica de Ubeda<\/p>\n

Las siete vidas de un gato<\/strong>
\n4 F\u00e9vrier 2009
\nCNSMD de Lyon – Fabrice Pierre direction<\/p>\n

Formas de arena<\/strong>
\n8 F\u00e9vrier 2009
\ntrio antara
\nLa Rochelle<\/p>\n

Trame IV<\/strong>
\n10 F\u00e9vrier 2009
\nEnsemble Musical de Tongyong Intenational Music Festival
\nFlorence Cioccolani\/Piano Nicolas Chalvin Direction
\nS\u00e9oul \/ Cor\u00e9e du sud<\/p>\n

Formas de arena<\/strong>
\n10 F\u00e9vrier 2009
\ntrio antara
\nToulon<\/p>\n

Formas de arena<\/strong>
\n12 F\u00e9vrier 2009
\ntrio antara
\nCNR de Paris<\/p>\n

Trame IV<\/strong>
\n18 F\u00e9vrier 2009
\nEnsemble Musical de Tongyong Intenational Music Festival
\nFlorence Cioccolani\/Piano Nicolas Chalvin Direction
\nOrl\u00e9ans Concours International<\/p>\n

Trame IV<\/strong>
\n18 F\u00e9vrier 2009
\nEnsemble Musical de Tongyong Intenational Music Festival
\nFlorence Cioccolani\/Piano Nicolas Chalvin Direction
\nRADIO<\/p>\n

Traces II (la cabra)<\/strong>
\n19 F\u00e9vrier 2009
\nGilles Deli\u00e8ge alto, Miguel Borras r\u00e9citant
\nensemble Sillages – Technique Nicolas D\u00e9flache
\nSc\u00e8ne Nationale Le Moulin du Roc
\nNiort<\/p>\n

Tulles et les ombres<\/strong>
\n7 Mars 2009
\nUnited instruments of Lucilin
\nCompagnie de Mimes Bodecker et Neander
\nOp\u00e9ra de Lille<\/p>\n

Traces IV<\/strong>
\n21 F\u00e9vrier 2009
\nJean Geoffroy Marimba
\nMontr\u00e9al New Music festival)<\/p>\n

Trame VIII<\/strong>
\n14 Mars 2009
\nBarcelona 216 Virginia Martinez direction \/ Eve payeur marimba
\nAuditori de Barcelona<\/p>\n

Trame VIII<\/strong>
\n14 Mars 2009
\nBarcelona 216 Virginia Martinez direction \/ Eve payeur marimba
\nRadio Catalunyia<\/p>\n

Trame IV<\/strong>
\nJean Geoffroy direction Anne de Fornel Piano
\n21 Mars 2009
\nCNSM de Lyon<\/p>\n

Traces I et Traces V<\/strong>
\n21 Mars 2009
\nArs Nova – Isabelle Veyrier Violoncelle
\n…Clarinette
\nTechnique la muse en circuit<\/p>\n

Traces VII<\/strong>
\n31 Mars 2009
\nDonatienne Michel-Dansac
\nLe Quartz de Brest<\/p>\n

Har le tailleur de pierre<\/strong>
\n2 repr\u00e9sentations 10 Avril 2009
\nTrio Suo Tempore
\nTechnique la muse en circuit
\nMise en sc\u00e8ne Richard Dubelsky
\nMan\u00e8ge de Reims<\/p>\n

Har le tailleur de pierre<\/strong>
\n3 repr\u00e9sentations entre le 28 et 29 Avril 2009
\nTrio Suo Tempore
\nTechnique la muse en circuit
\nMise en sc\u00e8ne Richard Dubelsky
\nArsenal de Metz<\/p>\n

Las siete vidas de un gato<\/strong>
\n30 Avril 2009
\nCourt circuit – classe de direction
\nCNSM<\/p>\n

Traces IV<\/strong>
\n12, 13 et 14 Mai 2009
\nEve Payeur Marimba
\nEnsemble Court circuit
\nAuditorium Saint Germain<\/p>\n

Traces III<\/strong>
\n28 Mai 2009 (20h)
\nSolistes de l\u2019ensemble Intercontemporain\/Jens MacNamana Cor
\nMus\u00e9e D\u2019Orsay<\/p>\n

Traces IV<\/strong>
\n28 Mai 2009
\nJean Geoffroy Marimba
\nAuditori Eduardo del Pueyo
\nSaragosse \/ Espagne<\/p>\n

Trame VIII<\/strong>
\n29 Mai 2009
\nTM+ Laurent Cuniot Direction- Florent Jodelet Marimba
\nMaison de la Musique Nanterre<\/p>\n

Trame V<\/strong>
\n4 et 5 Juin 2009
\nOrchestre de Pamploune
\nFran\u00e7ois-Xavier Roth Direction \/ David Guerrier Trompette
\nPampeloune<\/p>\n

Tulles et les ombres<\/strong>
\n2 repr\u00e9sentations 15 Juin 2009
\nEnsemble Lucillin
\nCompagnie de Mimes Bodecker et Neander
\nMise en sc\u00e8ne Lionel M\u00e9nard
\nPhilharmonie de Luxembourg<\/p>\n

Trame VIII<\/strong>
\n3 Juillet
\nFlorent Jodelet Marimba – Ensemble… Direction
\nSao Paolo \/ Br\u00e9sil<\/p>\n

Traces IV<\/strong>
\n9 Juillet 2009
\nJean Geoffroy Marimba
\nApplelton \/USA<\/p>\n

formas de arena<\/strong>
\n19 Ao\u00fbt 2009
\nEnsemble Tourraine
\nNormandoux<\/p>\n

Las siete vidas de un gato<\/strong>
\n19 Ao\u00fbt 2009
\nEnsemble Tourraine
\nNormandoux<\/p>\n

Trame VIII<\/strong>
\n21 Ao\u00fbt
\nNouvel Ensemble Moderne
\nDirection Lorraine Vaillancourt – Marimba Julien Gr\u00e9goire
\nDomaine Forget \/ Salle Fran\u00e7ois
\nCharlevoix \/ Canada<\/p>\n

Traces II<\/strong>
\n26 Ao\u00fbt 2009
\nEnsemble Intercontemporain
\nViola : Odile Auboin
\nAcademie de Lucerne<\/p>\n

Tunneling (CM)<\/strong>
\n29 Ao\u00fbt 2009
\npour 7 instruments et dispositif \u00e9lectronique
\ndur\u00e9e 20mn
\nEnsemble MusikFabrik
\nfestival voix nouvelles
\nAbbaye de Royaumont<\/p>\n

La Makina<\/strong>
\n2 pianos, 2 percussions et \u00e9lectronique en temps r\u00e9el
\n10 Septembre 2009
\nInternational Ensemble modern Academy
\nSchwaz Autriche<\/p>\n

Las siete vidas de un gato<\/strong>
\n11 Septembre 2009
\nInternational Ensemble modern Academy
\nBozen Autriche<\/p>\n

Trame VIII<\/strong>
\n12 Septembre 2009
\nInternational Ensemble modern Academy
\nSchwaz Autriche<\/p>\n

Las siete vidas de un gato<\/strong>
\n13 Septembre 2009
\nInternational Ensemble modern Academy
\nSchwaz Autriche<\/p>\n

formas de arena<\/strong>
\n26 Septembre 2009
\nAtelier Instrumental de Tourraine
\nLe petit Faucheux\/Tours<\/p>\n

Las siete vidas de un gato<\/strong>
\n26 Septembre 2009
\nAtelier Instrumental de Tourraine
\nLe petit Faucheux\/Tours<\/p>\n

Traces II<\/strong>
\n26 Septembre 2009
\nEnsemble Multilaterale
\nLaurent Camatte alto – technique la Muse en circuit
\nEglise Saint Merri Paris<\/p>\n

Trame VIII<\/strong>
\n1 Octobre 2009
\nLes si\u00e8cles Fran\u00e7ois Xavier Roth direction – Eriko Minami Marimba
\nMusica\/Strasbourg<\/p>\n

Trame IV<\/strong>
\n3 Octobre 2009
\nLes si\u00e8cles Fran\u00e7ois Xavier Roth direction – Wilhem Tatchoumia Piano
\nAbbaye de Royaumont<\/p>\n

Trame II<\/strong>
\n3 Octobre 2009
\nLes si\u00e8cles – Fran\u00e7ois Xavier Roth direction – Maude Gratton Clavecin
\nAbbaye de Royaumont<\/p>\n

Traces IV<\/strong>
\n4 Octobre 2009
\nEOC \/ Jean Geoffroy Marimba
\ntechnique GRAME
\nG\u00f6teborg\/Su\u00e8de<\/p>\n

Traces IV<\/strong>
\n6 Octobre 2009
\nEOC \/ Jean Geoffroy Marimba
\ntechnique GRAME
\nMalm\u00f6\/Su\u00e8de<\/p>\n

Prelude & bleu<\/strong>
\n9 Octobre 2009
\nensemble Lucillin
\nTh\u00e9\u00e2tre National de Luxembourg<\/p>\n

Traces II (la cabra)<\/strong>
\n15 Octobre 2009
\nEnsemble SIllages
\nViola : Gilles Deli\u00e8ge – r\u00e9citant Miguel Borras – Technique Nicolas D\u00e9flache
\nFestival de Perpignan<\/p>\n

Traces V<\/strong>
\n23 Octobre 2009
\nIrcam\/CRR d\u2019Aubervilliers<\/p>\n

Metropolis<\/strong>
\n16 instruments + \u00e9lectronique – 2h20mn
\n28 Octobre 2009
\nEnsemble Court-crcuit – Martin Matalon Direction
\nGaida Festival
\nSokio Theater
\nVilnius\/Lituanie<\/p>\n

Las siete vidas de un gato<\/strong>
\n30 Octobre 2009
\nHorschulle Z\u00fcrich<\/p>\n

Mobiles for orchestra<\/strong>
\n30 Octobre 2009
\nOrchestre Philharmonic de Cottbus
\nCottbus \/ Allemagne<\/p>\n

Mobiles for orchestra<\/strong>
\n1er Novemre 2009
\nOrchestre Philharmonic de Cottbus
\nCottbus \/ Allemagne<\/p>\n

Prelude & bleu<\/strong>
\n4 Novembre 2009
\nVincent Daoud saxo – Lo\u00efc Defaux percusion
\nNoelle Reymond contrebasse
\nGrande Salle du Conservatoire de Gen\u00e8ve<\/p>\n

Trame II<\/strong>
\n15 Novembre 2009
\nLes si\u00e8cles Fran\u00e7ois Xavier Roth direction – Maude Gratton Clavecin
\nArles<\/p>\n

Trame VIII<\/strong>
\n15 Novembre 2009
\nLes si\u00e8cles Fran\u00e7ois Xavier Roth direction – Eriko Minami Marimba
\nArles<\/p>\n

Dos formas del tiempo<\/strong>
\n17 Novembre 2009
\nFlorence Cioccolani Piano
\nConservatoire Jacques C\u0153ur
\nBourges<\/p>\n

Trame IV<\/strong>
\n20 Novembre 2009
\nLes si\u00e8cles Fran\u00e7ois Xavier Roth direction – Florence Cioccolani Piano
\nLa Rochelle<\/p>\n

Trame VIII<\/strong>
\n20 Novembre 2009
\nLes si\u00e8cles Fran\u00e7ois Xavier Roth direction – Eriko Minami Marimba
\nLa Rochelle<\/p>\n

Traces V<\/strong>
\n21 Novemre 2009
\nIrcam\/CNSM de Paris<\/p>\n

Las siete vidas de un gato<\/strong>
\nMars 2009
\nGrup instrumental de Valencia \/ Joan Cervero direction
\nCentro ultural de Belem
\nLisbonne\/Portugal<\/p>\n

