{"id":293,"date":"2011-02-28T14:59:29","date_gmt":"2011-02-28T12:59:29","guid":{"rendered":"https:\/\/martinmatalon.com\/?p=293"},"modified":"2011-02-28T15:22:15","modified_gmt":"2011-02-28T13:22:15","slug":"rugged-lines-memos","status":"publish","type":"post","link":"https:\/\/martinmatalon.com\/?p=293","title":{"rendered":"Rugged lines memos"},"content":{"rendered":"<p><em>(1999)<\/em><\/p>\n<p><em> <\/em><\/p>\n<p><em>\u0152uvre pour fl\u00fbte, clarinette , clarinette basse, saxophone alto, trompette, 2 percussions, piano, contrebasse et dispositif \u00e9lectronique.<br \/>\n4 mouvements encha\u00een\u00e9s. Dur\u00e9e 20 minutes.<\/em><\/p>\n<h2>Note<\/h2>\n<p>Cr\u00e9ation : festival Musica 99 par Barcelona 216, Ernest Martinez-Izquierdo : direction.<\/p>\n<p>Rugged lines memos constitue la version concert de Rugged Lines, commande du Festival de M\u00fasiques Contemporanies de Barcelona, con\u00e7ue pour un ballet chor\u00e9graphi\u00e9 par Maria Rovira en 1997 (dur\u00e9e : 50 minutes).<\/p>\n<p>&lt;&lt; Le texte d\u2019Italo Calvino, Six propositions pour le prochain mill\u00e9naire, servit de point de d\u00e9part \u00e0 Rugged lines. L\u2019auteur y expose six \u201cvertus\u201d qu\u2019il propose de cultiver pour le futur de l\u2019humanit\u00e9 : &#8211; l\u2019exactitude, d\u00e9finie comme la recherche de la concision \u00e0 travers la mise en \u0153uvre de concept pr\u00e9cis ; &#8211; la visibilit\u00e9, valeur ouvrant les territoires de l\u2019imaginaire ; &#8211; la rapidit\u00e9, rapport\u00e9e \u00e0 la virtuosit\u00e9 de la pens\u00e9e, son agilit\u00e9 et sa flexibilit\u00e9; &#8211; la l\u00e9g\u00e8ret\u00e9, qui donne \u00e0 la vie son c\u00f4t\u00e9 a\u00e9rien et \u00e9th\u00e9r\u00e9; &#8211; la multiplicit\u00e9 favorisant l\u2019arborisation de l\u2019id\u00e9e, sa prolif\u00e9ration; &#8211; la consistance, enfin, qui resta malheureusement \u00e0 l&rsquo;\u00e9tat de proposition, Calvino n\u2019ayant pu la d\u00e9velopper avant son d\u00e9c\u00e8s. L\u2019int\u00e9r\u00eat litt\u00e9raire de ce texte m\u2019a d\u2019abord retenu. Il abonde en r\u00e9f\u00e9rences ayant trait aussi bien aux mythologies grecque ou germanique qu\u2019\u00e0 Borges, en passant par de nombreux \u00e9crivains italiens qui m\u2019\u00e9taient inconnus. Du point de vue musical, j\u2019ai essay\u00e9 de reprendre \u00e0 mon compte le processus de Calvino tentant de cr\u00e9er une version globale coh\u00e9rente \u00e0 partir de mots-cl\u00e9s en apparence compl\u00e9mentaires. Tr\u00e8s vite, en fait, je me suis int\u00e9ress\u00e9 aux formes sous jacentes et aux tensions que pouvaient recouvrir des objets en surface assez lisses. Ces propositions \u00e0 la fois abstraites et au sens premier bien d\u00e9fini masquaient des d\u00e9rives riches d\u2019amplification et de rapport de force. Comment \u00e9voquer la l\u00e9g\u00e8ret\u00e9 sans se confronter \u00e0 la densit\u00e9 ? De quelle mani\u00e8re la rapidit\u00e9 met-elle en \u0153uvre la lenteur ? Ou encore, que serait l\u2019exactitude \u00e0 notre pratique de l\u2019 ornementation ? Je retrouvais en quelque sorte explicit\u00e9 par Calvino ce qui constitue la mati\u00e8re m\u00eame de mon travail compositionnel quotidien.&gt;&gt;<\/p>\n<p>L\u2019\u0153uvre est en 7 mouvements encha\u00een\u00e9s.<\/p>\n<h2>Contact<\/h2>\n<p>Martin Matalon \u00a0martin.matalon@free.fr<\/p>\n<h2>Historique<\/h2>\n<p>24 septembre 1999 &#8211; Cr\u00e9ation Mondiale<br \/>\nEnsemble : Barcelona 216 \/ Ernest Martinez-Izquierdo, direction<br \/>\nFestival Musica &#8211; Strasbourg \/ France<\/p>\n<p>30 Juillet 2000<br \/>\nEnsemble Avanti &#8211; P.A. Valade, direction<br \/>\nHelsinksi \/ Finlande<\/p>\n","protected":false},"excerpt":{"rendered":"<p>(1999) \u0152uvre pour fl\u00fbte, clarinette , clarinette basse, saxophone alto, trompette, 2 percussions, piano, contrebasse et dispositif \u00e9lectronique. 4 mouvements encha\u00een\u00e9s. Dur\u00e9e 20 minutes. Note Cr\u00e9ation : festival Musica 99 par Barcelona 216, Ernest Martinez-Izquierdo : direction. Rugged lines memos constitue la version concert de Rugged Lines, commande du Festival de M\u00fasiques Contemporanies de Barcelona, [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[3],"tags":[],"class_list":["post-293","post","type-post","status-publish","format-standard","hentry","category-musique-de-chambre-ensembles"],"_links":{"self":[{"href":"https:\/\/martinmatalon.com\/index.php?rest_route=\/wp\/v2\/posts\/293","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/martinmatalon.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/martinmatalon.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/martinmatalon.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/martinmatalon.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=293"}],"version-history":[{"count":3,"href":"https:\/\/martinmatalon.com\/index.php?rest_route=\/wp\/v2\/posts\/293\/revisions"}],"predecessor-version":[{"id":333,"href":"https:\/\/martinmatalon.com\/index.php?rest_route=\/wp\/v2\/posts\/293\/revisions\/333"}],"wp:attachment":[{"href":"https:\/\/martinmatalon.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=293"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/martinmatalon.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=293"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/martinmatalon.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=293"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}