{"id":60,"date":"2011-02-25T22:58:35","date_gmt":"2011-02-25T20:58:35","guid":{"rendered":"https:\/\/martinmatalon.com\/wordpress\/?page_id=60"},"modified":"2018-09-29T20:56:51","modified_gmt":"2018-09-29T18:56:51","slug":"discographie","status":"publish","type":"page","link":"https:\/\/martinmatalon.com\/?page_id=60","title":{"rendered":"Discographie"},"content":{"rendered":"

[et_pb_section admin_label=\u00a0\u00bbsection\u00a0\u00bb][et_pb_row admin_label=\u00a0\u00bbLigne\u00a0\u00bb][et_pb_column type=\u00a0\u00bb2_3″][et_pb_text admin_label=\u00a0\u00bbMonographie Martin Matalon – Ensemble Batida\u00a0\u00bb background_layout=\u00a0\u00bblight\u00a0\u00bb text_orientation=\u00a0\u00bbleft\u00a0\u00bb use_border_color=\u00a0\u00bboff\u00a0\u00bb border_color=\u00a0\u00bb#ffffff\u00a0\u00bb border_style=\u00a0\u00bbsolid\u00a0\u00bb]<\/p>\n

Monographie Martin Matalon – Ensemble Batida<\/h1>\n

(Editions VDE-Gallo, 2017)<\/p>\n

… del color a la materia… pour deux pianos, six percussions et dispositif \u00e9lectronique (40′)
\nLa Makina pour deux pianos, deux percussions et dispositif \u00e9lectronique (23′)<\/p>\n

Achetez cet album !<\/a><\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_3″][et_pb_image admin_label=\u00a0\u00bbImage\u00a0\u00bb src=\u00a0\u00bbhttps:\/\/martinmatalon.com\/wp-content\/uploads\/2011\/02\/MonographieMartinMatalon-Batida-1.jpg\u00a0\u00bb alt=\u00a0\u00bbMonographie Martin Matalon\u00a0\u00bb show_in_lightbox=\u00a0\u00bboff\u00a0\u00bb url_new_window=\u00a0\u00bboff\u00a0\u00bb use_overlay=\u00a0\u00bboff\u00a0\u00bb animation=\u00a0\u00bboff\u00a0\u00bb sticky=\u00a0\u00bboff\u00a0\u00bb align=\u00a0\u00bbleft\u00a0\u00bb force_fullwidth=\u00a0\u00bboff\u00a0\u00bb always_center_on_mobile=\u00a0\u00bbon\u00a0\u00bb use_border_color=\u00a0\u00bboff\u00a0\u00bb border_color=\u00a0\u00bb#ffffff\u00a0\u00bb border_style=\u00a0\u00bbsolid\u00a0\u00bb]<\/p>\n

 <\/p>\n

[\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=\u00a0\u00bbLigne\u00a0\u00bb][et_pb_column type=\u00a0\u00bb2_3″][et_pb_text admin_label=\u00a0\u00bbTramages\u00a0\u00bb background_layout=\u00a0\u00bblight\u00a0\u00bb text_orientation=\u00a0\u00bbleft\u00a0\u00bb use_border_color=\u00a0\u00bboff\u00a0\u00bb border_color=\u00a0\u00bb#ffffff\u00a0\u00bb border_style=\u00a0\u00bbsolid\u00a0\u00bb]<\/p>\n

Tramages<\/h1>\n

(Editions Hortus, 2013)<\/p>\n

Ensemble Mesostics<\/p>\n

Direction Jean Geoffroy et Renaud Dejardin<\/p>\n

Trame IV pour piano solo et onze instrumentistes (dur. 14’13)
\nTrame VII pour cor solo et quinze instrumentistes (dur. 13’43)
\nTrame I pour hautbois solo et cinq instrumentistes (dur. 11’41)
\nTrame VII pour marimba solo et huit instrumentistes (dur. 18’36)<\/p>\n

Achetez cet album !<\/a><\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_3″][et_pb_image admin_label=\u00a0\u00bbImage\u00a0\u00bb src=\u00a0\u00bbhttps:\/\/martinmatalon.com\/wp-content\/uploads\/2011\/02\/Tramages.jpg\u00a0\u00bb alt=\u00a0\u00bbTramages\u00a0\u00bb show_in_lightbox=\u00a0\u00bboff\u00a0\u00bb url_new_window=\u00a0\u00bboff\u00a0\u00bb use_overlay=\u00a0\u00bboff\u00a0\u00bb animation=\u00a0\u00bboff\u00a0\u00bb sticky=\u00a0\u00bboff\u00a0\u00bb align=\u00a0\u00bbleft\u00a0\u00bb force_fullwidth=\u00a0\u00bboff\u00a0\u00bb always_center_on_mobile=\u00a0\u00bbon\u00a0\u00bb use_border_color=\u00a0\u00bboff\u00a0\u00bb border_color=\u00a0\u00bb#ffffff\u00a0\u00bb border_style=\u00a0\u00bbsolid\u00a0\u00bb]<\/p>\n