Dos formas del tiempo<\/strong>
\n21 Novembre 2009
\nFlorence Cioccolani Piano
\nSalle Eug\u00e8ne Bizeau
\nMontlouis sur Loire<\/p>\n

Metropolis<\/strong>
\n24 Novembre 2009
\nRemix ensemble\/Rolf Gupta direction
\nPorto\/casa dela Musica
\nPortugal<\/p>\n

Traces VI<\/strong>
\n25 Novembre 2009
\nDefun Ensemble
\nHanna
\nHelsinky \/ Finland<\/p>\n

Dos formas del tiempo<\/strong>
\n25 Novembre 2009
\nFlorence Cioccolani Piano
\nCh\u00e2teau de Blois, Salle Gaston d\u2019Orl\u00e9ans
\nBlois<\/p>\n

Dos formas del tiempo<\/strong>
\n27 Novembre 2009
\nFlorence Cioccolani Piano
\nEcole de Musique, Salle Debussy
\nMontargis<\/p>\n

Dos formas del tiempo<\/strong>
\n29 Novembre 2009
\nFlorence Cioccolani Piano
\nSalle de l\u2019Institut
\nOrl\u00e9ans<\/p>\n

Dos formas del tiempo<\/strong>
\n1er D\u00e9cembre 2009
\nFlorence Cioccolani Piano
\nUniversit\u00e9 d\u2019Orl\u00e9ans
\nOrl\u00e9ans<\/p>\n

Traces IV<\/strong>
\n6 D\u00e9cembre 2009
\nJean Geoffroy Marimba
\ntechnique GRAME
\nValencia\/Espagne<\/p>\n

Dos formas del tiempo<\/strong>
\n8 D\u00e9cembre 2009
\nFlorence Cioccolani Piano
\nUniversit\u00e9 Fran\u00e7ois Rabelais,
\nTours<\/p>\n

Dos formas del tiempo<\/strong>
\n11 D\u00e9cembre 2009
\nFlorence Cioccolani Piano
\nMus\u00e9e des Beaux Arts
\nChartres<\/p>\n

Tunneling<\/strong>
\n16 Decembre 2009
\nEnsemble MusikFabrik
\nMan\u00e8ge de Reims<\/p>\n

Dos formas del tiempo<\/strong>
\n17 D\u00e9cembre 2009
\nFlorence Cioccolani Piano
\nAuditorium de la Bo\u00eete \u00e0 Musique
\nIssoudun<\/p>\n

Dos formas del tiempo<\/strong>
\n18 D\u00e9cembre 2009
\nFlorence Cioccolani Piano
\nPetits salons de la Mairie
\nChinon<\/p>\n

[\/et_pb_toggle][et_pb_toggle title=\u00a0\u00bb2008″ admin_label=\u00a0\u00bb2008″ _builder_version=\u00a0\u00bb4.16″ background_size=\u00a0\u00bbinitial\u00a0\u00bb background_position=\u00a0\u00bbtop_left\u00a0\u00bb background_repeat=\u00a0\u00bbrepeat\u00a0\u00bb use_border_color=\u00a0\u00bboff\u00a0\u00bb border_color=\u00a0\u00bb#ffffff\u00a0\u00bb border_style=\u00a0\u00bbsolid\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

Trame IV<\/strong>
\n31 Janvier 2008
\nEnsemble Modern
\nHochschule fur Musik
\nFrancfort \/ Allemagne<\/p>\n

mov.<\/strong>
\n12,13 et 14 F\u00e9vrier 2008
\nDur\u00e9e 5 mn
\nQuatuor \u00e0 cordes
\nEnsemble de Basse Normandie
\nCaen<\/p>\n

Las siete vidas de un gato<\/strong>
\n1 F\u00e9vrier 2008
\nSan Francisco Mezzanine
\nConductor Benjamin Shwartz
\nSan Francisco\/USA<\/p>\n

Metropolis<\/strong>
\n16 F\u00e9vrier 2008
\n16 instruments + \u00e9lectronique – 2h20mn
\nMusikFabrik\/Martin Matalon Direction
\nDeSingel
\nAntwerp\/Belgique<\/p>\n

Las siete vidas de un gato<\/strong>
\n17 F\u00e9vrier 2008
\nBarcelona 216
\nFestival Berlinale 2008
\nBerlin\/Germany<\/p>\n

Dos dormas del tiempo<\/strong>
\n19 F\u00e9vrier 2008
\nAline Piboule Piano
\nCentre Tch\u00e8que\/Paris<\/p>\n

Traces IV<\/strong>
\n26 F\u00e9vrier 2008
\nMcGill contemporary Ensemble
\nMcGill University<\/p>\n

La Makina<\/strong>
\n2 pianos, 2 percussions et \u00e9lectronique en temps r\u00e9el
\n6 Mars 2008
\nMcGill University Montr\u00e9al
\nCanada<\/p>\n

Har le tailleur de pierres (cr\u00e9ation Mondiale)<\/strong>
\n6 repr\u00e9sentations entre le 12 et 16 Mars 2008
\nTrio Suo Tempore
\nTechnique la muse en circuit
\nMise en sc\u00e8ne Richard Dubelsky
\nMusique en sc\u00e8ne \u2013 TNS de Lyon<\/p>\n

Trame VIII (cr\u00e9ation Mondiale)<\/strong>
\n15 Mars 2008
\nNouvel Ensemble Modern\/Lorraine Vaillancourt direction
\nMusiques en sc\u00e8ne – Lyon<\/p>\n

Traces II<\/strong>
\n19 Mars 2008
\nIRCAM at\u00e9lier publique avec \u00e9l\u00e8ves du CNSMDP
\nTechnique la muse en circuit
\nIRACM Studio 5<\/p>\n

Traces II<\/strong>
\n26 Mars 2008
\nEIC – Odile Auboin alto
\nTechnique la muse en circuit
\nCentre Georges Pompidou<\/p>\n

Formas de arena<\/strong>
\n29 Mars 2008
\nTrio Luminar
\nEspagne<\/p>\n

Formas de arena<\/strong>
\n31 Mars 2008
\nTrio Luminar
\nLondres<\/p>\n

Trame VIII<\/strong>
\n3 Avril 2008
\nEnsemble Sillages\/Ene Payeur Marimba sol \/Martin Matalon direction
\nRadio France<\/p>\n

Prelude and blue<\/strong>
\n3 Avril 2007
\nsaxo, contrebasse et percussion
\nEnsemble Court-circuit
\nStudio de la com\u00e9die Fran\u00e7aise<\/p>\n

Traces VI (CM)<\/strong>
\n4 Avril 2008
\nEnsemble Sillages
\nQuartz de Brest<\/p>\n

Trame VIII<\/strong>
\n23 Avril 2008
\nNouvel Ensemble Modern\/Lorraine Vaillancourt direction
\nSalle Champagne
\nMontreal<\/p>\n

Las siete vidas de un gato – Traces (II La cabra)<\/strong>
\n26 Avril 2008
\nSociety of new music
\nJohn Graham, viola; Malcolm Ingram, narrator
\nSyracuse University\/US<\/p>\n

Formas de arena<\/strong>
\n5 Mai 2008
\nSan Francisco chamber players
\nSan Francisco USA<\/p>\n

Har le tailleur de pierres<\/strong>
\n6 repr\u00e9sentations 5, 6, 7 Mai 2008
\nTrio Suo Tempore
\nTechnique la muse en circuit
\nMise en sc\u00e8ne Richard Dubelsky
\nCentre Culturel Andr\u00e9 Malraux \/ Vandoeuvre les Nancy<\/p>\n

Traces I, Nocturnes et Traces VII<\/strong>
\n23 Mai 2008
\nAlexis Descharmes, Eve Payeur, Sophie Deshayes, Jens MacNamana
\ntextes Alan Pauls – R\u00e9citant David Jisse
\nTechnique la muse en circuit
\nMac de Cr\u00e9teil<\/p>\n

Har le tailleur de pierre<\/strong>
\n6 repr\u00e9sentations entre le 28 et 30 Mai 2008
\nTrio Suo Tempore
\nTechnique la muse en circuit
\nMise en sc\u00e8ne Richard Dubelsky
\nTh\u00e9\u00e2tre Romain Rolland Villejuif<\/p>\n

Trame I<\/strong>
\nJuin 2008
\nConcours de sortie de 3\u00e8me et sortie cycle
\nCNSMDP<\/p>\n

Traces I<\/strong>
\n6, et 7 Juin 2008 – 4 repr\u00e9sentations
\nIsabelle Veyrier
\nArs Nova
\nPoitiers<\/p>\n

Traces IV<\/strong>
\n7 Juin 2008
\nCourt-circuit Eve Payeur Marimba
\nTechnique la muse en circuit
\nBirmingham<\/p>\n

Traces I-IV -V – VI et Monedas de hierro<\/strong>
\n23 Ao\u00fbt 2008
\nTeatro Colon
\nBuenos Aires Argentina<\/p>\n

Traces I-IV -V – VI et Monedas de hierro<\/strong>
\n24 Ao\u00fbt 2008
\nTeatro Colon
\nBuenos Aires Argentina
\nTraces I-IV -V – VI et Monedas de hierro
\n25 Ao\u00fbt 2008
\nTeatro Colon
\nBuenos Aires Argentina<\/p>\n

Trame IV<\/strong>
\n30 Ao\u00fbt 2008
\nEnsemble Modern
\nFrancfort \/ Allemagne<\/p>\n

Tulles et les ombres<\/strong>
\n7 instrumets dur\u00e9e 50mn
\n2 repr\u00e9sentations le 14 Septembre 2008
\nEnsemble Lucillin
\nCompagnie de Mimes Bodecker et Neander
\nMise en sc\u00e8ne Lionel M\u00e9nard
\nPhilharmonie de Roterdam<\/p>\n

Las siete vidas de un gato<\/strong>
\n17 Septembre 2008
\nBarcelona 216\/Direction Ernest Martinez Izquierdo
\nAuditori de Barcelona
\nEspagne<\/p>\n

Metropolis<\/strong>
\n19 Septembre2008
\nManhattan Sinfonieta\/ Jeff Milarsky direction
\nNew York<\/p>\n

Las siete vidas de un gato<\/strong>
\n23 Septembre 2008
\nBarcelona 216\/Direction Ernest Martinez Izquierdo
\nAutomne de Varsovie
\nPologne<\/p>\n

Har le tailleur de pierre<\/strong>
\n4 repr\u00e9sentations 1-2 Octobre 2008
\nTrio Suo Tempore
\nTechnique la muse en circuit
\nMise en sc\u00e8ne Richard Dubelsky
\nFestival Musica \/ Strasbourg<\/p>\n

Traces II (la cabra)<\/strong>
\n17 Octobre 2008
\nGilles Deli\u00e8ge alto, Miguel Borras r\u00e9citant
\nensemble Sillages – Technique Nicolas D\u00e9flache
\nAuditorio de Madrid<\/p>\n

Formas de arena<\/strong>
\n12 Novembre trio Nobis
\nFRANCE CULTURE<\/p>\n

Trame VIII<\/strong>
\n20 Novembre 2008
\nNouvel Ensemble Modern\/Lorraine Vaillancourt direction
\nSt Georges Hall
\nLiverpool<\/p>\n

Trame IX (CM)<\/strong>
\n21 Novembre 2008
\nOrchestre Philarmonique de Nice
\nMarco Guidarini Direction\/Fran\u00e7ois Meyer Hautbois
\nOp\u00e9ra de Nice<\/p>\n

Trame IX (CM)<\/strong>
\n22 Novembre 2008
\nOrchestre Philarmonique de Nice
\nMarco Guidarini Direction\/Fran\u00e7ois Meyer Hautbois
\nOp\u00e9ra de Nice<\/p>\n

Las siete vidas de un gato<\/strong>
\n29 Novembre 2008
\nConservatoire de Gen\u00e8ve<\/p>\n

