{"id":394,"date":"2011-03-01T12:39:02","date_gmt":"2011-03-01T10:39:02","guid":{"rendered":"https:\/\/martinmatalon.com\/?p=394"},"modified":"2011-03-01T12:39:02","modified_gmt":"2011-03-01T10:39:02","slug":"trame-v","status":"publish","type":"post","link":"https:\/\/martinmatalon.com\/?p=394","title":{"rendered":"Trame V"},"content":{"rendered":"<p><em>(2003)<br \/>\nPour trompette solo et orchestre (3,3,3,3 &#8211; 4,3,3,1 &#8211; timb., 3 percu., hpe, pno &#8211; cordes)<br \/>\nCommande de l&rsquo;Orchestre National de Lorraine et de l&rsquo;Arsenal de Metz. Dur\u00e9e : 23 mn.<\/em><\/p>\n<h2>Note<\/h2>\n<p>Trame V comporte un prologue, 5 mouvements et un \u00e9pilogue.<br \/>\nPar le biais des sourdines, \u00e0 mesure que la pi\u00e8ce se d\u00e9voile, le son et le<br \/>\ncaract\u00e8re de la trompette vont se transformer. Loin de se confondre avec la<br \/>\ncouleur instrumentale du moment, l\u2019usage des diff\u00e9rentes sourdines, dans une<br \/>\ngraduation allant du son le plus \u00e9touff\u00e9 au son le plus clair, va lui<br \/>\npermettre de mieux se diff\u00e9rencier et de conf\u00e9rer son caract\u00e8re propre \u00e0<br \/>\nchaque section. Dans l\u2019ordre : intimiste et chaleureux (sourdine harmon),<br \/>\nludique (sourdine wah-wah), fragile et expressif (sourdine cup), tranchant<br \/>\net anguleux (sourdine s\u00e8che), pour finir avec le caract\u00e8re dramatique et<br \/>\npuissant du son naturel, (sans sourdine), qui ne se d\u00e9voilera que lors du<br \/>\ndernier mouvement.<\/p>\n<p>\u00a0\u00bb Ce travail de diff\u00e9rentiation des timbres m\u2019a permis d\u2019explorer les<br \/>\ndiff\u00e9rents caract\u00e8res de la trompette, autres que les aspects h\u00e9raldique et<br \/>\nmartial qui lui sont si souvent associ\u00e9s dans le r\u00e9pertoire classique. \u00a0\u00bb<\/p>\n<p>En ce qui concerne la forme g\u00e9n\u00e9rale de l\u2019\u0153uvre, les 5 sections s\u2019encha\u00eenent<br \/>\npresque sans transition, chaque mouvement \u00e9tant comme l\u2019affluent de celui<br \/>\nqui le suit. C\u2019est une forme ouverte en \u00e9volution continue.<\/p>\n<p>Pascal Ianco<\/p>\n<h2>Contact<\/h2>\n<p>G\u00e9rard Billaudot\u00a0<a href=\"http:\/\/www.billaudot.com\/fr\/\">http:\/\/www.billaudot.com<\/a><\/p>\n<h2>Historique<\/h2>\n<p>16 Mai 2003 &#8211; Cr\u00e9ation mondiale<br \/>\nOrchestre National de Lorraine \/ Direction Jacques Mercier<br \/>\nTrompette : Eric Aubier<br \/>\nArsenal de Metz \/ France<\/p>\n<p>20 Mai 2003 &#8211; Cr\u00e9ation mondiale<br \/>\nOrchestre National de Lorraine \/ Direction Jacques Mercier<br \/>\nTrompette : Eric Aubier<br \/>\nEpinal \/ France<\/p>\n<p>24 Mai 2003 &#8211; Cr\u00e9ation mondiale<br \/>\nOrchestre National de Lorraine \/ Direction Jacques Mercier<br \/>\nTrompette : Eric Aubier<br \/>\nFr\u00e9min \/ France<\/p>\n","protected":false},"excerpt":{"rendered":"<p>(2003) Pour trompette solo et orchestre (3,3,3,3 &#8211; 4,3,3,1 &#8211; timb., 3 percu., hpe, pno &#8211; cordes) Commande de l&rsquo;Orchestre National de Lorraine et de l&rsquo;Arsenal de Metz. Dur\u00e9e : 23 mn. Note Trame V comporte un prologue, 5 mouvements et un \u00e9pilogue. Par le biais des sourdines, \u00e0 mesure que la pi\u00e8ce se d\u00e9voile, [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[7],"tags":[],"class_list":["post-394","post","type-post","status-publish","format-standard","hentry","category-orchestres-avec-ou-sans-solistes"],"_links":{"self":[{"href":"https:\/\/martinmatalon.com\/index.php?rest_route=\/wp\/v2\/posts\/394","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/martinmatalon.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/martinmatalon.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/martinmatalon.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/martinmatalon.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=394"}],"version-history":[{"count":1,"href":"https:\/\/martinmatalon.com\/index.php?rest_route=\/wp\/v2\/posts\/394\/revisions"}],"predecessor-version":[{"id":395,"href":"https:\/\/martinmatalon.com\/index.php?rest_route=\/wp\/v2\/posts\/394\/revisions\/395"}],"wp:attachment":[{"href":"https:\/\/martinmatalon.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=394"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/martinmatalon.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=394"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/martinmatalon.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=394"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}