{"id":273,"date":"2011-02-28T13:49:36","date_gmt":"2011-02-28T11:49:36","guid":{"rendered":"https:\/\/martinmatalon.com\/?p=273"},"modified":"2011-02-28T15:21:03","modified_gmt":"2011-02-28T13:21:03","slug":"traces-vi","status":"publish","type":"post","link":"https:\/\/martinmatalon.com\/?p=273","title":{"rendered":"Traces VI"},"content":{"rendered":"<p><em>(2006)<br \/>\nPour Fl\u00fbte et dispositif \u00e9lectronique. Dur\u00e9e ca 16 mn<br \/>\nCommande de l&rsquo;ensemble Sillages.<br \/>\nTechnique La muse en circuit &#8211; Olivier Pasquet, assistant musical.<\/em><\/p>\n<h2>Note<\/h2>\n<p>Traces VI (multiplicidad) pour fl\u00fbte et dispositif, continue le cycle de pi\u00e8ces pour instrument seul avec transformation en temps r\u00e9el qui sont une sorte de fil rouge de mon activit\u00e9 de compositeur. Les diff\u00e9rentes Traces abordent les probl\u00e9matiques musicales qui sont les miennes aux diff\u00e9rents moments de leur \u00e9criture. Tout autant, ces \u00ab journaux intimes compositionnels \u00bb sont la relation du \u00ab voyage \u00bb, au sens litt\u00e9ral et figur\u00e9, que permet la transformation en temps r\u00e9el : voyage \u00e0 l\u2019int\u00e9rieur du son et \u00e0 l\u2019int\u00e9rieur de l\u2019instrument, et comparable, en quelque sorte, \u00e0 celui que l\u2019on fait, de mani\u00e8re introspective, lorsqu\u2019on \u00e9crit un journal intime.<br \/>\nContrairement \u00e0 Traces V pour clarinette (et dispositif) qui abordait la probl\u00e9matique formelle de l\u2019unicit\u00e9 et \u00e0 partir d\u2019un mat\u00e9riel unique la pi\u00e8ce s\u2019articulait \u00e0 travers la notion de l\u2019apesanteur et de la densit\u00e9, Traces VI se construit formellement \u00e0 travers l\u2019id\u00e9e de multiplicit\u00e9 : une id\u00e9e musicale circonscrite et d\u00e9finie va conna\u00eetre une s\u00e9rie de ramifications qui aboutiront \u00e0 la formation de structures multiples, bien diff\u00e9renci\u00e9es et compl\u00e9mentaires. Traces VI est form\u00e9e par six mouvements encha\u00een\u00e9s.<\/p>\n<h2>Extrait<\/h2>\n<p>Vous pouvez t\u00e9l\u00e9charger ici un court extrait de \u00ab\u00a0Traces VI\u00a0\u00bb.<br \/>\nCet extrait est issu des 3\u00e8me et 4\u00e8me mouvements et dure 2mn55.<\/p>\n<p><a href=\"https:\/\/martinmatalon.com\/mp3\/Traces\/Traces\/TracesVI_extrait_3e_et_4e_mvt.m4a\">T\u00e9l\u00e9charger ici <\/a><\/p>\n<h2>Historique<\/h2>\n<p>&#8211; 6 F\u00e9vrier 2007 (CM)<br \/>\nSophie Deshayes, fl\u00fbte &#8211; Olivier Pasquet, Assistant Musical<br \/>\nEnsemble Sillages &#8211; Technique la muse en circuit<br \/>\nRennes (France)<\/p>\n<p>&#8211; 7 F\u00e9vrier 2007 (CM)<br \/>\nSophie Deshayes, fl\u00fbte &#8211; Olivier Pasquet, Assistant Musical<br \/>\nEnsemble Sillages &#8211; Technique la muse en circuit<br \/>\nBrest (France)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>(2006) Pour Fl\u00fbte et dispositif \u00e9lectronique. Dur\u00e9e ca 16 mn Commande de l&rsquo;ensemble Sillages. Technique La muse en circuit &#8211; Olivier Pasquet, assistant musical. Note Traces VI (multiplicidad) pour fl\u00fbte et dispositif, continue le cycle de pi\u00e8ces pour instrument seul avec transformation en temps r\u00e9el qui sont une sorte de fil rouge de mon activit\u00e9 [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-273","post","type-post","status-publish","format-standard","hentry","category-musique-instrumentale"],"_links":{"self":[{"href":"https:\/\/martinmatalon.com\/index.php?rest_route=\/wp\/v2\/posts\/273","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/martinmatalon.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/martinmatalon.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/martinmatalon.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/martinmatalon.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=273"}],"version-history":[{"count":3,"href":"https:\/\/martinmatalon.com\/index.php?rest_route=\/wp\/v2\/posts\/273\/revisions"}],"predecessor-version":[{"id":329,"href":"https:\/\/martinmatalon.com\/index.php?rest_route=\/wp\/v2\/posts\/273\/revisions\/329"}],"wp:attachment":[{"href":"https:\/\/martinmatalon.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=273"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/martinmatalon.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=273"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/martinmatalon.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=273"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}