Las siete vidas de un gato<\/strong>
\n2008
\nDirection Frank Ollu
\nSweden<\/p>\n

Metropolis<\/strong>
\n6 Decembre 2008
\nSanta Rosa Symphony\/Bruno Ferrandis direction
\nUS<\/p>\n

Traces III<\/strong>
\n17 D\u00e9cebre 2008
\nEnsamble neoArs \/ Eugenio J Perez Cor
\nSociedad Filarmonica de Bodajoz \/ Espagne<\/p>\n

Traces III<\/strong>
\n20 D\u00e9cembre 2008
\nEnsamble neoArs \/ Eugenio J Perez Cor
\nCSM de Granada<\/p>\n

Traces III<\/strong>
\n21 D\u00e9cembre 2008
\nEnsamble neoArs \/ Eugenio J Perez Cor
\nJuventudes Musicales de Santa F\u00e9<\/p>\n

[\/et_pb_toggle][et_pb_toggle title=\u00a0\u00bb2007″ admin_label=\u00a0\u00bb2007″ _builder_version=\u00a0\u00bb4.16″ background_size=\u00a0\u00bbinitial\u00a0\u00bb background_position=\u00a0\u00bbtop_left\u00a0\u00bb background_repeat=\u00a0\u00bbrepeat\u00a0\u00bb use_border_color=\u00a0\u00bboff\u00a0\u00bb border_color=\u00a0\u00bb#ffffff\u00a0\u00bb border_style=\u00a0\u00bbsolid\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

Entente Pr\u00e9alable<\/strong>
\n31 janvier 2007
\nPercussions de Strasbourg
\nauditorium de l\u2019Institut Polytechnique de Cergy Pontoise<\/p>\n

Traces VI (CM)<\/strong>
\n6 F\u00e9vrier 2007
\nFl\u00fbte et \u00e9lectronique en temps r\u00e9el
\nSophie Deshayes fl\u00fbte \u2013 Olivier Pasquet Assistant Musical
\nEnsemble Sillages \u2013 Technique la muse en circuit
\nRennes<\/p>\n

Traces VI (CM)<\/strong>
\n7 F\u00e9vrier 2007
\nFl\u00fbte et \u00e9lectronique en temps r\u00e9el
\nSophie Deshayes fl\u00fbte \u2013 Olivier Pasquet Assistant Musical
\nEnsemble Sillages \u2013 Technique la muse en circuit
\nBrest<\/p>\n

Traces II (la cabra)<\/strong>
\n27 F\u00e9vrier 2007
\nAlto, r\u00e9citant et \u00e9lectronique en temps r\u00e9el
\nGilles Deli\u00e8ge alto \u2013 Miguel Borras r\u00e9citant \u2013 Robin Meier Assistant Musical
\nEnsemble Sillages \u2013 Technique la muse en circuit
\nVillla M\u00e9dicis – ROME<\/p>\n

Metropolis<\/strong>
\n1 Mars 2007
\nMc gill Contemporary music Ensemble – Dennys Bouliane direction
\nTechnique McGill University
\nMontreal<\/p>\n

Traces I<\/strong>
\n2 Mars 2007
\nPour violoncelle et \u00e9lectronique en temps r\u00e9el
\nMatt Haimovitz Violoncelle
\nMcGill University
\nMontr\u00e9al<\/p>\n

Xis (CM)<\/strong>
\n3 Mars 2007
\nPour violoncelle solo
\nDur\u00e9e 2mn
\nVioloncelle Alexis Descharmes
\nCit\u00e9 de la musique<\/p>\n

\u2026del matiz al color\u2026<\/strong>
\n3 Mars 2007
\nPour 8 Violoncelles
\nUccello
\nMcGill University Montr\u00e9al<\/p>\n

\u2026del matiz al color\u2026<\/strong>
\n4 Mars 2007
\nPour 8 Violoncelles
\nPhilarcellists
\nAuteuil\/Paris<\/p>\n

\u2026del matiz al color\u2026<\/strong>
\n4 Mars 2007
\nPour 8 Violoncelles
\nPhilarcellists
\nMontigny sur L\u2019oing<\/p>\n

Traces II (la cabra)<\/strong>
\n9 Mars 2007
\nAlto, r\u00e9citant et \u00e9lectronique en temps r\u00e9el
\nGilles Deli\u00e8ge alto \u2013 Miguel Borras r\u00e9citant \u2013 Robin Meyer Assistant Musical
\nEnsemble Sillages Robin Meyer Assistant Musical
\nInstitut Cervantes<\/p>\n

\u2026del matiz al color\u2026<\/strong>
\n16 Mars 2007
\nPour 8 Violoncelles
\nUccello
\nLincoln Center New York<\/p>\n

Traces IV<\/strong>
\n17 Mars 2007
\nCourt circuit \u2013
\nEve Payeur Marimba
\nTechnique Thierry Coduys<\/p>\n

\u2026del matiz al color\u2026<\/strong>
\n18 Mars 2007
\nPour 8 Violoncelles
\nUccello
\nFlynn Center
\nBurlington VT\/USA<\/p>\n

Metropolis<\/strong>
\n18 Mars 2007
\nEnsemble Modern\/Fran\u00e7ois Xavier Roth direction
\nCaen<\/p>\n

Metropolis<\/strong>
\n20 Mars 2007
\nEnsemble Modern\/Fran\u00e7ois Xavier Roth direction
\nCit\u00e9 de la musique Paris<\/p>\n

Metropolis<\/strong>
\n22 Mars 2007
\nEnsemble Modern\/Fran\u00e7ois Xavier Roth direction
\nMan\u00e8ge
\nRheims<\/p>\n

Lignes de fuite<\/strong>
\norchestre
\nCommande de l\u2019orchestre National de Barcelone et Catalogne et
\nL\u2019Orchestre Philarmonique de Radio France
\n23 Mars 2007
\nOrchestre National de Barcelone et Catalogne- Ernest Martinez Izquierdo Direction
\nAuditiri de Barcelone<\/p>\n

\u2026del matiz al color\u2026<\/strong>
\n24 Mars 2007
\nPour 8 Violoncelles
\nPhilarcellists
\nErmont<\/p>\n

Lignes de fuite<\/strong>
\norchestre
\n24 Mars 2007
\nOrchestre National de Barcelone et Catalogne- Ernest Martinez Izquierdo Direction
\nAuditiri de Barcelone<\/p>\n

Metropolis<\/strong>
\n24 mars 2007
\nEnsemble Modern
\nLuxembourg<\/p>\n

Lignes de fuite<\/strong>
\norchestre
\n25 Mars 2007
\nOrchestre National de Barcelone et Catalogne- Ernest Martinez Izquierdo Direction
\nAuditiri de Barcelone<\/p>\n

Lignes de Fuite<\/strong>
\nRadio Nacional de Espana (23 Mars 2007)
\nRadio\u00a0: Catalunya Musica (25 Mars 2007)
\nTelevision de Catalunya (23 Mars 2007)<\/p>\n

Metropolis<\/strong>
\n26 Mars 2007
\nEnsemble Modern\/Fran\u00e7ois Xavier Roth direction
\nAlter Oper
\nFrancfort<\/p>\n

Metropolis<\/strong>
\nApril 2007
\nEnsemble Modern\/Fran\u00e7ois Xavier Roth direction
\nRundfunk
\nFrancfort<\/p>\n

Metropolis<\/strong>
\n4 Avril 2007
\n16 instruments + \u00e9lectronique – 2h20mn
\nMusikFabrik\/Martin Matalon Direction
\nTonHalle
\nDusseldorf
\nAllemagne<\/p>\n

Metropolis<\/strong>
\n30 Avril 2007
\n16 instruments + \u00e9lectronique – 2h20mn
\nMusikFabrik\/Martin Matalon Direction
\nStadthalle
\nGutersloh
\nAllemagne<\/p>\n

Metropolis<\/strong>
\n13 Mai 2007
\nMusikFabrik\/Martin Matalon Direction
\nValencia<\/p>\n

Lignes de fuite<\/strong>
\norchestre
\n17 et 18 Mai 2007
\nOrchestre de Pamploune Ernest Martinez Izquierdo Direction
\nPamploune\/Espagne<\/p>\n

Formas de arena<\/strong>
\nAt\u00e9lier Musical de Tourraine
\n10 Juin
\nSaint-Cloud<\/p>\n

\u2026del matiz al color\u2026<\/strong>
\n25 Juin 2007
\nPour 8 Violoncelles
\nPhilarcellists
\nSalle Pleyel PARIS<\/p>\n

\u2026del matiz al color\u2026<\/strong>
\n25 Juin 2007
\nPour 8 Violoncelles
\nPhilarcellists
\nFrance Musiques<\/p>\n

Lignes de fuite<\/strong>
\norchestre
\n14 Septembre
\nOrchestre Phillarmonique de RF \/ Fran\u00e7ois Xavier Roth direction
\nLille<\/p>\n

Traces IV<\/strong>
\nMarimba et \u00e9lectronique en temps r\u00e9el
\n16 Septembre 2007
\nEnsemble Court-circuit \u2013 Eve Payeur Marimba
\nFestival Traiettorie \/ Parme Italie<\/p>\n

Traces V (levedad)<\/strong>
\nClarinette et \u00e9lectronique en temps r\u00e9el
\n16 Septembre 2007
\nEnsemble Court-circuit \u2013 Pierre Dutrieu clarinette
\nFestival Traiettorie \/ Parme Italie<\/p>\n

Lignes de fuite<\/strong>
\n1 Octobre 2007
\nOrchestre Phillarmonique de RF \/ Fran\u00e7ois Xavier Roth direction
\nFrance Musiques<\/p>\n

Lignes de fuite<\/strong>
\n7 Octobre 2007
\nOrchestre Phillarmonique de RF \/ Fran\u00e7ois Xavier Roth direction
\nFrance Musiques<\/p>\n

Metropolis<\/strong>
\n9 Octobre 2007
\nMusikFabrik\/Martin Matalon Direction
\nBiennale de Venezia<\/p>\n

Trame I<\/strong>
\n11 Octobre 2007
\nLandesgugend orchester new musik
\nK\u00f6ln<\/p>\n

Trame I<\/strong>
\n14 Octobre 2007
\nLandesgugend orchester new musik
\nK\u00f6ln<\/p>\n

Tulles et les ombres<\/strong>
\n7 instrumets dur\u00e9e 50mn
\n4 repr\u00e9sentations entre 10 et 11 Novembre 2007
\nEnsemble Lucillin
\nCompagnie de Mimes Bodecker et Neander
\nMise en sc\u00e8ne Lionel M\u00e9nard
\nLuxembourg<\/p>\n

Traces I<\/strong>
\n14 Novembre 2007
\nCello, et \u00e9lectronique en temps r\u00e9el
\nEnsemble Ars Nova
\nAnnecy<\/p>\n

Traces II (la cabra)<\/strong>
\n2 D\u00e9cembre 2007
\nSillages
\nRoubaix<\/p>\n

Prelude and blue<\/strong>
\n18 D\u00e9cembre 2007
\nsaxo, contrebasse et percussion
\nEnsemble Court-circuit
\nMorsang-sur-orge \/ les mardis du ch\u00e2teau<\/p>\n

[\/et_pb_toggle][et_pb_toggle title=\u00a0\u00bb2006″ admin_label=\u00a0\u00bb2006″ _builder_version=\u00a0\u00bb4.16″ background_size=\u00a0\u00bbinitial\u00a0\u00bb background_position=\u00a0\u00bbtop_left\u00a0\u00bb background_repeat=\u00a0\u00bbrepeat\u00a0\u00bb use_border_color=\u00a0\u00bboff\u00a0\u00bb border_color=\u00a0\u00bb#ffffff\u00a0\u00bb border_style=\u00a0\u00bbsolid\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