 <\/p>\n

[\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=\u00a0\u00bbLigne\u00a0\u00bb][et_pb_column type=\u00a0\u00bb2_3″][et_pb_text admin_label=\u00a0\u00bbTexte : Trames II, IV, VIII\u00a0\u00bb background_layout=\u00a0\u00bblight\u00a0\u00bb text_orientation=\u00a0\u00bbleft\u00a0\u00bb]<\/p>\n

Trames II, IV, VIII
\n<\/b><\/span><\/h2>\n

(Musicales Actes Sud\/2011)<\/span><\/p>\n

Ensemble Les Si\u00e8cles<\/span><\/p>\n

Fran\u00e7ois-Xavier Roth<\/span><\/p>\n

Maude Gratton, clavecin
\nFlorence Cioccolani, piano
\nEriko Minami, marimba<\/span><\/p>\n

Achetez cet album !<\/a><\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_3″][et_pb_image admin_label=\u00a0\u00bbImage\u00a0\u00bb src=\u00a0\u00bbhttps:\/\/martinmatalon.com\/wp-content\/uploads\/2011\/02\/cdtrames.jpg\u00a0\u00bb show_in_lightbox=\u00a0\u00bboff\u00a0\u00bb url_new_window=\u00a0\u00bboff\u00a0\u00bb animation=\u00a0\u00bboff\u00a0\u00bb sticky=\u00a0\u00bboff\u00a0\u00bb]<\/p>\n

 <\/p>\n

[\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=\u00a0\u00bbLigne\u00a0\u00bb][et_pb_column type=\u00a0\u00bb2_3″][et_pb_text admin_label=\u00a0\u00bbTexte : Traces\u00a0\u00bb background_layout=\u00a0\u00bblight\u00a0\u00bb text_orientation=\u00a0\u00bbleft\u00a0\u00bb use_border_color=\u00a0\u00bboff\u00a0\u00bb border_color=\u00a0\u00bb#ffffff\u00a0\u00bb border_style=\u00a0\u00bbsolid\u00a0\u00bb]<\/p>\n

Traces<\/b><\/span><\/h2>\n

(Sismal Records\/2009)<\/span><\/p>\n

Ensemble Sillages<\/span><\/p>\n

\u2013 Traces II (alto)
\n\u2013 Traces VI (flute)
\n\u2013 Traces IV (marimba)
\n\u2013 Traces V (clarinette)
\n\u2013 Traces III (cor)
\n\u2013 Traces VII<\/span><\/p>\n

Gilles Deli\u00e8ge \u2013 Sophie Deshayes \u2013 Eve Payeur \u2013 Piere Dutrieu –
\nPierre Remondi\u00e8re \u2013 Donatienne Michel-Dansac.<\/span><\/p>\n

Achetez cet album !<\/a><\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_3″][et_pb_image admin_label=\u00a0\u00bbImage\u00a0\u00bb src=\u00a0\u00bbhttps:\/\/martinmatalon.com\/wp-content\/uploads\/2011\/02\/traces.png\u00a0\u00bb show_in_lightbox=\u00a0\u00bboff\u00a0\u00bb url_new_window=\u00a0\u00bboff\u00a0\u00bb animation=\u00a0\u00bboff\u00a0\u00bb sticky=\u00a0\u00bboff\u00a0\u00bb]<\/p>\n

 <\/p>\n

[\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=\u00a0\u00bbLigne\u00a0\u00bb][et_pb_column type=\u00a0\u00bb2_3″][et_pb_text admin_label=\u00a0\u00bbTexte : Trames III et IV \u00a0\u00bb background_layout=\u00a0\u00bblight\u00a0\u00bb text_orientation=\u00a0\u00bbleft\u00a0\u00bb use_border_color=\u00a0\u00bboff\u00a0\u00bb border_color=\u00a0\u00bb#ffffff\u00a0\u00bb border_style=\u00a0\u00bbsolid\u00a0\u00bb]<\/p>\n

Trames III et V – Torito Catalan<\/b><\/span><\/h2>\n

Oeuvres pour orchestre<\/span><\/p>\n


\n(Accord\/una corda, 2005)
\nEnregistrement septembre 2004 \u00e0 l’Arsenal de Metz<\/span><\/p>\n

