{"id":373,"date":"2011-02-28T17:12:13","date_gmt":"2011-02-28T15:12:13","guid":{"rendered":"https:\/\/martinmatalon.com\/?p=373"},"modified":"2011-02-28T17:12:13","modified_gmt":"2011-02-28T15:12:13","slug":"le-scorpion","status":"publish","type":"post","link":"https:\/\/martinmatalon.com\/?p=373","title":{"rendered":"Le Scorpion"},"content":{"rendered":"

(2002)
\nPour 6 percussions, piano & \u00e9lectronique. Musique pour le film \u00ab\u00a0L’\u00e2ge d’or\u00a0\u00bb.
\nCommande de l\u2019Ircam et des Percussions de Strasbourg.
\nD\u00e9di\u00e9 aux Percussions de Strasbourg, \u00e0 Dimitri Vassilakis, Tom Mays, Agn\u00e8s Couaillier et Fr\u00e9d\u00e9ric Prin<\/em><\/p>\n

Note<\/h2>\n

Le Scorpion est la partition \u00e9crite par Martin Matalon pour le film de Luis Bu\u00f1uel, L’Age d’or.<\/p>\n

Fiche technique \/ Technical ride<\/h2>\n

Click right to download\u00a0The technical Ride for Le Scorpion \/ L’Age d’Or<\/a>(french)<\/em><\/p>\n

Clic droit pour t\u00e9l\u00e9charger\u00a0la fiche technique pour Le Scorpion \/ L’Age d’Or<\/a> (fran\u00e7ais)<\/em><\/p>\n

Contact<\/h2>\n

G\u00e9rard Billaudot\u00a0http:\/\/www.billaudot.com\/fr\/<\/a><\/p>\n

Historique<\/h2>\n

5 Octobre 2002 (Cr\u00e9ation Mondiale)
\nLes percussions de Strasbourg
\nDimitri Vassilakis Piano technique IRCAM
\nMusica – Strasbourg \/ France<\/p>\n

30 Novembre 2002
\nLes percussions de Strasbourg
\nDimitri Vassilakis Piano technique IRCAM
\nHuddersfield
\nFestival Ultima \/ Norv\u00e8ge<\/p>\n

7 & 8 F\u00e9vrier 2003
\nLes percussions de Strasbourg
\nDimitri Vassilakis Piano technique IRCAM
\nSalle Flagey
\nBruxelles \/ Belgique<\/p>\n

12 F\u00e9vrier 2003
\nLes percussions de Strasbourg
\nDimitri Vassilakis Piano technique IRCAM
\nArsenal de Metz \/ France<\/p>\n

27 & 28 Mars 2003
\nLes percussions de Strasbourg
\nDimitri Vassilakis Piano technique IRCAM
\nCit\u00e9 de la Musique
\nParis \/ France<\/p>\n

10 Avril 2003
\nLes percussions de Strasbourg
\nDimitri Vassilakis Piano technique IRCAM
\nLe Man\u00e8ge
\nReims \/ France<\/p>\n

6 & 7 Novembre 2004
\nLes percussions de Buenos Aires
\nDimitri Vassilakis Piano technique IRCAM
\nTeatro San Martin
\nArgentine<\/p>\n

Propice au travail sur la mati\u00e8re sonore, la palette instrumentale tr\u00e8s particuli\u00e8re du Scorpion m\u00eale, outre six percussions d\u2019une grande diversit\u00e9 (instruments en bois, m\u00e9taux, peaux, terre, sable et instruments traditionnels digitaux comme les tablas, le zarbe ou l’udu), deux pianos et un dispositif \u00e9lectronique. Toute l\u2018activit\u00e9 de ce dernier, que se soit la spatialisation, la transformation de timbres, la fabrication de r\u00e9sonances et les effets en g\u00e9n\u00e9ral, est reproduite en temps r\u00e9el.<\/p>\n

La partition suit globalement le d\u00e9coupage du film, ce qui permet \u00e0 la musique d’adopter son articulation g\u00e9n\u00e9rale tr\u00e8s dynamique entre grandes, moyennes et petites formes. Le passage entre chacune des treize sections constituant l’oeuvre se fait selon le proc\u00e9d\u00e9 employ\u00e9 par le cin\u00e9aste, qui consiste \u00e0 \u00ab\u00a0agrafer\u00a0\u00bb deux sc\u00e8nes cons\u00e9cutives avec un d\u00e9tail commun parfois anodin.<\/p>\n

Pascal Ianco<\/p>\n","protected":false},"excerpt":{"rendered":"

(2002) Pour 6 percussions, piano & \u00e9lectronique. Musique pour le film \u00ab\u00a0L’\u00e2ge d’or\u00a0\u00bb. Commande de l\u2019Ircam et des Percussions de Strasbourg. D\u00e9di\u00e9 aux Percussions de Strasbourg, \u00e0 Dimitri Vassilakis, Tom Mays, Agn\u00e8s Couaillier et Fr\u00e9d\u00e9ric Prin Note Le Scorpion est la partition \u00e9crite par Martin Matalon pour le film de Luis Bu\u00f1uel, L’Age d’or. Fiche […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[5],"tags":[],"class_list":["post-373","post","type-post","status-publish","format-standard","hentry","category-musique-pour-films"],"_links":{"self":[{"href":"https:\/\/martinmatalon.com\/index.php?rest_route=\/wp\/v2\/posts\/373","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/martinmatalon.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/martinmatalon.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/martinmatalon.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/martinmatalon.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=373"}],"version-history":[{"count":1,"href":"https:\/\/martinmatalon.com\/index.php?rest_route=\/wp\/v2\/posts\/373\/revisions"}],"predecessor-version":[{"id":374,"href":"https:\/\/martinmatalon.com\/index.php?rest_route=\/wp\/v2\/posts\/373\/revisions\/374"}],"wp:attachment":[{"href":"https:\/\/martinmatalon.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=373"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/martinmatalon.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=373"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/martinmatalon.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=373"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}