Traces I, Dos Formas del tiempo, Traces II<\/strong>
\n15 Janvier 2006 \u2013 15heures
\nFRANCE MUSIQUES<\/p>\n

Trame IV<\/strong>
\n27 Janvier 2006
\nEnsemble Multilat\u00e9rale\/ Kanako Abe direction\/S\u00e9bastien Vichard Piano
\nCNSMP<\/p>\n

14 F\u00e9vrier 2006
\nTrame VII<\/strong>
\nLas siete vidas de un gato
\nMusikfabrik MARTIN MATALON direction
\nPhilarmonie Essen
\nAllemagne<\/p>\n

La L\u00e9gende de Monsieur Chance<\/strong>
\n16, 17 F\u00e9vrier 2006 (6 r\u00e9p
\n9h,10h15,14h30
\nOrchestre national de Lorraine – Xavier Fran\u00e7ois Roth Direction
\nYannick Jaulin texte
\nLetelier : r\u00e9citant
\nArsenal de Metz<\/p>\n

Traces II (la cabra)<\/strong>
\n02 Mai 2006
\nOdile AUboin
\nEnsemble Sillages
\nCachan<\/p>\n

Traces I<\/strong>
\n05 Mai 2006
\nEnsemble Multilat\u00e9rale
\nEric Maria Couturier Violoncelle
\nP\u00e9niche Op\u00e9ra\/Paris<\/p>\n

Traces II (la cabra)<\/strong>
\n12 Mai 2006
\nOdile AUboin
\nEnsemble Sillages
\nMac de Cr\u00e9teil<\/p>\n

Las siete vidas de un gato<\/strong>
\n12 Mai 2006
\nMusikfabrik
\nKunst-undAusstellungshalle der Bundesrepublik
\nBonn<\/p>\n

Las siete vidas de un gato<\/strong>
\n21 Mai 2006
\nMusikfabrik
\nDonauhalle B
\nDonaueschingen<\/p>\n

Traces III (CM), Traces I<\/strong>
\n21 Mai 2006
\nJens McMamana Cor- Alexis Descharmes Violoncelle
\nAlexis Descharmes
\nTomas Goepfer assistant musical
\nCit\u00e9 de la Musique Strasbourg<\/p>\n

Trame I<\/strong>
\n5 Juin 2006
\nSequitur Ensemble – Jackie LeClair Oboe \u2013 Paul Hostetter Conducting
\nMerkin Hall \u2013 New York<\/p>\n

Dos formas del tiempo<\/strong>
\n25 Juin 2006
\nPhilippe Bianconi Piano
\nFestival Serres d\u2019Auteuil<\/p>\n

Dos formas del tiempo<\/strong>
\n16 Juillet 2006<\/p>\n

Philippe Bianconi Piano
\nFrance Musique<\/p>\n

Formas de arena<\/strong>
\n3, 4 et 5 Ao\u00fbt
\nTrio Luminaria
\nCentro Cultural Rojas
\nArgentina<\/p>\n

Nocturnes (CM)<\/strong>
\n17 Septembre 2006
\nPrix Italia
\n\u0152uvre radiophonique pour 3 instruments soli et \u00e9lectronique en temps r\u00e9el et 3 r\u00e9citants
\nTextes Alan Pauls
\nTechnique Ircam \u2013 Assistant Musical Thomas Goepfer
\nDifusion sur France Culture<\/p>\n

Trame IV<\/strong>
\nSeptember 30th 2006
\nEnsemble Remix
\nFestival Ultima
\nOporto – Portugal<\/p>\n

Traces I<\/strong>
\n7 Octobre 2006
\nAlexis Descharmes Violoncelle
\nassistant musical
\nRadio France<\/p>\n

Dos formas del tiempo<\/strong>
\n28 Octobre 2006
\nDimitri Vassilakis Piano
\nNew York<\/p>\n

La L\u00e9gende de Monsieur Chance<\/strong>
\n13 et 14 Novembre 2006
\nOrchestre de Poitou Charentes Xavier Fran\u00e7ois Roth Direction
\nDaniel Mesguish r\u00e9citant<\/p>\n

Traces I (CM), Traces V<\/strong>
\n19 de Novembre 2006
\nConcert Monographique
\nAvignon<\/p>\n

Traces II (la cabra), Las siete vidas de un gato<\/strong>
\n28 de Novembre 2006
\nTeatro San Martin \u2013 Argentina<\/p>\n

Dos Formas del tiempo<\/strong>
\n30 novembre 2006
\nAline Piboule Piano
\nConcours avant sc\u00e8ne
\nCNSM<\/p>\n

Formas de arena<\/strong>
\nAt\u00e9lier Musical de Tourraine
\n12 D\u00e9cembre 2006
\nSalle Ockeghem
\nTours<\/p>\n

[\/et_pb_toggle][et_pb_toggle title=\u00a0\u00bb2005″ admin_label=\u00a0\u00bb2005″ _builder_version=\u00a0\u00bb4.16″ background_size=\u00a0\u00bbinitial\u00a0\u00bb background_position=\u00a0\u00bbtop_left\u00a0\u00bb background_repeat=\u00a0\u00bbrepeat\u00a0\u00bb use_border_color=\u00a0\u00bboff\u00a0\u00bb border_color=\u00a0\u00bb#ffffff\u00a0\u00bb border_style=\u00a0\u00bbsolid\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

La cifra<\/strong>
\n22 Janvier 2005
\nEnsemble Lucilin \/ Luxembourg<\/p>\n

Monedas de hierro<\/strong>
\n12 F\u00e9vrier 2005
\nEnsemble Apostrophe
\nBruno Ferrandis Direction
\nNice<\/p>\n

Prelude and blue (CM)<\/strong>
\n1er Mars 2005
\nPour Saxo, percussion et contrebasse
\nArsenal de Metz.<\/p>\n

Las siete vidas de un gato<\/strong>
\n3 Mars 2005
\nMc gill Contemporary music Ensemble – Dennys Bouliane direction
\nMontr\u00e9al\/Canada<\/p>\n

Trame IV<\/strong>
\n4 Mars 2005
\nEnsemble Court-circuit \u2013 Pierre Andr\u00e9 Valade Direction
\nOttawal\/Canada<\/p>\n

Trame IV<\/strong>
\n6 Mars 2005
\nEnsemble Court-circuit \u2013 Pierre Andr\u00e9 Valade Direction
\nMontr\u00e9al\/Canada<\/p>\n

Dos formas del tiempo, Traces II (la cabra), Formas de Arena , Las siete vidas de un gato<\/strong>
\n12 Mars 2005
\nConcert Monographique
\nMus\u00e9e du Louvre<\/p>\n

Dos formas del tiempo, Traces II (la cabra), Formas de Arena , Las siete vidas de un gato<\/strong>
\n13 Mars 2005
\nConcert Monographique au
\nMus\u00e9e du Louvre<\/p>\n

Dos formas del tiempo<\/strong>
\nMarch 15th 2005
\nMaki Nakandakari
\nSumida Symphony Hall
\nFrench Contemporary Music Festival
\nTokyo, Japan<\/p>\n

Traces I<\/strong>
\n23 Avril 2005
\nEnsemble Icarus
\nTechnique Cirm
\nMinara Museum Zagreb<\/p>\n

\u2026del matiz al color\u2026, Traces I<\/strong>
\n24 Avril 2005
\nOctuor de Violoncelles de Beauvais
\nEMC<\/p>\n

Short stories (CM)<\/strong>
\n23 Mai 2005
\nVibraphone
\nCNSM de Lyon<\/p>\n

Formas de arena<\/strong>
\n2 Juin 2005
\nEnsemble 2E2M
\nEglise St Julien le pauvre Paris<\/p>\n

Traces I, Dos Formas del tiempo, Traces II<\/strong>
\n6 Juin 2005
\nLa Marroquinerie
\nParis<\/p>\n

Formas de Arena<\/strong>
\n26 Juin 2005
\nEnsemble Intercontemporain
\nCentre Georges Pompidou<\/p>\n

Formas de arena<\/strong>
\n19 Ao\u00fbt 2005
\nTrio Nobis
\nfestival de Gargilesse<\/p>\n

Monedas de hierro<\/strong>
\n17 Septembre
\nEnsemble Multilaterale \/ Kanako Abe direction
\nOp\u00e9ra Comique<\/p>\n

Short stories<\/strong>
\n3 Octobre \u2013 19.30
\nSolistes de l\u2019ensemble multilat\u00e9rale H\u00e9l\u00e8ne – Colombotti Vibraphone
\nCNSMDP<\/p>\n

Traces I, Las siete vidas de un gato<\/strong>
\n15 Octobre 2005
\nMc gill Contemporary music Ensemble – Dennys Bouliane direction
\nMatt Haimovitz violoncelle
\nMcgill University
\nMontr\u00e9al<\/p>\n

Traces II (la cabra)<\/strong>
\n5 November 2005
\nGilles Deli\u00e8ge
\nEnsemble Sillages
\nTh\u00e9\u00e2tre Francis Gag 20h30
\nManca Festival Nice<\/p>\n

Trame VII (CM) , Las siete vidas de un gato<\/strong>
\n6 November 2005
\nMusikFabrik \u2013 Christie Chapman French Horn \/ Dominique My direction
\nSWR – Cologne-Allemagne<\/p>\n

Traces II (la cabra)<\/strong>
\n12 November 2005
\nGilles Deli\u00e8ge
\nEnsemble sillages
\nBrest<\/p>\n

Formas de arena<\/strong>
\n1er D\u00e9cembre 2005
\nTrio EIC
\nCDMC \u2013 Paris<\/p>\n

Short Stories<\/strong>
\n9 D\u00e9cembre 2005
\nHelene Colombotti
\nCNSM de Paris<\/p>\n

Dos formas del tiempo<\/strong>
\n10 D\u00e9cembre 2005
\nHideki Nagano Piano
\nHokaido\/Japon
\n15 Octobre 2005<\/p>\n

Traces I<\/strong>
\n13 D\u00e9cembre 2005
\nNueva syncronia
\nMilano\/Italie<\/p>\n

Dos formas del tiempo<\/strong>
\n18 D\u00e9cembre 2005
\nHideki Nagano Piano
\nSalle : Sai no Kuni
\nSaitama\/Japon<\/p>\n

[\/et_pb_toggle][et_pb_toggle title=\u00a0\u00bb2004″ admin_label=\u00a0\u00bb2004″ _builder_version=\u00a0\u00bb4.16″ background_size=\u00a0\u00bbinitial\u00a0\u00bb background_position=\u00a0\u00bbtop_left\u00a0\u00bb background_repeat=\u00a0\u00bbrepeat\u00a0\u00bb use_border_color=\u00a0\u00bboff\u00a0\u00bb border_color=\u00a0\u00bb#ffffff\u00a0\u00bb border_style=\u00a0\u00bbsolid\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

Metropolis<\/strong>
\n20 Janvier 2004
\nKlangforum ensemble
\n‘2004 out of control’ festival
\nWien<\/p>\n

Concert Monographique<\/strong>
\n22 Janvier 2004
\nBarcelona 216 – Martin Matalon direction
\nDos formas del tiempo
\nFormas de Arena –
\nTrame Ia
\nTrame II
\nl\u2019Arsenal de Metz<\/p>\n

Las siete vidas de un gato<\/strong>
\n23 Janvier 2004
\nMusik Fabrik
\nBerlin<\/p>\n

Formas de arena<\/strong>
\n19 F\u00e9vrier 2004
\nEnsemble Alternances
\nBr\u00eame Allemagne<\/p>\n

Trame VI (CM)<\/strong>
\n28 F\u00e9vrier 2004
\npour alto et ensemble
\nEnsemble Intercontemporain direction Fabrice Bollon – Odile Auboin Alto
\nArsenal de Metz<\/p>\n

Las siete vidas de un gato<\/strong>
\n29 F\u00e9vrier 2004
\nDiabolicus \/ Solistes de l\u2019orchestre de Paris
\nBarcelona<\/p>\n