Avec l’Orchestre National de Lorraine, Jacques Mercier, dir.
\n– Marc Coppey, Violoncelle et Eric Aubier, Trompette<\/span><\/p>\n

Trame III (pour violoncelle et orchestre)
\nEl Torito catalan (pour orchestre)
\nTrame V (pour trompette solo et orchestre). Eric Aubier, tp.<\/span><\/p>\n

Achetez cet album !<\/a><\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_3″][et_pb_image admin_label=\u00a0\u00bbImage\u00a0\u00bb src=\u00a0\u00bbhttps:\/\/martinmatalon.com\/wp-content\/uploads\/2011\/02\/trames.jpg\u00a0\u00bb show_in_lightbox=\u00a0\u00bboff\u00a0\u00bb url_new_window=\u00a0\u00bboff\u00a0\u00bb animation=\u00a0\u00bboff\u00a0\u00bb sticky=\u00a0\u00bboff\u00a0\u00bb]<\/p>\n

 <\/p>\n

[\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=\u00a0\u00bbLigne\u00a0\u00bb][et_pb_column type=\u00a0\u00bb2_3″][et_pb_text admin_label=\u00a0\u00bbTexte : Le Scorpion\u00a0\u00bb background_layout=\u00a0\u00bblight\u00a0\u00bb text_orientation=\u00a0\u00bbleft\u00a0\u00bb]<\/p>\n

Le Scorpion<\/b><\/span><\/h2>\n

(Accord\/Una corda\/2004)<\/span><\/p>\n

Musique pour le film \u00ab\u00a0L’Age d’or\u00a0\u00bb De Bu\u00f1uel
\nPour six percussions, deux pianos et dispositif \u00e9lectronique
\nen temps r\u00e9el
\nAvec les Percussions de Strasbourg – Technique IRCAM<\/span><\/p>\n

Super Audio CD. La production de cet enregistrement a utilis\u00e9
\nle logiciel Spatialisateur (Spat, d\u00e9velopp\u00e9 par l’Ircam) afin de
\nreproduire un syst\u00e8me 5.1<\/span><\/p>\n

Ce disque a re\u00e7u le Prix Charles Cros 2004 cat\u00e9gorie
\n\u00ab\u00a0Musique contemporaine\u00a0\u00bb.<\/span><\/p>\n

Achetez cet album !<\/a><\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_3″][et_pb_image admin_label=\u00a0\u00bbImage\u00a0\u00bb src=\u00a0\u00bbhttps:\/\/martinmatalon.com\/wp-content\/uploads\/2011\/02\/lescorpion.png\u00a0\u00bb show_in_lightbox=\u00a0\u00bboff\u00a0\u00bb url_new_window=\u00a0\u00bboff\u00a0\u00bb animation=\u00a0\u00bboff\u00a0\u00bb sticky=\u00a0\u00bboff\u00a0\u00bb]<\/p>\n

 <\/p>\n

[\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=\u00a0\u00bbLigne\u00a0\u00bb][et_pb_column type=\u00a0\u00bb2_3″][et_pb_text admin_label=\u00a0\u00bbTexte : De Tiempo\u00a0\u00bb background_layout=\u00a0\u00bblight\u00a0\u00bb text_orientation=\u00a0\u00bbleft\u00a0\u00bb]<\/p>\n

De tiempo y de arena… De temps et de sable…<\/b><\/span><\/h2>\n

(Accord-Una corda\/2003)<\/span><\/p>\n

Monedas de hierro – Ensemble Court-circuit
\nP. A. Valade, direction<\/span><\/p>\n

…del matiz al color… – L\u2019octuor de violoncelles de beauvais<\/span><\/p>\n

Dos formas del tiempo pour piano – Dimitri Vassilakis; piano<\/span><\/p>\n

Formas de arena – par le Trio Nobis<\/span><\/p>\n

Las siete vidas de un gato \u2013 Ensemble Ictus \/ G.E. Octors direction<\/span><\/p>\n

Achetez cet album !<\/a><\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_3″][et_pb_image admin_label=\u00a0\u00bbImage\u00a0\u00bb src=\u00a0\u00bbhttps:\/\/martinmatalon.com\/wp-content\/uploads\/2011\/02\/detiempo.gif\u00a0\u00bb show_in_lightbox=\u00a0\u00bboff\u00a0\u00bb url_new_window=\u00a0\u00bboff\u00a0\u00bb animation=\u00a0\u00bboff\u00a0\u00bb sticky=\u00a0\u00bboff\u00a0\u00bb]<\/p>\n

