{"id":265,"date":"2011-02-28T13:25:45","date_gmt":"2011-02-28T11:25:45","guid":{"rendered":"https:\/\/martinmatalon.com\/?p=265"},"modified":"2011-03-01T15:04:42","modified_gmt":"2011-03-01T13:04:42","slug":"traces-iv","status":"publish","type":"post","link":"https:\/\/martinmatalon.com\/?p=265","title":{"rendered":"Traces IV"},"content":{"rendered":"

(2006)<\/em>
\n Pour Marimba et dispositif \u00e9lectronique.<\/em>
\n Dur\u00e9e ca 10 mn<\/em>
\n Ecrite avec le financement de la J.S. Guggenheim Memorial Foundation Fellowship<\/em>
\n Technique Ircam – Thomas Goepfer, assistant musical.<\/em><\/p>\n

Note (version fran\u00e7aise)<\/h2>\n

\u00c1 la mani\u00e8re d\u2019un journal intime, le cycle de Traces, oeuvres pour instrument soliste et \u00e9lectronique en temps r\u00e9el, abordent les probl\u00e9matiques compositionelles qui me pr\u00e9occupent aux diff\u00e9rents moments de leur \u00e9criture, une sorte de fil rouge de mon activit\u00e9 de compositeur.
\nTout autant, ces journaux intimes compositionelles sont la relation du \u00ab voyage \u00bb, au sens litt\u00e9ral et figur\u00e9, que permet la transformation en temps r\u00e9el : voyage \u00e0 l\u2019int\u00e9rieur du son, \u00e0 l\u2019int\u00e9rieur de l\u2019instrument, comparable en quelque sorte \u00e0 celui que l\u2019on fait, de mani\u00e8re introspective, lorsqu\u2019on \u00e9crit un journal intime.<\/p>\n

Traces IV pour marimba fait partie d\u2019un triptyque form\u00e9 par Traces III pour cor et Traces V pour clarinette. Les trois \u0153uvres forment les Nocturnes.
\nDans Traces IV, on n\u2019entend jamais une seule note des autres deux instruments (cor et clarinette)
\nCependant ils sont omnipr\u00e9sents : tous les traitements \u00e9lectroniques que subira le marimba sont mod\u00e9lises par les deux autres instruments. Que se soit par le contenu harmonique (une sorte d\u2019addition du spectre fondamental du cor et de la clarinette), ou par les mod\u00e8les de r\u00e9sonance ou par le filtrage …
\nTraces IV est la pi\u00e8ce centrale du triptyque, sa structure en trois mouvements est \u00e0 l\u2019image de la forme globale des trois \u0153uvres.<\/p>\n

Note (english version)<\/h2>\n

Traces IV<\/em><\/strong> for marimba and live electronics belongs to another cycle within this cycle of Traces formed by\u00a0Traces III<\/strong><\/em> for French Horn and live electronics andTraces V<\/strong><\/em> for clarinet and live electronics. These 3 pieces form the \u201cNocturnes\u201d.<\/p>\n

Even-though we never hear in\u00a0Traces IV<\/strong><\/em>, a single note of these two instruments (fr.hrn &cl.), their presence is omnipresent.<\/p>\n

Every single electronic treatment that the marimba undergoes, is modeled by the other two instruments : the harmonic content is related to the spectral content of the french horn and clarinet fundamentals, all the marimba resonances uses clarinet and french horn models, marimbas delays are often filtered by these two instruments ad so on and so forth…
\nTraces IV<\/strong><\/em> is the central piece of \u201cNocturnes\u201d. Its formal structure in three movements is a miniature image of the form of the whole triptych.<\/p>\n

 <\/p>\n

Fiche technique \/ Technical ride<\/h2>\n

Here you can download the technical rider for Traces IV,
\na five pages leaflet in english (pdf file)<\/p>\n

Ici vous pouvez t\u00e9l\u00e9charger la fiche technique pour Traces IV,
\nun petit livret de cinq pages en anglais (format pdf)<\/p>\n

Download Traces IV tech rider<\/a><\/p>\n

 <\/p>\n

Contact<\/h2>\n

– Mobile Music martin.matalon@free.fr
\n– Location Francesca Benvenuti
\nKitchen.Kom
\n78, Avenue de la R\u00e9publique 75011 Paris
\nTel : +33.(0)1.56.79.02.89
\nFax : +33.(0)1.43.80.53.18
\nFrancesca.Benvenuti@la-kitchen.fr<\/p>\n

 <\/p>\n

Historique<\/h2>\n

– 17 Mars 2006 (Cr\u00e9ation Mondiale)
\nCourt circuit – Eve Payeur, Marimba
\nTechnique Thierry Coduys
\nCit\u00e9 de la Musique Strasbourg (France)<\/p>\n

– 16 Septembre 2007
\nCourt circuit – Eve Payeur, Marimba
\nFestival Traiettorie \/ Parme Italie<\/p>\n","protected":false},"excerpt":{"rendered":"

(2006) Pour Marimba et dispositif \u00e9lectronique. Dur\u00e9e ca 10 mn Ecrite avec le financement de la J.S. Guggenheim Memorial Foundation Fellowship Technique Ircam – Thomas Goepfer, assistant musical. Note (version fran\u00e7aise) \u00c1 la mani\u00e8re d\u2019un journal intime, le cycle de Traces, oeuvres pour instrument soliste et \u00e9lectronique en temps r\u00e9el, abordent les probl\u00e9matiques compositionelles qui […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-265","post","type-post","status-publish","format-standard","hentry","category-musique-instrumentale"],"_links":{"self":[{"href":"https:\/\/martinmatalon.com\/index.php?rest_route=\/wp\/v2\/posts\/265","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/martinmatalon.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/martinmatalon.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/martinmatalon.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/martinmatalon.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=265"}],"version-history":[{"count":4,"href":"https:\/\/martinmatalon.com\/index.php?rest_route=\/wp\/v2\/posts\/265\/revisions"}],"predecessor-version":[{"id":428,"href":"https:\/\/martinmatalon.com\/index.php?rest_route=\/wp\/v2\/posts\/265\/revisions\/428"}],"wp:attachment":[{"href":"https:\/\/martinmatalon.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=265"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/martinmatalon.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=265"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/martinmatalon.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=265"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}