Las siete vidas de un gato<\/strong>
\n2 Mars 2004
\nDiabolicus \/ Solistes de l\u2019orchestre de paris
\nLNC – Salle Poirel-Nancy<\/p>\n

Las siete vidas de un gato<\/strong>
\n4.3.2004, 00.05 Uhr, DeutschlandRadio Werkstatt<\/p>\n

Metropolis<\/strong>
\nFR2, le 16 mars 2004, \u00e0 2h30
\nDur\u00e9e : 16 min.<\/p>\n

Trame IV (CM)<\/strong>
\n19 Mars 2004
\nDur\u00e9e ca 17 minutes
\nEnsemble Bit 20
\nFestival: Borealis contemporary music festival
\nH\u00e5konshallen , Bergen, Norway<\/p>\n

Trame IV<\/strong>
\nNorvegian Radio
\nDur\u00e9e : 16 min<\/p>\n

Tabula es (CM)<\/strong>
\npour Ch\u0153ur
\n28 Mars 2004
\nAccentus\/ Laurence \u00c9quilbey Direction
\nBouffes du Nord<\/p>\n

Tabula es (CM)<\/strong>
\npour Ch\u0153ur
\n1 Avril 2004
\nAccentus\/ Laurence \u00c9quilbey Direction
\nSaint-Brieuc \u2013 La Passerelle<\/p>\n

Metropolis<\/strong>
\n2 Avril 2004
\nOrchestre national de Lorraine\/Bruno Ferrandis Direction
\nArsenal de Metz<\/p>\n

Tabula es (CM)<\/strong>
\npour Ch\u0153ur
\n3 Avril 2004
\nAccentus\/ Laurence \u00c9quilbey Direction
\nArles \u2013 Chapelle du M\u00e9jan<\/p>\n

4 Avril 2004
\nx Passages sur Mezzo de Rugged Lines Hibou Prod.
\nChaine Mezzo<\/p>\n

Tabula es<\/strong> (CM)
\npour Ch\u0153ur
\n6 Avril 2004
\nAccentus\/ Laurence \u00c9quilbey Direction
\nRouen \u2013 Th\u00e9\u00e2tre des Arts<\/p>\n

Trame VI<\/strong>
\n6 Avril 2004
\nEnsemble Intercontemporain direction Jonhatan Nott – Odile Auboin Alto
\nCit\u00e9 de la musique<\/p>\n

Traces I (CM)<\/strong>
\nPour Violoncelle et \u00e9lectronique
\n4 Avril 2004
\nCommande Cirm \/ Printemps des Arts
\nProduction\/technique CIRM
\nFestival : \u201cPrintemps des Arts\u201d
\nMonaco<\/p>\n

Traces I \/Miniatures (ballet JC Maillot)<\/strong>
\n14, 15, 16, 17, 18 Avril 2004
\nPour Violoncelle et \u00e9lectronique
\nBallet de Montecarlo
\nMonaco<\/p>\n

Las siete vidas de un gato<\/strong>
\n19 Avril 2004
\nSan Francisco contemporary music players – Direction David Milnes
\nYerba buena Center for the Arts
\nSan Francisco \u2013 USA<\/p>\n

Las siete vidas de un gato<\/strong>
\n11 May 2004
\nCeFeDeM
\nArsenal de Metz<\/p>\n

Trame VI<\/strong>
\n23 Mai 2004
\nFrance Musiques<\/p>\n

La Cifra<\/strong>
\n27 Mai 2004
\nfl\u00fbte, violoncelle, percussion et piano
\nEnsemble ONIX
\nForo Internacional de M\u00fasica Nueva<\/p>\n

Traces I<\/strong>
\n6 Juillet 2004
\nAlexis Descharmes violoncelle
\nCentre Acanthes\/Arsenal de Metz<\/p>\n

Dos formas del tiempo<\/strong>
\n15 Juillet 2004
\nChuan Quin Piano
\nCentre Acanthes\/Arsenal de Metz<\/p>\n

Dos formas del tiempo<\/strong>
\n2 Ao\u00fbt 2004
\nChuan Quin Piano
\nXuzhou Grand Theater
\nXuzhou\/China<\/p>\n

Septembre 2004.
\nEnregistrement Disque Monographique avec L\u2019Orchestre National de Lorraine – Jacques Mercier Direction – Disque Accord\/Una corda
\nTrame V (pour trompette et orchestre) – Torito Catalan pour orchestre – Trame III (pour Violoncelle solo et orchestre).<\/p>\n

Dos formas del tiempo<\/strong>
\n4 Septembre 2004
\nChuan Quin Piano
\nfestival Serres d\u2019Auteuil<\/p>\n

Traces I \/Miniatures (ballet JC Maillot)<\/strong>
\n15, 16, 17 et 18 Septembre 2004
\nPour Violoncelle et \u00e9lectronique
\nBallet de Montecarlo
\nTeatro de Catalu\u00f1a
\nBarcelona<\/p>\n

Traces I \/Miniatures (ballet JC Maillot)<\/strong>
\n27, 28, 29 Septembre 2004
\nPour Violoncelle et \u00e9lectronique
\nTeatro Principal
\nBallet de Montecarlo
\nValence \/ Espagne<\/p>\n

Otras ficciones<\/strong>
\n18 Septembre 2004
\nPour vents, percussions deux pianos, deux harpes et Contrebasses
\n4.4.4.4.1sax bar – 7.6.5.1 – 5 perc. 1 Timb. 2 Pno, 2 hpes 8 Contrebasses
\nOrchestre National de Lorraine et Orchestre Imaginaire- Jacques Mercier direction<\/p>\n

Trame IV<\/strong>
\n17 Octobre 2004
\nEnsemble Bit 20
\nFestival: ULTIMA
\nNorv\u00e8ge<\/p>\n

Trame IV<\/strong>
\n19 Octobre 2004
\nEnsemble Bit 20
\nBergen Festival
\nNorv\u00e8ge
\nEnsemble Bit 20<\/p>\n

Las siete vidas de un gato<\/strong>
\n26 Novembre 2004
\nCNSM de Paris<\/p>\n

Traces I<\/strong>
\n13 D\u00e9cembre 2004
\nBenjamin Carat
\nEspace Vauban Brest<\/p>\n

[\/et_pb_toggle][et_pb_toggle title=\u00a0\u00bb2003″ admin_label=\u00a0\u00bb2003″ _builder_version=\u00a0\u00bb4.16″ background_size=\u00a0\u00bbinitial\u00a0\u00bb background_position=\u00a0\u00bbtop_left\u00a0\u00bb background_repeat=\u00a0\u00bbrepeat\u00a0\u00bb use_border_color=\u00a0\u00bboff\u00a0\u00bb border_color=\u00a0\u00bb#ffffff\u00a0\u00bb border_style=\u00a0\u00bbsolid\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

Janvier 2003 – D\u00e9cembre 2004
\nCOMPOSITEUR EN RESIDENCE A LORCHESTRE NATIONAL DE LORRAINE ET L\u2019ARSENAL DE METZ<\/p>\n

Formas de arena<\/strong>
\n24 Janvier 2003
\nEnsemble Sillages
\nQuartz
\nBrest<\/p>\n

La cifra<\/strong>
\n24 Janvier 2003
\nEnsemble Sillages
\nQuartz
\nBrest<\/p>\n

Le Scorpion<\/strong>
\nMusique pour \u201cL\u2019 age d\u2019or \u201c de Luis Bu\u00f1uel
\n7 et 8 F\u00e9vrier 2003
\nLes Percussions de Strasbourg – Dimitri Vassilakis Piano – Technique IRCAM
\nSalle Flagey – Bruxelles<\/p>\n

Le Scorpion<\/strong>
\nMusique pour \u201cL\u2019 age d\u2019or \u201c de Luis Bu\u00f1uel
\n12 F\u00e9vrier 2003
\nLes Percussions de Strasbourg – Dimitri Vassilakis Piano – Technique IRCAM
\nL’ Arsenal de Metz<\/p>\n

El torito Catalan<\/strong>
\n14 F\u00e9vrier 2003
\nOrchestre National de Lorraine\/Direction Jacques Mercier
\nL\u2019Arsenal de Metz<\/p>\n

Las siete de un gato<\/strong>
\n8 Mars 2003
\nBarcelona 216 \/ Ernest Martinez – Direction
\nMercat dels Flors \/ Auditori Ovidi Montllor
\nBarcelona<\/p>\n

Formas de Arena<\/strong>
\n2 Mars 2003
\nEnsemble Alternance
\nBowdin college-
\nMaine<\/p>\n

Formas de arena<\/strong>
\n7 Mars 2003
\nEnsemble Alternance
\nUniversit\u00e9 de Bloomington
\nIndianapolis \/ USA<\/p>\n

Rugged Lines<\/strong>
\nTF1, le 3 mars 2003, \u00e0 0h50<\/p>\n

Monedas de hierro<\/strong>
\n25 Mars 2003
\nEnsemble Stravinsky
\nArsenal de Metz<\/p>\n

Le Scorpion<\/strong>
\nMusique pour \u201cL\u2019Age d\u2019Or\u201d de Luis Bu\u00f1uel
\n27 et 28 Mars 2003
\nLes Percussions de Strasbourg – Dimitri Vassilakis Piano – Technique IRCAM
\nCit\u00e9 de la musique<\/p>\n

Le Scorpion<\/strong>
\nMusique pour \u201cL\u2019 age d\u2019or \u201c de Luis Bu\u00f1uel
\n10 Avril 2003
\nLes Percussions de Strasbourg – Dimitri Vassilakis Piano – Technique IRCAM
\nReims<\/p>\n

dos formas del tiempo<\/strong>
\n15 Avril 2003
\npour Piano solo
\ndur 10 min.
\nDimitri Vassilakis Piano
\nCentro cultural de la recoleta
\nBuenos Aires<\/p>\n

Lineas s de agua (CM)<\/strong>
\nPour huit Violoncelles
\nDirection Mistlav Rostropovich
\n4 Mai 2003
\nCommande de L\u2019octour de Violoncelles de Beauvais
\n9\u00e8me Rencontre internationale de Violoncelle de Beauvais<\/p>\n

Formas de arena<\/strong>
\n7 Mai 2003
\nTh\u00e9\u00e2tre National La Coursive – La Rochelle
\nSolistes de l\u2019Ensemble Intercontemporain<\/p>\n

Trame V (CM)<\/strong>
\n16 Mai 2003
\npour trompette et orchestre
\nOrchestre National de Lorraine – Jacques Mercier direction – Eric Aubier trompette
\nMetz<\/p>\n

Formas de arena<\/strong>
\n19 Mai 2003
\nTrio Nobis
\nGoethe Institut
\nParis<\/p>\n

Trame V (CM)<\/strong>
\n20 Mai 2003
\npour trompette et orchestre
\nOrchestre National de Lorraine – Jacques Mercier direction – Eric Aubier trompette
\nEpinal<\/p>\n

Las siete de un gato<\/strong>
\n24 Mai 2003
\nBarcelona 216 \u2013
\nCin\u00e9 Lumi\u00e8re
\nLondres<\/p>\n

Trame V (CM)<\/strong>
\n24 Mai 2003
\npour trompette et orchestre
\nOrchestre National de Lorraine – Jacques Mercier direction – Eric Aubier trompette
\nFr\u00e9min<\/p>\n

Lineas de agua<\/strong>
\n11 Septembre 2003
\nRadio Classique<\/p>\n

Concert monographique
\n23 Septembre 2003
\nMonedas de hierro<\/strong> – pour 10 instr. et \u00e9lectronique Ensemble Court-circuit – P.A. Valade direction
\n…del matiz al color…<\/strong> L\u2019Octuor de Violoncelles de Beauvais
\nDos formas del tiempo<\/strong> – pour piano – Dimitri Vassilakis Piano
\nFormas de Arena<\/strong> – pour fl\u00fbte, alto et harpe – trio Nobis
\nTrame II<\/strong> – pour clavecin\u00a0et 5 instr. Ensemble Court-circuit – P.A. Valade direction
\nEspace de projection IRCAM – Centre Georges Pompidou<\/p>\n