 <\/p>\n

[\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=\u00a0\u00bbLigne\u00a0\u00bb][et_pb_column type=\u00a0\u00bb2_3″][et_pb_text admin_label=\u00a0\u00bbTexte : Metropolis\u00a0\u00bb background_layout=\u00a0\u00bblight\u00a0\u00bb text_orientation=\u00a0\u00bbleft\u00a0\u00bb]<\/p>\n

Metropolis<\/b><\/span><\/h2>\n

(Ircam – Centre Georges Pompidou\/1995)<\/span><\/p>\n


\nPour 16 instrumentistes & \u00e9lectronique<\/span><\/p>\n

Ensemble Instrumental, dir. Ernest Martinez-Izquierdo<\/span><\/p>\n

Enregistr\u00e9 en concert les 30 et 31 mai 1995 au th\u00e9\u00e2tre Chatelet (Paris)
\nNotons que l’album \u00ab\u00a0Metropolis\u00a0\u00bb, qui regroupe des extraits de la musique cr\u00e9\u00e9e
\npar Martin Matalon pour le film de Fritz Lang, est \u00e0 nouveau disponible.<\/i><<\/span><\/p>\n

Achetez cet album !<\/a><\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_3″][et_pb_image admin_label=\u00a0\u00bbImage\u00a0\u00bb src=\u00a0\u00bbhttps:\/\/martinmatalon.com\/wp-content\/uploads\/2011\/02\/metropolis-new.png\u00a0\u00bb show_in_lightbox=\u00a0\u00bboff\u00a0\u00bb url_new_window=\u00a0\u00bboff\u00a0\u00bb animation=\u00a0\u00bboff\u00a0\u00bb sticky=\u00a0\u00bboff\u00a0\u00bb]<\/p>\n

 <\/p>\n

[\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=\u00a0\u00bbLigne\u00a0\u00bb][et_pb_column type=\u00a0\u00bb2_3″][et_pb_text admin_label=\u00a0\u00bbTexte : La Rosa\u00a0\u00bb background_layout=\u00a0\u00bblight\u00a0\u00bb text_orientation=\u00a0\u00bbleft\u00a0\u00bb]<\/p>\n

La rosa profunda<\/b><\/span><\/h2>\n

(Ircam\/1992)
\nUn parcours musical sur des textes de Jorge Luis Borges<\/span><\/p>\n

S\u00e9lectionn\u00e9s et traduits par Jean Pierre Bern\u00e8s<\/span><\/p>\n

Pour 8 musiciens & \u00e9lectronique<\/span><\/p>\n

Rodolfo de Suza, r\u00e9citant
\nEnsemble Instrumental, dir. Martin Matalon<\/span><\/p>\n

Enregistr\u00e9 \u00e0 l’Ircam en mai, juin et juillet 1992<\/span><\/p>\n

Achetez cet album !<\/a><\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_3″][et_pb_image admin_label=\u00a0\u00bbImage\u00a0\u00bb src=\u00a0\u00bbhttps:\/\/martinmatalon.com\/wp-content\/uploads\/2011\/02\/rosa.gif\u00a0\u00bb show_in_lightbox=\u00a0\u00bboff\u00a0\u00bb url_new_window=\u00a0\u00bboff\u00a0\u00bb animation=\u00a0\u00bboff\u00a0\u00bb sticky=\u00a0\u00bboff\u00a0\u00bb]<\/p>\n

 <\/p>\n

[\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

Monographie Martin Matalon – Ensemble Batida (Editions VDE-Gallo, 2017) … del color a la materia… pour deux pianos, six percussions et dispositif \u00e9lectronique (40′) La Makina pour deux pianos, deux percussions et dispositif \u00e9lectronique (23′) Achetez cet album !   Tramages (Editions Hortus, 2013) Ensemble Mesostics Direction Jean Geoffroy et Renaud Dejardin Trame IV pour […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":3,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"

Trames II, IV, VIII
<\/strong><\/h2>

(Musicales Actes Sud\/2011)\"\"Trames\"<\/p>

Ensemble Les Si\u00e8cles<\/p>

Fran\u00e7ois-Xavier Roth<\/p>

Maude Gratton, clavecin
Florence Cioccolani, piano
Eriko Minami, marimba<\/p>

\"achetezAchetez cet album !<\/a><\/p>

\u00a0<\/p>

Traces<\/strong><\/h2>

(Sismal Records\/2009)\"Traces<\/p>

Ensemble Sillages<\/p>

\u2013 Traces II (alto)
\u2013 Traces VI (flute)
\u2013 Traces IV (marimba)
\u2013 Traces V (clarinette)
\u2013 Traces III (cor)
\u2013 Traces VII<\/p>

