{"id":349,"date":"2011-02-28T15:32:46","date_gmt":"2011-02-28T13:32:46","guid":{"rendered":"https:\/\/martinmatalon.com\/?p=349"},"modified":"2011-02-28T15:32:46","modified_gmt":"2011-02-28T13:32:46","slug":"prelude-and-blue","status":"publish","type":"post","link":"https:\/\/martinmatalon.com\/?p=349","title":{"rendered":"Prelude and blue"},"content":{"rendered":"<p><em>(2001)<br \/>\nTrio pour saxo, percussion et contrebasse. Dur\u00e9e ca 15 minutes<br \/>\nCommande de l\u2019Arsenal de Metz<br \/>\nCr\u00e9ation le 1er Mars 2005 \u00e0 l&rsquo;Arsenal de METZ<\/em><\/p>\n<h2>Note<\/h2>\n<p>Comme son titre l\u2019indique, Prelude and blue est constitu\u00e9 de deux sections qui se compl\u00e8tent.<br \/>\nLe Pr\u00e9lude est la reinterpr\u00e9tation en boucle d\u2019une phrase, d\u2019un objet musical pr\u00e9sent\u00e9 sous des angles et perspectives diff\u00e9rents, il est densifi\u00e9 ou all\u00e9g\u00e9 , articul\u00e9 ou chuchot\u00e9, stable ou en d\u00e9sequilibre&#8230;<br \/>\nBlue, lui, sugg\u00e8re plut\u00f4t une atmosph\u00e8re, une couleur de nocturne, de blues.<br \/>\nDans le Prelude, le jeu entre les instruments est tr\u00e8s dynamique et l&rsquo;inter-relation entre eux est tr\u00e8s active. Le son est plut\u00f4t extraverti, \u00e9panoui. Dans Blue, le son est intimiste et presque rien ne se passe si ce n\u2019est q\u2019une br\u00e8ve \u00e9tincelle qui brise l\u2019atmosph\u00e8re.<\/p>\n<h2>Historique<\/h2>\n<p>1er Mars 2005 (Cr\u00e9ation Mondiale)<br \/>\nArsenal de Metz<\/p>\n<p>18 D\u00e9cembre 2007<br \/>\nEnsemble Court Circuit<br \/>\nMorsang-Sur-Orge (France) \/ Les Mardis du ch\u00e2teau<\/p>\n","protected":false},"excerpt":{"rendered":"<p>(2001) Trio pour saxo, percussion et contrebasse. Dur\u00e9e ca 15 minutes Commande de l\u2019Arsenal de Metz Cr\u00e9ation le 1er Mars 2005 \u00e0 l&rsquo;Arsenal de METZ Note Comme son titre l\u2019indique, Prelude and blue est constitu\u00e9 de deux sections qui se compl\u00e8tent. Le Pr\u00e9lude est la reinterpr\u00e9tation en boucle d\u2019une phrase, d\u2019un objet musical pr\u00e9sent\u00e9 sous [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[3],"tags":[],"class_list":["post-349","post","type-post","status-publish","format-standard","hentry","category-musique-de-chambre-ensembles"],"_links":{"self":[{"href":"https:\/\/martinmatalon.com\/index.php?rest_route=\/wp\/v2\/posts\/349","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/martinmatalon.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/martinmatalon.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/martinmatalon.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/martinmatalon.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=349"}],"version-history":[{"count":1,"href":"https:\/\/martinmatalon.com\/index.php?rest_route=\/wp\/v2\/posts\/349\/revisions"}],"predecessor-version":[{"id":350,"href":"https:\/\/martinmatalon.com\/index.php?rest_route=\/wp\/v2\/posts\/349\/revisions\/350"}],"wp:attachment":[{"href":"https:\/\/martinmatalon.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=349"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/martinmatalon.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=349"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/martinmatalon.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=349"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}