Concert Monographique
\n19 Octobre 2003
\nDos formas del tiempo<\/strong> – Trio Nobis
\nFormas de Arena<\/strong> – Dimitri Vassilakis
\nCycle \u201cCr\u00e9ations et permanaces\u201d\/Avignon<\/p>\n

Octobre 2003
\n3 Passages sur Mezzo de Rugged Lines<\/strong> Hibou Prod.
\nChaine Mezzo<\/p>\n

24 et 25 Octobre 2003
\nLas siete vidas de un gato<\/strong>
\nRADIO : Diffusion sur Hector et France Musiques<\/p>\n

Trame III<\/strong>
\n7 Novembre 2003
\npour Violoncelle et orchestre
\nOrchestre National de Lorraine – Jacques Mercier direction<\/p>\n

CARAMBA (les)<\/strong>
\n25 Novembre 2003
\nLes Percussions de Strasbourg
\nFestival : Aujourd\u2019hui Musique
\nPerpignan<\/p>\n

[\/et_pb_toggle][et_pb_toggle title=\u00a0\u00bb2002″ admin_label=\u00a0\u00bb2002″ _builder_version=\u00a0\u00bb4.16″ background_size=\u00a0\u00bbinitial\u00a0\u00bb background_position=\u00a0\u00bbtop_left\u00a0\u00bb background_repeat=\u00a0\u00bbrepeat\u00a0\u00bb use_border_color=\u00a0\u00bboff\u00a0\u00bb border_color=\u00a0\u00bb#ffffff\u00a0\u00bb border_style=\u00a0\u00bbsolid\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

Las siete Vidas de un gato<\/strong>
\n18 Janvier 2002
\nSpokane- Washington<\/p>\n

CARAMBA (les)<\/strong> (CM)
\n19 Janvier 2002
\nles percussions de Strasbourg
\nLA Laiterie \/ Strasbourg<\/p>\n

Formas de arena<\/strong>
\n19 Janvier 2002
\nTrio Nobis
\nChapelle Saint-Louise
\nL\u2019Ha\u00ff-les- Roses<\/p>\n

CARAMBA (les)<\/strong> (CM)
\n2 F\u00e9vrier 2002
\nRadio France
\nFestival pr\u00e9sences<\/p>\n

.. del matiz al color…<\/strong>
\n4 5 6 et 7 F\u00e9vrier 2002
\nCentre culturel fran\u00e7ais en Alg\u00e9rie
\n4 \u00e0 Annaba
\n5 et 6 \u00e0 Alger
\n7 \u00e0 Oran
\nL\u2019octour de Violoncelles de Beauvais<\/p>\n

20 \u00e0 28 F\u00e9vrier r\u00e9sidence \u00e0 l\u2019\u00e9cole de Musique de Beauvais<\/p>\n

Concert Monographique \u00e0 Beauvais
\n25 F\u00e9vrier 2002
\n– dos formas del tiempo<\/strong>
\n– … del matiz al color…<\/strong>
\n– Formas de arena<\/strong>
\n– Trame II<\/strong>
\nEnsemble Court-circuit Martin Matalon direction
\nPiano : Jean Marie Cottet
\nEspace Culturel Fran\u00e7ois Mitterrand \/ Beauvais<\/p>\n

CARAMBA (les)<\/strong>
\n16 Mars 2002
\nLes Percussions de Strasbourg
\nLa Coupole
\nSaint-Louis<\/p>\n

Las siete de un gato<\/strong>
\n25 Mars 2002
\nDiabolicus \/ Solistes de l\u2019orchestre de paris
\nTh\u00e9\u00e2tre Bouffes du Nord \/ Paris<\/p>\n

Formas de arena<\/strong>
\nDate : 26 Mars 2002
\nTrio Nobis
\nUnesco – Paris<\/p>\n

La cifra<\/strong>
\n24 Avril 2002
\nEnsemble du Conservatoire de Lyon
\nChapelle Buzenval – Beauvais<\/p>\n

Las siete de un gato<\/strong>
\n4 et 5 Mai 2002
\nDiabolicus \/ Solistes de l\u2019orchestre de paris
\nBarcelona<\/p>\n

El torito catalan<\/strong> (Cr\u00e9ation mondiale)
\n25 Mail 2002
\nCommande de l\u2019Orchestre National de l\u02c6\u00eele de France
\nInstrumentation : 3.3.3.3. \/ 4.3.3.1 \/ 4 percussions.timbales \/ harpe \/ 14.12.10.8.6
\nDur\u00e9e ca.17 min.
\nOrchestre National de L\u2019 \u00eele de France \/ direction : Jacques Mercier
\nSalle Pleyel<\/p>\n

… del matiz al color…<\/strong>
\n24 juillet 2002
\nOctuor de Violoncelles de Beauvais
\nPont labb\u00e9<\/p>\n

… del matiz al color…<\/strong>
\n26 juillet 2002
\nOctuor de Violoncelles de Beauvais
\nSaint Riquier<\/p>\n

Las siete de un gato<\/strong>
\n9 Ao\u00fbt 2002
\nEnsemble Modern
\nSchleswig-Holstein Musik Festival\/ Hambourg<\/p>\n

Le Scorpion<\/strong> (CM)
\nMusique pour \u201cL\u2019age d\u2019or \u201c de Luis Bu\u00f1uel
\n5 Octobre 2002
\nDur\u00e9e : ca 60 minutes
\nCommande : IRCAM et les Percussions de Strasbourg
\nPour 6 Percussions, Piano et \u00c9lectronique en temps r\u00e9el
\nLes Percussions de Strasbourg – Dimitri Vassilakis Piano – Technique IRCAM
\nFestival Musica\/ Strasbourg<\/p>\n

Formas de arena<\/strong>
\n19 Octobre 2002
\nTrio Nobis
\nSalle cortot \/ Paris<\/p>\n

Concert Monographique \u00e0 Barcelone
\n30 Octobre 2002
\nMonedas de hierro<\/strong> Ensemble Barcelona 216 direction Martin Matalon
\nLa Cifra<\/strong> Ensemble Barcelona 216
\n2 Formas del tiempo<\/strong> – Dimitri Vassilakis – Piano
\nTrame IV<\/strong> Ensemble Barcelona 216 direction Martin Matalon \u2013
\nDimitri Vassilakis Piano
\nMercat dels Flors \/ Auditori Ovidi Montllor
\nBarcelona<\/p>\n

Le Scorpion<\/strong>
\nMusique pour \u201cL\u2019 age d\u2019or \u201c de Luis Bu\u00f1uel
\n30 Novembre 2002
\nLes Percussions de Strasbourg – Dimitri Vassilakis Piano technique IRCAM
\nHuddersfield<\/p>\n

… del matiz al color…<\/strong>
\n18 D\u00e9cembre 2002
\nL\u2019octour de Violoncelles de Beauvais
\nEglise des Billettes – Paris<\/p>\n

[\/et_pb_toggle][et_pb_toggle title=\u00a0\u00bb2001″ admin_label=\u00a0\u00bb2001″ _builder_version=\u00a0\u00bb4.16″ background_size=\u00a0\u00bbinitial\u00a0\u00bb background_position=\u00a0\u00bbtop_left\u00a0\u00bb background_repeat=\u00a0\u00bbrepeat\u00a0\u00bb use_border_color=\u00a0\u00bboff\u00a0\u00bb border_color=\u00a0\u00bb#ffffff\u00a0\u00bb border_style=\u00a0\u00bbsolid\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

Trame III<\/strong> (Concerto pour Violoncelle) (CM)
\n2 F\u00e9vrier 2001
\npour : violoncelle solo et 3.3.3.3 \/ 4.3.3 \/ 2 Hapes. Piano \/ 5 perc. Timbales \/ 14.12.10.10.8
\nDur\u00e9e ca 27 min.
\nOrchestre Nationale de Radio France- Anssi Kartunen Vlc. solo – Direction Pascal Roph\u00e9
\nFestival : Pr\u00e9sences\/ Paris<\/p>\n

Trame Ia<\/strong> (CM)
\n8 F\u00e9vrier 2001
\nDur\u00e9e : 13 minutes
\npour Saxe soprano et cor, trompette, basson, percussion et contrebasse
\nSaxe solo : Claude Delangle
\nSkatoon \/ Canada<\/p>\n

Prix de la ville de Barcelona<\/strong> (F\u00e9vrier 2001)<\/p>\n

Monedas de Hierro<\/strong>
\n15 Mars 2001
\nSan Francisco Chamber Players
\nSan Francisco \/ Berkeley<\/p>\n

Dos formas del tiempo<\/strong>
\n15 Mars 2001
\nPiano : Sergio tiempo
\nFrick Museum
\nPittsburgh USA<\/p>\n

La Cifra<\/strong>
\n21 Mars 2001
\nensemble Court-circuit
\nArsenal de Metz<\/p>\n

Las siete vidas de un gato<\/strong>
\n31 Mars 2001
\nEnsemble : Solistes de l\u2019Orchestre de Paris
\nSalle Favart \/ Paris<\/p>\n

… del matiz al color…<\/strong>
\n1 Avril 2001
\nOctuor de violoncelles de Beauvais
\nBoston Conservatory of music
\nBoston \/ USA<\/p>\n

… del matiz al color…<\/strong>
\n2 Avril 2001
\nOctuor de violoncelles de Beauvais
\nChapelle du bon Pasteur
\nMontr\u00e9al \/ Canada<\/p>\n

… del matiz al color…<\/strong>
\n6 Avril 2001
\nOctuor de violoncelles de Beauvais
\nHippodrome de Douai
\nFrance<\/p>\n

Otras ficciones<\/strong> (CM)
\n5 et 6 Avril 2001
\npour : 4.4.4.4. Saxe baryton \/ 7.6.5.1 \/ 5 percussions.timbales \/ 2 harpes. 2 pianos 8 contrebasses
\nDur\u00e9e ca 27 min.
\nOrchestre de Paris \/ Christoph Essenbach direction
\nCit\u00e9 de la musique<\/p>\n

Otras ficciones<\/strong> (extrait)
\n7 Avril 2001
\nConcert pour les jeunes
\nOrchestre de Paris \/ direction : Christoph Essenbach
\nCit\u00e9 de la musique<\/p>\n

Las siete vidas de un gato<\/strong>
\nMai 2001
\npour la Classe de direction au CNSM\/Paris<\/p>\n

.. del matiz al color…<\/strong>
\n9 Mai 2001
\nOctuor de violoncelles de Beauvais
\n8 eme rencontres de violoncelles de Beauvais<\/p>\n

Monedas de Hierro<\/strong>
\n8 Juin 2001
\nSan Francisco Chamber Players
\nBerkeley \/ San Francisco<\/p>\n

Las siete vidas de un gato<\/strong>
\nJuin 2001
\nrecommand\u00e9 pour la tribune internationale des compositeurs de l\u2019UNESCO<\/p>\n

Trame IV<\/strong> (CM)
\nDate : 15 Juin 2001
\npour piano et 11 musiciens
\nDur\u00e9e ca 15 minutes
\nEnsemble Bit 20
\nFestival Agora \/ IRCAM<\/p>\n

Metropolis<\/strong>
\n31 Ao\u00fbt 2001
\nEnsemble : Barcelona 216. Ernest Martinez-Izquierdo direction
\nMus\u00e9e Guggenheim
\nBilbao<\/p>\n

Dos formas del tiempo<\/strong>
\nDate : Octobre 2001
\nPiano : Sergio tiempo
\nTokyo – Japon<\/p>\n