Gilles Deli\u00e8ge \u2013 Sophie Deshayes \u2013 Eve Payeur \u2013 Piere Dutrieu -
Pierre Remondi\u00e8re \u2013 Donatienne Michel-Donzac.<\/p>

\"achetezAchetez cet album !<\/a><\/p>

\u00a0<\/p>

Trames III et IV - Torrito Catalan<\/strong><\/h2>

Oeuvres pour orchestre\"Trames
(Accord\/una corda, 2005)
Enregistrement septembre 2004 \u00e0 l'Arsenal de Metz<\/p>

Avec l'Orchestre National de Lorraine, Jacques Mercier, dir.
- Marc Coppey, Violoncelle et Eric Aubier, Trompette<\/p>

Trame III (pour violoncelle et orchestre)
El Torito catalan (pour orchestre)
Trame V (pour trompette solo et orchestre). Eric Aubier, tp.<\/p>

\"achetezAchetez cet album !<\/a><\/p>

Le Scorpion<\/strong><\/h2>

(Accord\/Una corda\/2004)\"Le<\/p>

Musique pour le film \"L'Age d'or\" De Bu\u00f1uel
Pour six percussions, deux pianos et dispositif \u00e9lectronique
en temps r\u00e9el
Avec les Percussions de Strasbourg - Technique IRCAM<\/p>

Super Audio CD. La production de cet enregistrement a utilis\u00e9
le logiciel Spatialisateur (Spat, d\u00e9velopp\u00e9 par l'Ircam) afin de
reproduire un syst\u00e8me 5.1<\/p>

Ce disque a re\u00e7u le Prix Charles Cros 2004 cat\u00e9gorie
\"Musique contemporaine\".<\/p>

\"achetezAchetez cet album !<\/a><\/p>

\u00a0<\/p>

De tiempo y de arena... De temps et de sable...<\/strong><\/h2>

(Accord-Una corda\/2003) \"\"De<\/p>

Monedas de hierro - Ensemble Court-circuit
P. A. Valade, direction<\/p>

...del matiz al color... - L\u2019octuor de violoncelles de beauvais<\/p>

Dos formas del tiempo pour piano - Dimitri Vassilakis; piano<\/p>

Formas de arena - par le Trio Nobis<\/p>

Las siete vidas de un gato \u2013 Ensemble Ictus \/ G.E. Octors direction<\/p>

Lire les critiques<\/a><\/strong><\/p>

\"achetezAchetez cet album !<\/a><\/p>

Metropolis <\/strong><\/h2>

(Ircam - Centre Georges Pompidou\/1995)\"Metropolis
Pour 16 instrumentistes & \u00e9lectronique<\/p>

Ensemble Instrumental, dir. Ernest Martinez-Izquierdo<\/p>

Enregistr\u00e9 en concert les 30 et 31 mai 1995 au th\u00e9\u00e2tre Chatelet (Paris)
Notons que l'album \"Metropolis\", qui regroupe des extraits de la musique cr\u00e9\u00e9e
par Martin Matalon pour le film de Fritz Lang, est \u00e0 nouveau disponible.<\/em><<\/p>

\"achetezAchetez cet album !<\/a><\/p>

\u00a0<\/p>

La rosa profunda<\/strong><\/h2>

(Ircam\/1992)
Un parcours musical sur des textes de Jorge Luis Borges\"La<\/p>

S\u00e9lectionn\u00e9s et traduits par Jean Pierre Bern\u00e8s<\/p>

Pour 8 musiciens & \u00e9lectronique<\/p>

Rodolfo de Suza, r\u00e9citant
Ensemble Instrumental, dir. Martin Matalon<\/p>

Enregistr\u00e9 \u00e0 l'Ircam en mai, juin et juillet 1992<\/p>

\"achetezAchetez cet album !<\/a><\/p>","_et_gb_content_width":"","footnotes":""},"class_list":["post-60","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/martinmatalon.com\/index.php?rest_route=\/wp\/v2\/pages\/60","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/martinmatalon.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/martinmatalon.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/martinmatalon.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/martinmatalon.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=60"}],"version-history":[{"count":63,"href":"https:\/\/martinmatalon.com\/index.php?rest_route=\/wp\/v2\/pages\/60\/revisions"}],"predecessor-version":[{"id":876,"href":"https:\/\/martinmatalon.com\/index.php?rest_route=\/wp\/v2\/pages\/60\/revisions\/876"}],"wp:attachment":[{"href":"https:\/\/martinmatalon.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=60"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}