Las siete vidas de un gato<\/strong>
\n29 Octobre 2001
\nEnsemble Collegium novum
\nTonhalle \/ Zurich<\/p>\n

Las siete vidas de un gato<\/strong>
\n8 Novembre 2001
\nEnsemble Ensemble XX Jahrhundert Peter Burwick direction
\nMusikverein \/ Vienne<\/p>\n

Monedas de hierro<\/strong>
\n8 Novembre 2001
\nEnsemble Ensemble XX Jahrhundert Peter Burwick direction
\nMusikverein \/ Vienne<\/p>\n

Trame II<\/strong>
\n12 Novembre 2001
\nMonica Kosachoff Clavecin- Santiago Santero direction
\nBuenos Aires \/ Argentine<\/p>\n

Formas de arena<\/strong> (CM)
\n23 Novembre 2001
\npour fl\u00fbte harpe et alto
\ndur\u00e9e ca 13 min
\nTrio Nobis
\nth\u00e9\u00e2tre du Ch\u00e2telet<\/p>\n

Formas de arena<\/strong>
\n12 D\u00e9cembre 2001
\nEnsemble alternance
\nSalle Cortot : Paris<\/p>\n

[\/et_pb_toggle][et_pb_toggle title=\u00a0\u00bb2000″ admin_label=\u00a0\u00bb2000″ _builder_version=\u00a0\u00bb4.16″ background_size=\u00a0\u00bbinitial\u00a0\u00bb background_position=\u00a0\u00bbtop_left\u00a0\u00bb background_repeat=\u00a0\u00bbrepeat\u00a0\u00bb use_border_color=\u00a0\u00bboff\u00a0\u00bb border_color=\u00a0\u00bb#ffffff\u00a0\u00bb border_style=\u00a0\u00bbsolid\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

Trame II<\/strong>
\n8 Janvier 2000
\nXenakis Ensemble Direction Diego Masson – Elizabeth Chojnacka Clavecin
\nMiddelbourg \/ Pays bas<\/p>\n

Las siete vidas de un gato<\/strong>
\n4 F\u00e9vrier 2000
\nRotterdam Philarmonic<\/p>\n

Las siete vidas de un gato<\/strong>
\n26 F\u00e9vrier 2000
\nAsko ensemble
\nLondres<\/p>\n

Las siete vidas de un gato<\/strong>
\n27 F\u00e9vrier 2000
\nAsko ensemble
\nOxford<\/p>\n

Las siete vidas de un gato<\/strong>
\n28 F\u00e9vrier 2000
\nAsko ensemble
\nBath<\/p>\n

Las siete vidas de un gato<\/strong>
\n1 Mars 2000
\nAsko ensemble
\nCambridge<\/p>\n

Las siete vidas de un gato<\/strong>
\n2 Mars 2000
\nAsko ensemble
\nDurham<\/p>\n

… del matiz al color…<\/strong>
\n1 Avril 2000
\nOctuor de Violoncelles de Beauvais
\nBar le Duc – Soissons<\/p>\n

Rugged Lines<\/strong>
\n4 Juin 2000
\nT\u00c9L\u00c9VISION TF1 – Paris<\/p>\n

Las siete vidas de un gato<\/strong>
\nJuin 16 2000
\nEnsemble Ictus G.E Octors direction
\nPorto \/ Portugal<\/p>\n

Metropolis<\/strong>
\n2 Mai 2000
\nEnsemble Klang Forum Ernest Martinez-Izquierdo direction
\nKonzerthaus – Vienne<\/p>\n

La Cifra<\/strong>
\nMai 2000
\nMosaic ensemble
\nL.A. County art Museum
\nLos Angeles, USA<\/p>\n

La Cifra<\/strong>
\nMai 2000
\nMosaic ensemble
\nConnecticut, USA<\/p>\n

Metropolis<\/strong>
\n22 Juin 2000
\nEnsemble Barcelona 216 – Ernest Martinez-Izquierdo direction
\nAuditori
\nBarcelona<\/p>\n

… del matiz al color…<\/strong>
\n24 Juin 2000
\nOctuor de Violoncelles de Beauvais
\nFestival : Agora \/ IRCAM<\/p>\n

La Cifra<\/strong>
\n5 Juillet 2000
\nNiew Ensemble
\nCentre Acanthes \/ Cracovie<\/p>\n

Las siete vidas de un gato<\/strong>
\n15 Juillet 2000
\nEnsemble Ictus G.E Octors direction
\nCentre Acanthes \/ Avignon<\/p>\n

Rugged Lines memos<\/strong>
\n30 Juillet 2000
\nEnsemble Avanti – P.A. Valade direction :
\nCentre Acanthes \/ Helsinki<\/p>\n

Trame II<\/strong>
\n21 Septembre 2000
\nEnsemble Instrumental Martin Matalon direction \/ Elizabeth Chojnacka Clavecin
\nFestival d\u2019automne de Varsovie<\/p>\n

Dos formas del tiempo (CM)<\/strong>
\n22 Septembre 2000
\ndur\u00e9e 10 minutes
\nSergio Tiempo : piano
\nFestival Piano aux Jacobins \/ Toulouse<\/p>\n

La Cifra<\/strong>
\nNovembre 2000
\nMosaic ensemble
\nDan Kennedy Festival of new American Music
\nWashington – USA<\/p>\n

Monedas de Hierro<\/strong>
\n18 Novembre 2000
\nEnsemble Speculum Musicae
\nMerkin hall \/ New York<\/p>\n

[\/et_pb_toggle][et_pb_toggle title=\u00a0\u00bb1999″ admin_label=\u00a0\u00bb1999″ _builder_version=\u00a0\u00bb4.16″ background_size=\u00a0\u00bbinitial\u00a0\u00bb background_position=\u00a0\u00bbtop_left\u00a0\u00bb background_repeat=\u00a0\u00bbrepeat\u00a0\u00bb use_border_color=\u00a0\u00bboff\u00a0\u00bb border_color=\u00a0\u00bb#ffffff\u00a0\u00bb border_style=\u00a0\u00bbsolid\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

Las Siete vidas de gato<\/strong>
\n19 Janvier 1999
\n\u201cun compositeur, une \u0153uvre\u201d
\nIRCAM<\/p>\n

Monedas de hierro<\/strong>
\n7 Mars 1999
\nEnsemble Onyx
\nMexico City<\/p>\n

Monedas de hierro<\/strong>
\n4 Mars 99
\nEnsemble Onyx
\nMexico City<\/p>\n

Las Siete vidas de un gato<\/strong>
\n22 Mars 1999
\nEnsemble : Barcelona 216 direction : Ernest Martinez-Izquierdo
\nPour l\u2019ouverture de la salle polyvalente de l\u2019 Auditori \/ Barcelona<\/p>\n

Las Siete vidas de un gato<\/strong>
\nDate : 6 Avril 1999
\nEnsemble Da Capo
\nNew York<\/p>\n

Trame II<\/strong> (CM)
\n24 Avril 1999
\nDur\u00e9e ca 20 min
\npour Clavecin solo et cl basse, trombone, alto, percussion, et bandon\u00e9on
\nEnsemble Court-circuit Pierre Andr\u00e9 Valade direction \/ Elizabeth Chojnacka Clavecin
\nFestival : Wittener tage f\u00fcr neue Kammermuzik – Witten \/ Allemagne<\/p>\n

Las Siete Vidas de un Gato<\/strong>
\n29 Avril 1999
\nEnsemble XX si\u00e8cle Direction : Peter Burwick
\nVienne<\/p>\n

… del matiz al color…<\/strong> (CM)
\n3 Mai 1999
\npour 8 violoncelles
\ndur\u00e9e : ca 13 minutes
\nL\u2019Octuor de Violoncelles de Beauvais
\nles Septi\u00e8mes Rencontres de Violoncelles de Beauvais<\/p>\n

Trame II<\/strong>
\n10 Mai 1999
\nEnsemble Instrumental -Elizabeth Chojnacka Clavecin – Martin Matalon direction
\nFondation Gulbenkian \/ Lisbonne<\/p>\n

Las Siete Vidas de un Gato<\/strong>
\n18 Mai 99
\nOrchestre d\u2019Auvergne – Arie Van Beek direction
\nClermont-Ferrand<\/p>\n

Trame II<\/strong>
\n26 Juin 1999
\nEnsemble Court circuit Pierre Andr\u00e9 Valade direction – Elizabeth Chojnacka : Clavecin
\nFestival Agora \/ IRCAM<\/p>\n

Rugged Lines memos<\/strong> (CM)
\n24 Septembre 1999
\ndur\u00e9e : ca 20 minutes
\npour : Fl\u00fbte, clarinette, clarinette basse, Saxe alto, trompette, 2 percussions, piano, contrebasse et \u00e9lectronique
\nEnsemble Barcelona 216 – Ernest Martinez-Izquierdo direction
\nFestival Musica \/ Strasbourg<\/p>\n

Metropolis<\/strong>
\n5 Novembre 1999
\nEnsemble : Ensemble XX si\u00e8cle Peter Burwik direction
\nBrucknerhaus – Lintz<\/p>\n

[\/et_pb_toggle][et_pb_toggle title=\u00a0\u00bb1998″ admin_label=\u00a0\u00bb1998″ _builder_version=\u00a0\u00bb4.16″ background_size=\u00a0\u00bbinitial\u00a0\u00bb background_position=\u00a0\u00bbtop_left\u00a0\u00bb background_repeat=\u00a0\u00bbrepeat\u00a0\u00bb use_border_color=\u00a0\u00bboff\u00a0\u00bb border_color=\u00a0\u00bb#ffffff\u00a0\u00bb border_style=\u00a0\u00bbsolid\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

Las Siete vidas de gato<\/strong>
\n23 Janvier 98 –
\nEnsemble Ictus Georges-Elie Octors direction
\nBruxelles<\/p>\n

Metropolis<\/strong>
\nDates : 20, 21, 22 F\u00e9vrier 98
\nEnsemble instrumental de Hong-Kong Bruno Ferrandis direction
\nFestival International de Hong-Kong<\/p>\n

Las Siete Vidas de un gato<\/strong>
\n2 Mars 1998
\nAmerican Composers orchestra
\nThe Kitchen \/ New York<\/p>\n

Metropolis<\/strong>
\n15 Mars 1998
\nAvanti! Ernest Martinez-Izquierdo direction
\nFestival Archipel \/ Gen\u00e8ve<\/p>\n

Las siete vidas de un gato<\/strong>
\nDate : 7 Avril 1998
\nAsko ensemble<\/p>\n

Las siete vidas de un gato<\/strong>
\n7 et 8 Avril 1998
\nAsko ensemble
\nAmsterdam<\/p>\n

Las siete vidas de un gato<\/strong>
\n5 Mai 1998
\nEnsemble : Ictus Georges Elie Octors direction
\nAnvers<\/p>\n

Las siete vidas de un gato<\/strong>
\n4 Juin 1998
\nEnsemble Instrumental Martin Matalon direction
\nMontpellier<\/p>\n

Monedas de hierro<\/strong>
\nrecommand\u00e9 pour la tribune internationale des compositeurs de l\u2019UNESCO (Juin 1998)<\/p>\n

Metropolis<\/strong>
\nChef: Ernest Martinez-Izquierdo
\n12,13 et 14 Juin 1998
\nAvanti! Ernest Martinez-Izquierdo direction
\nFestival Agora \/ Bouffes du Nord<\/p>\n

Las siete vidas de un gato<\/strong>
\n11 Juillet 1998
\nFilm avec Enregistrement (sans orchestre)
\nMexico City, Mexico<\/p>\n

Metropolis<\/strong>
\n14 Juillet 1998
\nFilm avec Enregistrement (sans orchestre)
\nMexico City, Mexico<\/p>\n

Monedas de hierro<\/strong>
\n24 Septembre 1998
\nEnsemble : Ensemble XX si\u00e8cle Peter Burwik direction
\nORF : Radio Autrichienne \/ Vienne<\/p>\n

Monedas de hierro<\/strong>
\n4 Octobre 1998
\nEnsemble : Ensemble XX si\u00e8cle Peter Burwik direction
\nFestival de Musique Contemporaine de Dresde<\/p>\n

Las Siete Vidas de un gato<\/strong>
\n29 Octobre 1998
\nIsraeli Contemporary players
\nJ\u00e9rusalem<\/p>\n

Las Siete Vidas de un gato<\/strong>
\n31 Octobre 1998
\nIsraeli Contemporary players
\nTel-Aviv<\/p>\n

Las Siete vidas de un gato<\/strong>
\nDate : 28 Novembre 1998
\nEnsemble Court-circuit Pierre-Andr\u00e9 Valade Direction
\nFestival : 38 Rougissant \/ Grenoble<\/p>\n

Rugged Lines<\/strong>
\nDate : Octobre 1998
\nT\u00c9L\u00c9VISION \/ Barcelona<\/p>\n

[\/et_pb_toggle][et_pb_toggle title=\u00a0\u00bb1997″ admin_label=\u00a0\u00bb1997″ _builder_version=\u00a0\u00bb4.16″ background_size=\u00a0\u00bbinitial\u00a0\u00bb background_position=\u00a0\u00bbtop_left\u00a0\u00bb background_repeat=\u00a0\u00bbrepeat\u00a0\u00bb use_border_color=\u00a0\u00bboff\u00a0\u00bb border_color=\u00a0\u00bb#ffffff\u00a0\u00bb border_style=\u00a0\u00bbsolid\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

Las Siete vidas de gato<\/strong>
\n16 F\u00e9vrier 1997
\nEnsemble Court-circuit Pierre-Andr\u00e9 Valade direction
\nRadio France – festival Pr\u00e9sences<\/p>\n

Las Siete vidas de gato<\/strong>
\n18 Mars 1997
\nEnsemble Court-circuit Pierre-Andr\u00e9 Valade direction
\nNanterre<\/p>\n

Las Siete vidas de gato<\/strong>
\n19 Mars 1997
\nEnsemble Court-circuit Pierre-Andr\u00e9 Valade direction
\nFranconville<\/p>\n

Monedas de hierro<\/strong>
\n18 Avril 1997
\nEnsemble Gageego Eric Andriasson direction
\nGotteburg (Swede)<\/p>\n

La Cifra<\/strong>
\n23 Avril 1997
\nEnsemble Court-circuit Pierre-Andr\u00e9 Valade direction
\nVilla M\u00e9dicis \/Rome<\/p>\n

Las Siete vidas de gato<\/strong>
\n27 et 28 Juin 1997
\nEnsemble Avanti !. Ernest Martinez -Izquierdo direction
\nFinlande – Poorvo festival<\/p>\n

Las Siete vidas de gato<\/strong>
\n28 Juin 1997
\nEnsemble Ictus Georges-Elie Octors direction
\nCentre Georges Pompidou<\/p>\n

Trame I (CM)<\/strong>
\n27 Septembre 1997
\nhautbois solo et basson, cor, trompette, percussion et contrebasse.
\nEnsemble Court-circuit Pierre-Andr\u00e9 Valade Direction
\nH\u00e9l\u00e8ne de Villeneuve Hautbois solo
\nfestival Musica \/ Strasbourg<\/p>\n

Las Siete vidas de gato<\/strong>
\n27 Septembre 1997 –
\nEnsemble Avanti!. Ernest Martinez -Izquierdo Direction
\nStrasbourg – festival Musica<\/p>\n

Metropolis<\/strong>
\n28 Septembre 1997
\nEnsemble Avanti ! Ernest Martinez-Izquierdo direction
\nfestival Musica \/ Strasbourg<\/p>\n

La Cifra<\/strong>
\n25 Novembre 1997
\nEnsemble Court-circuit Pierre-Andr\u00e9 Valade direction
\nNorv\u00e8ge<\/p>\n

Las Siete vidas de Gato<\/strong>
\n6 Octobre 1997
\nEnsemble Ictus Georges Elie Octors direction
\nRouen<\/p>\n

Rugged Lines<\/strong> (CM)
\n11,12 et 13 D\u00e9cembre 1997
\ndur\u00e9e : 50 minutes
\nEnsemble : Barcelona 216 Ernest Martinez-Izquierdo direction
\nCentre de Cultura Contempor\u00e0nia de Barcelona
\nConvent dels Angels<\/p>\n

[\/et_pb_toggle][et_pb_toggle title=\u00a0\u00bb1996″ admin_label=\u00a0\u00bb1996″ _builder_version=\u00a0\u00bb4.16″ background_size=\u00a0\u00bbinitial\u00a0\u00bb background_position=\u00a0\u00bbtop_left\u00a0\u00bb background_repeat=\u00a0\u00bbrepeat\u00a0\u00bb use_border_color=\u00a0\u00bboff\u00a0\u00bb border_color=\u00a0\u00bb#ffffff\u00a0\u00bb border_style=\u00a0\u00bbsolid\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

La Cifra<\/strong>
\n14 F\u00e9vrier 1996
\nEnsemble : Nieuw Ensemble\/ Ed Spanjaard direction
\nDe Vereeniging Nijmegen (Proms)
\nPays-Bas<\/p>\n

La Cifra<\/strong>
\n15 F\u00e9vrier 1996
\nEnsemble : Nieuw Ensemble \/ Ed Spanjaard direction
\nParadiso Amsterdam (Proms)
\nPays-Bas<\/p>\n

La Cifra<\/strong>
\n29 Mars 1996
\nEnsemble Court-circuit Pierre Andr\u00e9 Valade direction
\nVilla M\u00e9dicis \/ Rome<\/p>\n

Las siete vidas de un gato<\/strong> (CM)
\n17 Mai 1996 (2 repr\u00e9sentations)
\nInstrumentation : Fl, Cl, Tp, 2 perc, Pno , Vln., Vlc. + \u00e9lectronique
\ndur\u00e9e : 16 minutes
\nEnsemble : Barcelona 216 \/ Ernest Martinez-Izquierdo Direction
\nCentro de Cultura Contemporanea de Barcelona<\/p>\n

Las siete vidas de un gato<\/strong>
\nDate : 18 Mai 1996 (2 repr\u00e9sentations)
\nEnsemble Barcelona 216 \/ Ernest Martinez-Izquierdo Direction
\nCentro de Cultura Contemporanea de Barcelona<\/p>\n

Metropolis<\/strong>
\n4 et 5 Juillet 1996
\nEnsemble : Avanti! \/ Ernest Martinez-Izquierdo direction
\nFestival : Meltdown 96 \/ Queen Elizabeth Hall – Londres<\/p>\n

Metropolis<\/strong>
\n10, 11 et 13 Ao\u00fbt 1996
\nSinfonieta Ernest Martinez Izquierdo direction
\nTeatro Colon (Argentine)<\/p>\n

[\/et_pb_toggle][et_pb_toggle title=\u00a0\u00bb1995″ admin_label=\u00a0\u00bb1995″ _builder_version=\u00a0\u00bb4.16″ background_size=\u00a0\u00bbinitial\u00a0\u00bb background_position=\u00a0\u00bbtop_left\u00a0\u00bb background_repeat=\u00a0\u00bbrepeat\u00a0\u00bb use_border_color=\u00a0\u00bboff\u00a0\u00bb border_color=\u00a0\u00bb#ffffff\u00a0\u00bb border_style=\u00a0\u00bbsolid\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

Metropolis<\/strong>
\n12 Mars 1995 (CM)
\nFl., Cl, Bsn, Saxe, 2 Tp., Tb., 4 perc., Harpe , E.guit., fretless Basse, Vlc, Cb.+ \u00e9lectronique.
\ndur\u00e9e : 140 minutes
\nSibelius Academy Ernest Martinez -Izquierdo direction
\nHelsinki Biennale \/ Finlandia Hall<\/p>\n

Metropolis<\/strong>
\n30 et 31 Mai 1995
\nEnsemble Instrumental \/ Ernest Martinez Izquierdo direction
\nTh\u00e9\u00e2tre du Ch\u00e2telet<\/p>\n

La Cifra<\/strong>
\n14 Septembre 1995
\nEnsemble : Barcelona 216
\nFestival de Perpignan \/ France<\/p>\n

Monedas de hierro<\/strong>
\n17 septembre 1995
\nMusic Mobile – Martin Matalon Direction
\nNew York University\/US<\/p>\n

La Cifra<\/strong>
\nOctobre 1995
\nEnsemble : Barcelona 216
\nCentro de Cultura Contemporanea de Barcelona<\/p>\n

La Cifra<\/strong>
\n11 F\u00e9vrier 1995
\nEnsemble : Nieuw Ensemble \/ Ed Spanjaard direction
\nMuziekcentrum Enschede (Proms)
\nPays-Bas<\/p>\n

Metropolis<\/strong> (Suite Instrumentale)
\n30 Octobre 1995
\nMusic Mobile \/ Martin Matalon direction
\nNew York University<\/p>\n

Metropolis<\/strong> (Suite Instrumentale)
\n1 Novembre 1995
\nMusic Mobile \/ Martin Matalon direction
\nPeabody University (Baltimore)<\/p>\n

[\/et_pb_toggle][et_pb_toggle title=\u00a0\u00bb1994″ admin_label=\u00a0\u00bb1994″ _builder_version=\u00a0\u00bb4.16″ background_size=\u00a0\u00bbinitial\u00a0\u00bb background_position=\u00a0\u00bbtop_left\u00a0\u00bb background_repeat=\u00a0\u00bbrepeat\u00a0\u00bb use_border_color=\u00a0\u00bboff\u00a0\u00bb border_color=\u00a0\u00bb#ffffff\u00a0\u00bb border_style=\u00a0\u00bbsolid\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

Monedas de hierro<\/strong>
\n24 Juin 1994 (2 repr\u00e9sentations)
\nEnsemble Intercontemporain
\nEspace de projection\/IRCAM<\/p>\n

Monedas de hierro<\/strong>
\n25 Juin 1994 (2 repr\u00e9sentations)
\nEnsemble Intercontemporain
\nEspace de projection\/IRCAM<\/p>\n

La Cifra<\/strong> (CM)
\n26 Octobre 1994
\nfl\u00fbte, violoncelle, percussion et piano
\ndur\u00e9e : 13 minutes
\nEnsemble : Mosaic
\nMiller Theater \/ New York<\/p>\n

[\/et_pb_toggle][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

\u2022 Monsieur Venus | (ca 64mn)pocket operalivret de Alfredo Arias sur un texte de Rachildemise en sc\u00e8ne Alfredo Arias & Diana TheocharidisFebruary 24th, 25th, 26th & 27th, 2027Clara Barbier Serrano Soprano – Anthony Millet Accordeonelectronics Centre Henri Pousseur – Remi le Taillandier Ing\u00e9nieur du sonTh\u00e9\u00e2tre de l’Ath\u00e9n\u00e9eParis \u2022 February 2027Metropolis Rebooted (140mn)SWR Orchestra – Fran\u00e7ois […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-178","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/martinmatalon.com\/index.php?rest_route=\/wp\/v2\/pages\/178","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/martinmatalon.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/martinmatalon.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/martinmatalon.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/martinmatalon.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=178"}],"version-history":[{"count":258,"href":"https:\/\/martinmatalon.com\/index.php?rest_route=\/wp\/v2\/pages\/178\/revisions"}],"predecessor-version":[{"id":1273,"href":"https:\/\/martinmatalon.com\/index.php?rest_route=\/wp\/v2\/pages\/178\/revisions\/1273"}],"wp:attachment":[{"href":"https:\/\/martinmatalon.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=178"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}